Breast-ache woman, you beautify
behind redden scars
and befriend those who are
free from languid storm-hair.

I see you rate the raw breast-worship
of frantic whistles which collide against the
callus freckles of a moon-sea.

You ask, "Can you see the satellites that sate
lights of the city...Creating
causeways or ways to cause
the first chill of dirt in a Martini?"

I take a drink.

There was morality in why women want,
but emotional voids are consumed by consumerism
and it’s redundant, but you can’t feed the starving
food. These days you can’t find one not
entranced by the idea of a “better ****** diet,”
and it sounds like they need to eat out more, but
the Glamour in magazines is under empty stomachs
and proof-labeled wine. So you find yourself at a cross,
cross-eyed and in a skeletal body running in the rain.
But if she wrote Drinking: A love story, and broke my heart,
then she can fill voids with Hegel substitutions. She filled
one with God and one with Zoloft. A baby escapes,
escape that Burroughs found only in blow-jobs and *****(
until he met a golden pig and finally blacked-in)
And in the child’s first suckling moment
“Let her be filled.”

Click-slap of uvula-tonsils and the
brown vanilla on my tongue
write a poem about autumn
and how not to let leaves in your
hair

A bustling of noses and wind blown hair
gloating over goats which bleed
calculable blood.
One pence, two pence, three
and there’s a crowd surrounding
a tunic at the top of the stairs.

Oil was discovered, covered
by a man in a tunic
sharing meticulous dreams, dreaming
in the gear-grind way of life. Hoarding
lubricant beneath stands and markets,
and marketing water.

Turn to Piegans, Bloods, and Blackfeet proper,
prop her against the boards
and rest the nail against her temple,
temple where a man in tunic
flipped markets like gear-grinds
unearthing oil in fire
exploding jelly purple dye,
dying is the goat upon
the stage

on page one hundred and three sun-blisters burst on screaming merchants

In I-Tram station
you’ll reside under the Metro
shunning the screams of
the lost letters in “W.”
Listening as the
cook batters her clay
and thinks only God hit
language and delirium trudged
knot-in-chain.

A sign read:

“There are sordid songs of tonguing rails
beneath the wheels”

Deathless laying - strewn -
your hand gripping the bone
in my shoulder.

Mixed are the decaying
shards of skin from
bodies

Everything almost touching
again reduced and
mixed in formation
and your hand
calcifies
to me

What in blank skin covering
the eyes  - which twitter
and in their chaos -
accentuates our inhibition?

Ripe tears fall
never
into
the face catching
follicles
instead

I swam across to the
heartinents in your chest
and my
mother would say not to
fall into grips that
free emotions like
port, port that enters into
worldsea and drifts across
faded hurricane winds to encapsulate
icewinds in
jars like
coffins closing off to
blind light and opening
peoples airways to scream
of fear in love

Free of sight
in wine-flooded dreams
you lay
and I rest as hands
knot over the
abyss that opens for
brooding thoughts
that drip
out of my mind
as I lay my insatiable
eyes to rest.

We were entranced in gold
gold painted
gray like the
Aircrowns of clouds which
died in the sea and flooded
clocks in time.

In time we see wine-flood drowning your veins.  

In the light,
echoes cross your chest
and ride your face
pasting the evening names of
all the alnames
building a pillar of floating memories.

Memories float in wine-blood
like all that’s lost
in the seconds between
blinking, the images
in light are carbonized