When I first sold myself there were
black cottons, brass buttons, iron crosses, steel machines
All the marks of war
All that searing heat
With all that pretty malice
Spilling Paris in the street
‘Twenty marks’ I called
‘Twenty marks’
That was 1943
And Piaf was doing well

Nurse, do you know what it is like:
To have a man inside of you
that you could never love?

There was, once upon a time, a pretty little ****
black cottons, brass buttons, iron crosses, steel machines
Lying on my floor
And Maman was starving, and my sister, too
Dignity wasn’t half the tax it seemed before
He gave me a baby, and a disease,
That was 1944:
Piaf was quite successful, then

Doctor, can you fathom:
Having sores all over you?
Yes, down there, and
all up and down your thighs, your body burns.
Can you feel that?

Then, the Germans left, and the Allies came, all
black cottons, brass buttons, iron crosses, steel machines
All of that decor
Fleeing, running out
On the French horizon
Retreat
The Allies were the same
‘Three dollars’ I called
‘Three dollars’
That was 1945:
Piaf was languishing
Paris had died

Jacques, my dear:
Those were our times
smoky cabarets, sculptured croons, fine wines
your rifle on your back could wind my morning with worry
and with my scourges, you took me all the same
but what I remember is:
black cottons, brass buttons, iron crosses, steel machines
then:

nothing

“Monsieur Boursin - she has passed.”

He sobs,
it sounds like
war.

There is nowhere to hold this, and it is heavy.

We drink coffee in white, square mugs
on the fifth ***** step.
I am sick and the coffee pinballs in my stomach.
You do not care about hydration.
You are covered in so much paint
you look like Matisse in a fender-******.
You look sore all the way down to your fingers.

The bed in the opposite room won't be yours,
but could be.

I lope around nauseous on the mornings
I don't work. I light candles that jump
with a stench of French Vanilla. Dogs bark
unholy early.
I tire of the anxious sleep of the newly living-there,
the newly living.
The loud neighbour,
the considerate neighbour,
the ******* dogs.

I open the bedside drawer.
No Gideon hotel bibles.
Condoms, picture frames,
instructions for a washing machine.
No Bibles.

Sometimes, I find it in my shoes - this envy -
or in my pockets.
And sometimes I drag it behind me,
like wedding cans on a bachelor's car,
filaments of grief and filthy broken dinnerware,
threaded cotton of towels
too often used without washing
and wine bottle bones.

And somebody once told me not to paint a
room in it, but this jealousy is sage, not lime,
and I could **** well sleep in here,
and sometimes do.

In the hanging kitchen, the smell-
cut cayenned sausage, ejective tomato slices
the whole thing in the back of the throat, inflamed.
Olive oil. Vinegar. Billie talks about her "girl
friend." She lives in Mayfair. (Almost pretty;
don't look too long.)

At times I feel sick.

American man he
strikes the figure of a half-God
broad-shouldered, burned
he does Not exist, John Henry
split his bust long ago and we
are huddled small boys imperfect
in the dust of his legacy.

Our fathers stood from dinner tables kissed
wives were kissed by children one last sip of old
wines and walked into the night looking
for burned-up lamps, the memories of mountains.
Ate stone. Drank mist.
(A thirst for adventure is close to your heart.)
Fell into the grit, the failure, fell
into everything.
(Little else has taste once the spice of life is on your tongue.)

I have nothing but my understanding.
I want to be swaddled, paralytically blind, shamelessly loved.
Or to go out in the wicker
world, there to find whatever our best
died looking for, tigers or ruins or
a life after adventure.