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Dustin Holbrook Aug 2012
++every now and then i’ll look again
out an opposite window to see
the same things, in the same light
i asked for peace
and to fill my head with perspective
i’d look you in the eyes
but this recurring scenery
sets me back face down
where my eyes pierce the air
to the gouged and grave ground
the colorful bracelet i wear
doesn’t mean as much as i wish
you would
i’ll hang you so high
i’ll hang you from a street light
if it meant you’d be there
but we don’t have many of those around here
i guess the silo
would fit your ego
and the tractor will knock it down
to be collected and fed to the world
...
if i ever got the chance
to make my way to the moon
the only place
where you haven’t been found
i’d write your name in the dust
like atop the mountain
where we made love
but the wind was hot that day
and the woods blocked the sound
of the fault giving way
to our blanket and our bodies
so we dove deep down
where i’ve stayed until today
i’ve lived and breathed
all the air beneath the seas
in an open field where i cut my knees
the grass breaks to wheat
i was either born again or realized home was dead
and the high school i attended
tried to coat the walls in my tongue too
put a pump jack to my lips
tried to surface the words i said
but i’ll say it again, i’m mine until i’m dead
don’t make me say it again, i’m mine until i’m dead

++in italy, where all the roads are made of dirt
the pebbles make a sound
and whisper the rest of what we know
to the gouged and gravel ground
your fingers touch the stones
where your mind seems to seep
down into the earth
and back up through your teeth
your hair is cut so short
compared to what it was
your arm is torn to tethers
that keep your body bound
leather like the face of love
so beaten like the wooden screen
...
through and through, and threw
your scarf
into the wind
into the snow
bright beaming colors wrap around your lips
and into the drain
around the brick
i’d wish for the patterns i sleep with
to be everything they could
in the sense that light won’t ever slow
so pace yourself against the wind
the gears will turn as you type them in
the hammers have been built
and the hand shakes have been firm
coordination isn’t key
but opens the door to the fighting alone
but i’ll say it again, i can make it on my own
don’t make me say it again, i can make it on my own

++i want a movie inside my mind
like the arms of her dress
burying books in the sand
on a black, flat stage
on every morbid wednesday
(the beach blonde scars
on every bleach blonde head)
your face looks squished
from the weight of your brain
juggles ignorance
i’ve done things i regret
but wouldn’t take back
that’s called sorry
it’s all called something sorry
...
like blue synthesis capsules
full floating, flying
lick the side to make sure tiles flow
automatic black glass
opaque lights
glowing blue lines keep the glue on tight
hospital bracelets keep your archetypes
fatherly fatherly fatherly hugs
inside the apartment
kicking the front steps
porches absent on our heads
your green t-shirt
taken off quickly
and faded blue jeans
with no belt to lock them
ready and not waiting for no one to jump in
off the dock in new jersey
at the palisades cliffs
i felt the back of your neck just before your lips
the scars from your dad melted away
they morphed into something pretty
and i remember you gripped
on the wood where we sat
and all my dead cells begged to be brought back
as we both looked into the other
a blue blanket and a pillow too white to be confused
with anything other than something owned by you
apart so quickly, laid content and prepared
to wake up and die
like any sane person would do
(for us the tiny grains of sand meet the hanging paper lamps
lines next to curves next to lines
is a way to write what we said)
but i’ll say it again, i’ll never give in
don’t make me say it again, i’ll never give in

++clear plastic ridges
painted a lovesick sky
(cut the sun with the branches
your eyes, your eyes, your eyes)
timidly timidly timidly
you said look at the moon
but i’d rather see you
your face looks better sideways
like the way you walk
outside when the moons orbit the halo
you never folded up
or tried to conceal inside
like the treaty you signed
around the insulation
that dampers your thought process
that dictates your walking steps
(love and LSD
blood and rusted trees)
on top of the world
falling through the streets
the scents are the same
and remind me of safety
that i applied to the dimension of the squared and faulty
lines
buy i’ll say it again, i hate that you’ve absorbed others’ dreams
don’t make me say it again, i hate that you’ve absorbed others’ dreams

++(i would like to smell a pool)
i think we lost it all
but it happened while we lost ourselves
or we’re knitted together perfectly
so we’ll never understand the whole scheme of things
i wish you’d tell me everything
you’ve become a mold that all your friends will fit into
the opposite of trees
we will **** it down through our feet
(not through our teeth)
I will wear my bandana once again
blue stained gold
even your hair has lost most of the effect
that it had on my soul
colorado was a place to remember
where i remember you most
even though we never went there alone
should i be glad i no longer feel the pain
or sad it’s not there?
because what that entails is me  not caring
and forgetting that you even forgot
you’re forgetting how it felt
you remind me of my dad
how every thing’s connected
and you stay away from the earth
and touching the ground
and we know i’m intuitive
so it means something when i say things
it means i’m right on some phase
or some plane of things
don’t tell me you’re not falling because i’ve seen it too many times
to mistake it for anything other
than what the passed over people do
it’s hard to look forward
and tougher to take a step
part of finding what you want is saying it’s there
but catch up into the trailer
fibres into the helium we wear
the generations have not been remembered
...
(the murals on the walls fade to intersectional colors)
...
primary walks into a green room
and says we’ve never made a thing
to make our lives better
and he talks about what’s underground
he talks about the padding on the seats
how that’s where we should’ve stopped
we’ve been backwards since the beginning
we’ve been backwards from the start
but i’ll say it again, i’m alive, i’m falling apart
don’t make me say it again, i’m alive and i’m falling parts
Dustin Holbrook Sep 2012
On whether technology has influenced the seeming rise in mental health issues: The concept of technology as separate than Nature is impossible to pin down, but to say that a lifetime of social pressures, advertising, television, and processed and genetically altered foodstuffs would not affect what the brain is used to, and what is was designed to do, is a non sequitur. Certainly an entirely separate set of influences also had negative consequences in the brains' of pre-man, but these were not of his own making, as he still lived in an organic environment, and therefore wasn't a part of the "feedback loop" we have going on with humans becoming the products of a man-made environment (one of the only things that sets us apart from most the animal kingdom). Either way, whatever you're doing you're getting better at it, so with the increase in time spent on the web and watching TV we are increasingly better at watching other people - being passive, non-accountable, constantly comparative and self-obsessed, impotent in light of the mass of information constantly flooding towards you - which the brain was not originally intended for. This seems obvious. So the fact that some people have things like crippling anxiety and OCD, or develop anti-social disorders and the like, seems like a logical result produced by a system (the brain) presented with new and inorganic conditions. On top of that, being a non-****** is naturally and evolutionarily based because it increases the likelihood that others will want to chilll'n'stuff and help you when you need it, but when transposed onto a crowded, fast-paced modernity it twists into something like flattery and competition to appear the most altruistic.
Dustin Holbrook Oct 2012
Empty
Inward
Outside the inside takes the over the top
Keep up the up work
Out the kinks
Livin' the dream above ground
More abover than above
Supra-above
Über-above
Hyper-everoverabove
Concrete creeks with side-winder dreams
Above cracks to keep the windows' hollows
Not open.
Never open.
Above open
‖Again‖
Lysergic acid rhythms
Circadia, Dustin (where is that? Here. what time is it? Now.)
I emptied this and that and found the Atlantic ******* Ocean
But only the ephemeral waves
Upon waves of æther
---necro-above---
Ecstasy of the senses
Only after all
The nothingness opens like a wrapper
From whence it came
(What is the "us"?)
Can the we join the us and still get along with them.
Where does the Earth and the water come from
And why does it sojourn here?
Dustin Holbrook Dec 2012
Atomistic projections birthe free out of a thick and porous shell, candid with light and bleached from the inside. And it fractals out into zero, infinitely. But how we collapse is imprecision. What function spits your mortar out? Or are you unawares of the gaps left in your voice? This is the decision to systematically disassemble yourself. No one else. And it won't be where you look, or even when, but it shadows every thought, and lives off feeble grasps in its direction. How can you know a river when the river is yourself? If a door is always closed could it be called a wall? A man cannot step into himself more than once.

— The End —