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Baby moths were growing
up around my monitor taKing
heat away from the dark areas
still glowing arUund our boxes—
and ghost boxes

ThE first month I met youu,
reading you completely wrong
was right before frayed July
collapsEd the year on us where,
while I looped solens mekanik—
loved at what litttle of me existed
and sleeped aT the sun,

LatEr we set boundaries,
and learned a ٭small٭ amount
more about each other
Being trans is ٭really٭
alll we haVe in common

One confining nigHt I panicked
over the pictures of you in my
mind coMmitting into drapery
about a mantis—⠀⠀⠀all the hearts
⠀⠀⠀⠀ are pink or blue—
so that after you said ٭suicide٭ I
hallucinated calling you, but with-
out the simple yes / no / please I
need to push through even more
inteNse knots,
I don’t

Another night, in palous September,
I had told you her name after she laughed
that moths can’t breathe inside air
⠀⠀⠀⠀⠀⠀⠀⠀⠀  (which shocked me because
⠀⠀⠀⠀⠀the only moths I’ve ever liked
lived inside)
I grieved for both of us
After sEveral days of specIfic secrecy,
about hours before and after I
aagain was going to call you—
this time outsiDe of dreaming
the roboTic ways we would hug

A half day laTer you catch me
waking up. By chance, it’s the year
my immovable nightmares move,
but you’re saying
you cut yourself and ran away
My feelingS no longer relevant,
there’s felt pauses between
stares of saying nothing,
but you want to know anyway

Baby moths are testing
quick dances upon my face
Very suddenly I wanted to say
I love you
I don’t know youu and that may be
neither realistic, nor prudent(???)
But, June, I had already tried
٭here’s a suicide hotline٭
for my owN peace of mindd
and forgoing sleep to fever dRead

And I love you
wouldn’t mean anything
For some reason, I’m sure
from october 9, 2022
poem from the past a day #51
Baby moths... is a very very special poem for me. it represents how quickly my state of mind shifted from the midyear, only a couple poems before this. i'm experimenting with a sort of frayed, anxious writing voice which bled out from my personal diaries, and emotional text conversations.
the arrival of the central image of this poem, moths, comes from almost nowhere at all, but i connect with their fragility, their tenderness- my favorite insect, in fact. perhaps i'm just always thinking about moths a little bit, all the time.
i also remember feeling a distinct separation from the way i wrote poems before i wrote this poem and the way i wrote poems after. and i really liked that, because it made me feel *new* and *strange*.
also of note: the line "while I looped solens mekanik" refers to the song "Omdrejningsmusik solens mekanik" by Frisk Frugt which i really have listened to many times along with his other music.
Baby moths has a direct sequel, up next.
You give an inch of empathy to a hidden religious majority
and they extend from the shadows to throw eras of baggage
with the camouflaged patterns of love stitched between them

Baggage of whispered systems; focus tested patriarchs
and Devils understood as your anxiety and depression
beautifully uncritical of the power structure we’re borne from

We speak together of ٭The good ones٭
The good Atheists, the good believers
Who pilot understanding above the spreading of hate

Yet, my father isn’t a fear-inbreeding tongue
My father isn’t an immaculate son
My father isn’t the centre of heart
My heart is a cruel and rejecting satan of doubt

Or, that’s how it feels
when you give an inch of empathy to a hidden religious majority
and I have to smile, nod at their nodding at me
I have to agree with their morals of unconditional love
but flinch when the eras of baggage are thrown
there at my feet. And Paul is a warm, unassuming elite
from october 5, 2022
poem from the past a day #50
a strange anti religion poem i wrote in complete frustration.
A broken house.
Lights working against themselves.
A fire on the very edge of a table.
Cracks in the basement in the pattern of five decades of rainstorms,
where for two decades I hid from them.
Where I learned to fear the weather.
Where the furnace leaves with so few words
in the longer and longer and longer winters.
In that I discovered the confusing shapes of neglect
projecting like the 4th dimension along my life.

But I grew up here…
I’ve placed my soul in different places,
between the walls.
My soul in my computer, and my soul across the floor,
spread out and carried wherever goes my dog’s hair.
And he will stay buried here,
or else in several vacuums, and trash cans, and trash trucks,
and trash mountains;
my brother.

Soul in smells of burning, and birth defects.
Pictures that I’ll be discovering under my bed,
and filing cabinets from the 60s with their yellowed paper that I’m afraid to breathe.
My soul in boxes that I still haven’t opened from websites-
usually clothes that don’t yet match my body image-
and I suppose they can ship again, with the truck, as is.
One hundred yearbooks that will show me what nothing I did about being trans,
for all I knew…

The first vestiges of a real human, in my memories,
becoming about the thresholds, shyly.
Sending myself away to the next day,
every day. Beginning school, and ending a frayed dropout
counting the nights until I assumed the universe wouldn’t let me get away with this any longer.

My soul in my 23rd September, and my last winter.
Dedicating, now, its entire core to a new, and existentially unknown supporting organism.
Would everyone allow me to mourn my losing a house?
Do not make me match your optimism, your assumptive congratulations.
I feel my soul being stumbled upon, and thrown into an unplanned demolition.

Spirited away, from my perspective,
with 160 thousand dollars to invest into the opportunity to spend 280 thousand dollars
over the next 40 years.
Playing with numbers that don’t even account for the consulting with doctors,
and the consorting with happiness.

60 days to leave a force of nature
that will soon attract flood water into the lives of the young couple
who I can’t imagine sitting around making the same mistakes I make,
plugging into the drywall, and calling the resulting warmth a kind of home
come November.

60 days to leave my soul.
from september 2, 2022
poem from the past a day #49
i moved at the end of 2022. it's unbelievable that every poem written before the month of november of that year was made under the circumstances of my childhood home which was so run down that the lights practically stopped functioning in 2018. somehow i was still finding the creative spirit inside me; the house was like a physical manifestation of depression.
the poem is so casual, but ties itself together, i think, because of a couple hard hitting lines "And he will stay buried here, / ... / my brother."
in retrospect, i've written *much* less since leaving that house. it was like a well i was tossed into as a baby, inside which, i communicated, only with the walls.
really what happened is that the rest of what life had to offer seemed more attainable once my family and i left that stinking crater behind. actually, the final stanza of this poem is a fantasy, the house didn't go to new residents, but went to a contractor who plastered over every last dying stain with plastic and white paint and that house ceased to even breathe after a few months and now sits empty, dark, clutching its hideous secrets like a collapsed lung.
god is not a coin flip
his gender is implicit

excise all thoughts that sound of dissention
and consider your mind made by nothing other
than the systemic fetter of a thousand generations
who think prisons and hell are righteous endeavors

god is not a coin flip
you are free to try and fit

that puzzle of your logical, realistic, loving brain
inside the orchestrated plastic of patriarchal form
pleading in choral for to hate the ******
or times, monks, in matching baritones

god is not a coin flip
the angels are complicit

the work of raisin giants
won’t let me from their grip
fae and fruit dragons are sent
into historical myth, ley
way for the channels of text proclaiming
the dreams that are real and real-and-not

fake- you stay awake for raisin giants
came upon the desert mountains. they
forbade you be gay, “or worse.” made
thoughts about love unwanted phases
blind spaces in the vision of the lord
until i begin growing *******, for
the christian eye is mimicking satan
taking passes at the throne of judgment
each and every one of them, unknowns

myself was not a coin flip
i’m nothing in contention

the debate of raisin giants
against the confluence of light,
their omnipotent subjective indifference
go figures in fiction on every ism
a white brainwashing for each occasion
has not torture since been a celebration

the execution- the work of raisin giants
the inquisition implicit as blood to romans
your freedom to choose the name of me
as life is philosophically opposing things
your romans would decry tolerance, too
all the most powerful are genesis glue
it’s so me to develop these comely notions
it’s so me to define friendship on emotions-
the work of raisin giants

the god of deeply men
his gender is explicit

cast away the waxy bile that you used to write qadosh
you speak for the most dangerously spiteful of hosts
the ever bigoted fetter of a thousand generations
who think naked fear is the good path to hope

god is not a coin flip
we are free to think us free

to believe in any personal reality, or identity
inside the practiced notes the raisin giants sing
leading with the ever anger of a human being
or times, god above, in matching animosity
from august 18, 2022
poem from the past a day #48
2022 was my year!!
a good poem!
i was, at this time, fully obsessed with the intersection of christianity and the patriarchy. i was thinking about how sometimes well meaning people like to reframe the image of god as female, or even non-binary, and that frustrated me because the whole institution and central text of these religions are made by and made for men.
that's the first idea of the poem, and then i sort of interrupt that to talk about *the work of raisin giants*, which just refers to the baggage of old dead people and the evil that they have done. and, a bit about how this fever of hatred has affected me.
also of note: the 2nd line of the 7th stanza is inspired by Neutral Milk Hotel's Communist Daughter.
We still love you.

For love is in contention.

Cast away the comely marrow that you use to think yourself

Whole.

You can step off of the world if you think us this cold

Sort. ٭٭٭٭,

Don’t wander in the forest.

For life is in contention.

٭٭٭٭, step here,

and step there-

and such, so we can know you.

Forsake the forest things, or do not continue further.

Cold-

Why are you so cold?

Cast away the comely marrow that you use to change yourself.

Lo, ٭٭٭٭,

Your love is in contention.

Cast away the way you make it, or we will not love you.
from june 22, 2022
poem from the past a day #47
this looks a little better when I don't have to use an asterisk variation due to formatting issues.
this is about coming out to people who are supposed to love you unconditionally, but your queerness makes that love instead conditional.
the phrase "comely marrow" to me describes, first, *comely* which hints at womanhood, and *marrow* as a substance that provides you with the ichor of life, in this case it's estrogen.
the "censoring" in the poem is not after-the-fact, but a writing mechanic that invokes the presence of information that the reader isn't allowed to know. in this case it's my deadname. you can pronounce it as a soundless single syllable beat.
The sky was nothing, but nebulae stretched across three-hundred million years in distant patches of dust-streaked systems.

In-between was a common substance altogether defined as something missing. In these pathways, voidspace, were waves unrecognizable as thoughts left over from the explosion of a sun.

I spoke. Softly falling, like the last raindrop in a storm, my influence not considered as much as my absence was before. I say that I don’t have a body, but I have a form. A pour of peaks and troughs, and thoughts- somehow- and will, and more.

My quilt of neurons-were is here, is stored in voidspace. Clears of filaments, antimatter, hem as far as vibrations embrace all of them.

I awoke in the afterlife of Earth. Am I air, or something of that sort? A momentary retreat of the excessive supernova? Still… I’m coding the breadth of time between breaths when I was my body. I am able to be.

I am many changing frequencies. Human parallel with the stars behind me. That before who I described as exploding was nothing more than a constellation of molecules hopelessly enframing. I may have gone young, but I was not aging. I realize that we weren’t designed for changing.

The sky was an uncountable series of lights, and too an accent of infinite black. But the void plays gently around my intent. We express all that can be, and could be expressed, in the smallest differential of space distressed.

In a motion I cry for the atmosphere I lost. Lorelei with her sheltered grove of strife. Layers of nightmares come-to-life. And a leering monkey attached to her back, the prehensile production of what ultimates death.

Her worst fear was always what others would remember. What they used to call her. And now we have all been extinguished together.

The waveform oscillates, up and down. She begins to panic, and suppose. If I am here then they are too. And they know not for whom they grieve. Is the void- is it all the same? Did I fail to coordinate with the end of the world?

The sky was nothing, responding back. Gas formed a rainbow of pillars of salt. Swirls of memories standing at the edge. Groups of Galatians stabbed with knives. Blood in the water of Spring in Order, and everybody else who has ever suffered. White chalk, my dog who only ever knew my old smell. Crying solipsism on the steps of a cathedral. All the screens in all their phases. Because she must create noises, brittle, as the rotting ragdoll’s needle. Bugs wrecking, inseperence, roses in acidosis imprint; all their healing in all insistence. If you all stayed longer you would have met me-

In the voidspace I flatline. The microscopic adjustments flutter as I emulate her heartbeat. It’s one thing that I don’t remember. I realize how cold we are in-between. She must have formed during the winter. All the veins are clocks like pulsars.

Can any of you hear me?

mother
father
sister
brother

I was born, I think, to be loved.

voidspace
sun
father
mother
of

She was born, I think, to be loved.

But the air I fill is never warm. Void. Sky, in, I exist is never still. I thought the process of negative matter would effectively displace the isolation. All the cells are fluctuations.

Light-traced electromagnetic ranges are making me in the naked night. Void. Separation. The eye is nothing to the observation. What amount have I thoughtlessly absorbed since the very first particle created sight?

The sky was irrevocably something, and I have grayed before, and beyond it. What is the separation of reality / contradiction; all the self is imprecise, and maybe every brain is this same confliction.

My vertex meets the arbitrary crest of a larger place. I say that I don’t have a body, but I have a voice. At some indefinable distance in time, I am responded with another copse of sines.

daughter
daughter
daughter
daughter

My sun is gone too. All your waves are projections of anguish. I am not sure if I know you. All I am is that I hear you. Every peak is meeting troughs of yours that recompile mine. In this way we can create and uncreate love.

Although… it did not take the end of our kind to be capable of change. For we were, and are still, composed of our sun. In voidspace the makeup of emotion is clearer. Lo, all the stages are in their own way a deception betrayed by their need for expression. Look around and you can see each atom is composing a partner in this reflexive pattern. Recursive, and always following each other.

I know this does not account for your mind. You experience her in a macroscopic sense. I believe I can define your negative space. We can stretch the additive wave throughout time.

Until we are whole.

The sky was my own. This strange cosmic warmth stretched forever and I… spoke. Softly nodding. I say that I don’t have a body, but we are a voice.
from may 29, 2022
poem from the past a day #46
fourth in a four part series.
girls own the void, the poem.
also, a firework for the previous 5 years of my poetry, ~16 of which are referenced (one or two that aren't even posted on this website).
i certainly tried something here. i tried to cobble a story together. i tried to make it end-of-world. that's a hard setting to pull off. that kind of existential philosophy is hard to pull off. i don't think i pulled it off. but, i do love this poem.
the reader doesn't get the comfort of reading it all in one way. you have to bounce between rhythms, a light dust of rhymes, momentum ending run on sentences, and like with all of my poems, thoughts left unexplained.
but it was an effort to put this mess together. it's cute. it perfectly represents a version of me that existed for hours at a time, on and off, during the year 2022. this avid experiencer of joy. i was writing a blog and everything...
i just love poetry and here's my poem thanks.
The sky was
yellow
and there were
versions
of the sun
roaming

Electricity flicks through my ears
it all cares little for my animal fear

The sky was
intense
violent where so many
sisters
of the sun
shone

Run away slips vibrant through my brain
the mechanisms of life won’t allow me to remain

The air was
passive
in that moment
before
the balance
of sky broke

That moment was most of my own existence
but little of me matters in a brilliant indifference

I was some
carbon
one-tenths hydrogen
more oxygen
where she begins
everything

Composed entirely of one explosion
when I couldn’t oppose a single implosion

The ground was
shaking
and there were
vapors
becoming
of all that was stone

Plasma drifts by my tears
it so cares not that I disappear

All the clouds
soup or
already belonged
to her-
I am not
a witness

I am a passage through her cycle of embers
The critical atoms in her final center
from may 28, 2022
poem from the past a day #45
third in a four part series
a minimal thing describing the end of the world. thematically, not really connected to the other 3 poems around it, but the fourth poem will have a light storyline that allowed this one to slot right in.
perhaps now things are beginning to make sense. more later.
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