What it is like inside my brain as I try to remember the bits and bobs of Coleridge that bob up and down in the stream of my thought as I try to cross a busy road. The mind is more interested in salvaging the lines of the poem rather than coordinating the feet in order to cross the road still in possession of my life. I survived to tell the tale but...only just.

I guess I was remembering the old comic strip THE NUMBSKULLS that tinkled my pink when I was a young fella me lad and both comics and poems jumbled around in that little mind like so much bric-a-brac or emotional flotsam and jetsam. And so the lines like shipwreck sailors get washed up on the shores of my consciousness.

Our "myriad-minded Shakespeare" as Sammy said of Will and could have been said of me in this poem but not as successfully as either Shakespeare or Samuel Taylor Coleridge.

The Numskulls is a comic strip in The Beano, and previously in The Beezer and The Dandy – UK comics owned by D.C Thomson. The strip is about a team of tiny human-like technicians who live inside the heads of various people, running and maintaining their bodies and minds.

The comic strip first appeared in The Beezer in 1962 and was drawn by Malcolm Judge. In this version they lived inside a man's head rather than a boy's head. The man was never named, but the Numskulls referred to him as "our Man". There were six Numskulls during this time. The 'Mouth Department' was home to two Numskulls, named Alf and Fred. Luggy (Radar) looked a lot like Cruncher, Snitch looked like Cruncher as well except Snitch wore orange, Brainy had no glasses and had no hair apart from around his ears and wore black, Blinky looked the same except he was bald and Alf and Fred had two hairs on their head and wore black and yellow.

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From the Italian, literally translated as 'in the fresh'. In English, used to mean either 'in the open air' or, where specifically related to mural painting, 'on fresh plaster'.

Almost always, it is used in relation to dining alfresco, that is, eating outdoors.

Both meanings have been in use in English since at least the late 18th century; for example, in Mrs. Eliza Haywood's History of Jemmy and Jenny Jessamy, 1753:

"It was good for her ladyship's health to be thus alfresco."

The lines quoted are from the end of Madame Bovary who expires as the Blind Man sings them in a raucous voice. They are from a  Restive de la Bretonne poem from his"The Year of the National Ladies" way back in 1791. He who was so much into women's shoes  that his very name became as one with this particular peculiar fetish..Retifism

"Souvent la chaleur d’un beau jour
Fait rêver fillette à l’amour.

Il souffla bien fort ce jour-là,
Et le jupon court s’envola."

"Maids in the warmth of a summer day,
Dream of love, and of love always. . ."

"The wind is strong this summer day
Her petticoat has flown away."