My neighbor and I still hang out our wash,
(I, each Thursday, taking my chances.
She, according to weather forecasts, I think,
or maybe by what she feels in her bones).
We laugh at StarTribune's report of some suburban bans
against clotheslines.
We wonder out loud whose tomatoes will first turn red,
and whether cucumbers will make it at all;
this year, it's been too cool and dry
for normal progress to the fall.

Tenacious dandelions, spread as stars across green-earth skies,
drive in spike-like roots, take hold of earth, and won't let go.
Kids squeeze bunches of stems in tight fists
that will open only to release the buttery bouquet to Mom
who hurries to put them in water, in a crystal vase,
wondering how soon she might mourn both flower and child.

While hanging bright, white unmentionables (some somewhat tattered)
on our clothesline, I, unembarrassed, remember my mother:
   with one clothespin held in her mouth
   and half a dozen more in her apron pocket,
   (thus needing not to walk over and over again
   the east-west path to the back door  
   where full supply of pins hangs on the ****)
   she does her woman's task with flair,
   spacing each garment so as not to block the sun or air.

You'd think she'd held some tool to calculate
where the sheet would best allow the breeze to circulate
or where to place each pillow case and sock,
so each would recognize and meet their mates!
And I know she theorized regarding how to hang those socks,
always with the toe pointed upward, so as not to show,
when dried and worn, a crease or ever-so-slight evidence
of the pin's pressure displayed for all to see
on the exposed ankle,
as if that might be a matter
worthy of shame.

See, I have climbed the mountain side
Up to this holy house of God,
Where once that Angel-Painter trod
Who saw the heavens opened wide,

And throned upon the crescent moon
The Virginal white Queen of Grace,—
Mary! could I but see thy face
Death could not come at all too soon.

O crowned by God with thorns and pain!
Mother of Christ!  O mystic wife!
My heart is weary of this life
And over-sad to sing again.

O crowned by God with love and flame!
O crowned by Christ the Holy One!
O listen ere the searching sun
Show to the world my sin and shame.

This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly;
And the little brown nightingale bills his best,
And they sit outside at ‘The Traveller’s Rest,’
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.

the sounds are there, they come through walls
right around the corner
they're not visual, they're miserable and in need
they're equal opportunity exhibitionists
lovers of a family get together, taking everything in
parasitic and aware, destitute and stuck
but they're also there at the wrong time
the wrong time for the person who's alone
the wrong time for a person who's disconnected
because they want to be enjoying peace and quiet
alone
by themselves in an old house
with summer outside making its noises, crickets
trees rustling under a jeweled sky, the pinnacle of up high
breathing in the home air of cannibus, lotion and food
being disturbed is far from a thought, but unavoidable
simultaneously
because the house has a strange history
the basement floods, and the machinery kicks in
the mind ponders as the constellations wander
the nights grow and shrink, the body is dry, bone dry
the shower is turned on, soap, shampoo
lost in the mind on autopilot
until the spine stiffens
its without a doubt that I'm not alone now
a minute ago i was the master of this house
a minute ago I was naked in the hallway, smoking a cigar
now I've been usurped and I just want to barricade myself
in this house that I've live in for 15 years, now i beg for permission
to stay just one more night
I beg because how could I possibly fight
It's my conscious or the pontius pilate
I hope it's the former, because if not, blowout the pilot light
There's little hope for re-ignition or stellar recognition

Sun of autumn, thin and shy
And fruit drops off the trees,
Blue silence fills the peace
Of a tardy afternoon’s sky.

Death knells forged of metal,
And a white beast hits the mire.
Brown lasses uncouth choir
Dies in leaves’ drifting prattle.

Brow of God dreams of hues,
Senses madness’ gentle wings.
Round the hill wield in rings
Black decay and shaded views.

Rest and wine in sunset’s gleam,
Sad guitars drizzle into night,
And to the mellow lamp inside
You turn in as in a dream.

All the flowers of the spring
Meet to perfume our burying;
These have but their growing prime,
And man does flourish but his time:
Survey our progress from our birth—
We are set, we grow, we turn to earth.
Courts adieu, and all delights,
All bewitching appetites!
Sweetest breath and clearest eye
Like perfumes go out and die;
And consequently this is done
As shadows wait upon the sun.
Vain the ambition of kings
Who seek by trophies and dead things
To leave a living name behind,
And weave but nets to catch the wind.

We too, we too, descending once again
The hills of our own land, we too have heard
Far off—Ah, que ce cor a longue haleine—
The horn of Roland in the passages of Spain,
The first, the second blast, the failing third,
And with the third turned back and climbed once more
The steep road southward, and heard faint the sound
Of swords, of horses, the disastrous war,
And crossed the dark defile at last, and found
At Roncevaux upon the darkening plain
The dead against the dead and on the silent ground
The silent slain—

The shadows have their seasons, too.
The feathery web the budding maples
cast down upon the sullen lawn

bears but a faint relation to
high summer's umbrageous weight
and tunnellike continuum-

black leached from green, deep pools
wherein a globe of gnats revolves
as airy as an astrolabe.

The thinning shade of autumn is
an inherited Oriental,
red worn to pink, nap worn to thread.

Shadows on snow look blue. The skier,
exultant at the summit, sees his poles
elongate toward the valley: thus

each blade of grass projects another
opposite the sun, and in marshes
the mesh is infinite,

as the winged eclipse an eagle in flight
drags across the desert floor
is infinitesimal.

And shadows on water!-
the beech bough bent to the speckled lake
where silt motes flicker gold,

or the steel dock underslung
with a submarine that trembles,
its ladder stiffened by air.

And loveliest, because least looked-for,
gray on gray, the stripes
the pearl-white winter sun

hung low beneath the leafless wood
draws out from trunk to trunk across the road
like a stairway that does not rise.