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Who is this man of which you speak

A hallow man, with a set of theatrical masks

That project grotesque shadows upon the world

A monster of evil, a creature ,yes a creature

Whose moral viciousness is vividly stamped

On his twisted body who believes

He has been cruelly cheated by dissembling nature

Yet has with skill a fathomless malice fashioned

Aye and calls for the closing of ears

To the admonitions of conscience

And to vicious energies of hate and ambition

Yes and gives to the eyes coordinates locating an illusion

Whilst he would still the lips with distance

That evaporates in a poignant lament

Of shrouds and gaping graves

Of deformed and emaciated children

Forced to hide in the darkness

The darkness that shadows his words and actions

Gives to us the unbearable fear of abandonment

That would mutate and change places

With the frequent futility of human endeavor

Who is the man of which you speak

It is a man who tosses pebbles
Dubious sense of unresolved ambivalence

Given to implausible suppositions of fragmentation

That distinguishes itself in well meaning solemnities

Of delicious incompetence that evaporates distance

In its poignant lament of darkness

That shadows words of cruelty, indifference and rage

Oh how unbearable those misadventures of piteous overthrows

That cram into brief utterances more meaning

Than language can hold and force a confrontation

Of unresolvable contradictions hidden in such speech

That are the stilling of time, those words that find expression

In a mystic power that transforms darkness into intense light

Whilst blocking out the harsh unforgiving light of everyday

And causes mutation and change of place in disorienting fashion

In seeking a loyalty of angers by shifts of dramatic register

Views its own meaning unstable and problematic

In defense of its own legitimacy
In particular evinces of comparable obliviousness

To implications of extraneous misunderstandings

That bring a melancholy of limited constrictions

Makes one articulate anxiety in dazzling reform

Of vibrant linguistic experimentation  of lawless incongruity

Resulting in rhetorical pyrotechnics that defy inflections

And a wild farrago of tongues that boast a fecundity of speech
There's a dead bird in the Churchyard

It bears no shallow grave

It has no followers or mystic cause

A dead bird in a church yard alone

Not in tetralogy of artifice with Father, Son and Ghost

Thus not finding better strategies for life dies

A dead bird that has gone to be with the music of spheres

Bears no act of censorship no ridicule

Where passers by emphasize the emptiness of their concerns
………..emotional cataclysms of creative energies occur volatilized by their liberation displaying inherent aesthetic propensities of a great mysticism…..this is a very strange night….I believe Dionysus is afoot……………..
Words…..because words are all I have……..:) Edgar
endearments generosity incantatory new sagacity surprise heresy dissipation violating abyss language warning culminates dalack obdurate serving waiter ossuary occurrences tortured beware silence calm bow physiognomy paucity occurrence exegeses transmogrification effectuation Adjunctive dairy tenure contention tenner reins happy indomitable, connoisseur artifice concatenation vivacity voluptuous solemnity enigmatic burdened glorious line huge……………………some I made myself…..:) Edgar
Shall I die victim to the terrors I have anticipated

Those that creep by a scarlet moon at midnight

The terrors that return me

To the deep waters of my subconsciousness

Terrors that trickle and trail and impart no sound

Yet emphasize their dark, violent and repressive potential

Oh those terrors that stalk, that follow

Whose shadow can be diserned behind every door and on every stair

That lay me impoverished of courage and ridiculed of depiction

I shall die by these terrors who with want of word

Spread upon me such vicious energies that enact

An intence and exhausting experience

Terrors that empahasie a mind spiraling

Vertiginously toward an unknown chaos

Shall I die, victim to the terrors I have anticipated

I shall, shall I not, I know I shall
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