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Emma Johnson Oct 2013
She eats her spaghetti

with a fork like a shovel,

ignoring the etiquette lessons

from her mother so many years ago.

You can tell her there’s

tomato sauce staining

her mouth like lipstick

smeared from the night before,

but she’ll just laugh

and wipe it away with her sleeve

when she’s finished.

You would think

such a messy eater would

leave bits of her meal

all over the table

but when she’s done,

there’s no trace of

her haphazard manners

and she disappears

again.
Emma Johnson Sep 2013
Saying your name will always hurt.

I believed you when
you said that you would love me
forever.
I nodded benignly through my tears
when you said you never
wanted to hurt me like this again,
and that's why
you did it then.
I wanted to kiss you
when you reached
for my hand and told me
this was only because you wanted
to be there for me.
I tried to forgive you,
so we could be friends
like you wanted
because until then
I was amazed by the way
you knew and understood me,
you were my safety blanket when
I hadn't felt safe before
and because of this I was
blind to the ropes you tied to me
like I was a broken marionette.

Now I can't believe
you saw my scars and didn't kiss them,
let alone allow me to tell you their story.
I can't believe you ****** my friend
two weeks after
you took knives to the places in my heart
you knew would hurt me most.
But mostly,
I can't believe you expected me
to crawl back into your arms after all this.

I want to throw at you
all the notebooks I've wasted
writing about you.
I want to scream at you for
treating my heart like either
(I can't decide which is more true)
a playtoy or something that
you could save,
neither of which were right.

I realize you're worth none of this.
You're not the girl I fell in love with,
you're not the girl I trusted with all of me,
and I don't miss you
I miss that girl.

I tried to hard to forgive you,
but you don't deserve that.

All I can do is forget.

(Sincerely) *******.
Emma Johnson Sep 2013
Seven ruler-straight
horizontal lines
Two solidly thicker
vertical lines connect
those to the
palm of my hand
And one in the shape
of a hot, bent, metal stick
almost hiding in my
arm's crease.
They look so soft now
but I remember when
each one of them was
ragged and ******
and I was crying out
for someone to help me.
I never left without my sweatshirt,
I tried to blame it on the cat
because I couldn't explain to anybody
my reasons for harming myself,
you can't just
describe your demons
that easily.

These scars are a map,
a storybook on my body
of the time I needed so badly
for somebody to hold me.
When nobody came with a rag
to soak up the blood I was
trying to get out of me
I realized that
I was either going to have to
learn to love myself
or let myself die right there.

I am happy to have these scars
for they mean that I chose the former,
escaped that dismal ending
I had chosen for myself.
They prove to me
that if I can come from the edge of death
to the person I am today
there's no reason
that I can't do anything else.
this is an idea that I really want to write about, but this poem needs a lot of work. any comments/criticism/suggestions are welcome!
Emma Johnson Mar 2013
I guess there are
a lot of people with problems out there.

I guess

they have a lot
of the problems
that I have too.

I’m still trying to
remember that
we’re not really all alone.

I don’t know what’s
past this universe
but I know that there’s you
and there’s me

and I guess

we share a lot of our problems,
and a lot of other things too

you make me feel,
like I
am not so

alone

and a little more
like myself,

like I can’t even describe,
and I hope
I can do the same
for you.

I love you more than
I can even

understand.
Emma Johnson Feb 2013
The old bench creaked underneath her as she sat down, pulling a cigarette from behind her ear and lighting it. She looked aged, although she wasn't more than twenty-two. Beneath her thin legs, the bench felt like the sandpaper carpet she had sat on for hours in astonished silence. Her eyes shut tightly, trying not to envision that room, trying not remember the sound of heart beating angrily.

Muffled screams that, if they weren't absorbed into his unyielding hand, would have filled the house and escaped the windows with anguish. Thrashing, thirty-seven minutes of useless thrashing against rough arms and legs, their massive power pinning her to the mattress. Crying. More thrashing. More attempted screaming. Thirty-seven minutes of the kind of fear that paralyzes a person. He removed his hand from its cover over mouth and stood. The room remained dark until he reached the door, one long, violent arm reaching back to flick the lights on, then the door was shut. Footsteps descending the staircase, a mockingly gentle shutting of the front door, then the house was still.

Her hands shook with anxiety, panic tracing every fiber of her being. She could remember only the white room with coarse carpet and a single queen-sized mattress. Nothing else. She recalled how the mint green sheet looked so new, but there was no blanket, how the spider she saw tiptoeing on the walls didn't frighten her like it usually would, how the light on the ceiling shone too brightly.

Forcing her eyes open, she escaped the room and returned to the present. The cigarette she forgot to smoke was burning filter, so she stubbed it out on the faded, wooden bench, retied the white apron around her waist and slipped in through the back door of her mama's restaurant. The fear slowly subsided as she talked to faceless customers, building in the back of her mind until it decided to return again.
Emma Johnson Jan 2013
He spent most of his time driving around. It was aimless really, but he figured that’s what life was, and driving was better than sitting.
“Where have you been?” his parents would ask.
“Nowhere.” was always his response.
This angered them tremendously. But what was the proper answer? He truly was going nowhere, too apathetic to do anything but follow the same empty streets for endless hours.
“Where am I supposed to go?” he countered one night. Silence fell with the weight of a train. They had no answers. “No, really,” he began to rant, “where the **** am I supposed to go? The church? The bar? The playground?” He didn’t realize he had started yelling, angrily mocking the small town, population: 2,036.
“Son,” his dad chimed in, “I know there’s not much for you around here-” the boy cut him off by turning around and calmly walking towards the door, stopping the fighting as soon as it had started. It wasn’t worth it.
He stepped out into the dark, the warm air was inviting. In the ignition the keys turned smoothly and the engine purred as he reversed onto the dimly lit street. His destination: nowhere, population: him.
Two hours later he found himself staggering on the edge of a cliff. He recalled a random collection of winding dirt roads, but had no idea how he ended up at this particular spot, in fact he had no idea where he was. Toes curled and uncurled, indecisive about the 50 foot fall into a black, choppy lake. The moon’s reflection peered up at him, calling fall into me, I am safe.
What does it matter anyway? This thought wasn’t shocking. Truthfully, it didn’t matter; there was nowhere else to go.
He released the tension in all of his muscles and fell, limp, towards the reflection of the moon.
There was a note, fluttering, under the windshield wipers of his car, parked only feet from the cliff.
*I’m going somewhere.
Emma Johnson Jan 2013
I felt empty. I didn’t know how to explain it either, I felt empty in the most hopeful way. My dancing skin cells all ached for you, and while I knew that sooner or later you would be in my arms, in that moment I still felt so empty without you.

It had been four hours since the blue, flowered tab dissolved under my tongue. The bitter taste of it was gone and I was left with a distorted world and the attention span of a goldfish.

I found myself in a park searching for you. I don’t remember how I got there. From the top of the slide I watched a filmstrip in the streetlight’s glare; two people were holding each other, they were dancing and smiling and laughing. I watched the patterns in the snow. I watched the tree branches grow and shrink, curling themselves like contortionists and I finally understood Dr. Seuss’s secret to writing his books. His worlds were not reality and this wasn’t either.

There was a person next to me. I don’t know when he got there. I knew him, but I might as well not have; he was just as much as a stranger as any.

“See that house over there?” I found myself saying, “Their sidewalk is moving. We should tell them their sidewalk is moving. They should call somebody about that.”

We burst into laughter.

In reality, their sidewalk was not moving. But this was not reality, and their sidewalk was turning over itself like it was ribbon instead of cement.

I got bored of the Truffula Trees. I parachuted down the slide to follow the footprints in the snow, footprints I was entirely sure were from the Star-Bellied Sneeches. They led me down street after street, I could not read the signs because of the flashing lights that overtook my vision.

I stopped in the middle of the street where the ground was a thick layer of ice. The stranger asked me how I was feeling, I replied with “I don’t even know where I am right now,” a saying not uncommon to come out of my mouth.

I couldn’t tell if it was five minutes or three hours later, but we were back at an apartment familiar to me. It was the stranger’s. You were still nowhere to be found, and the daydreams of your lips on my neck were driving me crazy. Even in this unreal world, I still remembered your taste and there was nothing I needed more.

For hours I watched the ceiling and the walls, silent. The world had been carved from crayons and somebody had a giant blowdryer to melt it all. I watched as the walls drip, drip, dripped onto the floor.

A light from somewhere else turned on and it was reflecting with the already glaring light.
“I feel like I’m inside of a CD,” I said to the stranger, trying to make him understand my Dr. Seuss world. “The lights are jumping everywhere, like the lights when you hold a CD in the sun. Do you hear the music too?”

With the empty feeling, the crayon walls and ceiling, and the jumping lights, I had to close my eyes. It felt so nice. I wanted reality back. I watched the kaleidoscope on the inside of my eyelids and tried to sleep.

I still wondered where you were. I wondered why anything would stop us from being together right now, why is there a force in the world that could willingly take my home away from me? Without you, I realized I am nothing more than cells escaping the body they form; I am not a being but rather a mind living in an alternate reality. In the Dr. Seuss world I float, in the real world I am anchored to you.

As I drifted off to sleep, hoping to wake up in the real world because I was sick of the patterns moving on inanimate objects, your words hung in my ear. “Goodnight my beautiful girl, I love you so.”

You are my home. I am empty, aimless, and unreal without you. I do not find comfort in Dr. Seuss’s worlds, nor do I find comfort in the real world.

When the world is made of melting crayon and my cells are bouncing out of their perimeters, you are real and you are refuge for the lost and drugged girl.

“Goodnight my beautiful girl, I love you so.” The words tasted so sweet I almost wanted to cry.
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