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Donall Dempsey Jan 2019
SANTA CLAUS & GOD HAVE GOT TO GO!

The ****** Mary
slapped Santa Claus.

...hard!

Santa Claus
blushed scarlet

and spilt his sweet sherry
over one of the two angels.

One of them
was no angel.

The pretty one
with blue tips to her wings.

The Devil laughed
lewdly.

God made a grab
at the stripper who

squealed

losing a veil or two
in the process

as God tried to
make her.

Only creating
much hocus pocus.

I could see
(Me? I was Jesus Christ)

that this
fancy dress

was about to get

seriously
out of hand.
Donall Dempsey Jan 2019
PRESERVE

Tongues stained
with blackberries

we collect kisses

falling into ditches

being stung by nettles.

Your dress snags on a briar
and you cry in mock horror.

I cut through the tangle of thorns
as if I were your Prince.

Charming me
you undo
your buttons
& you
(step out of your dress)

as if you were being
stepping out of your self.

Your dress hangs
like a chrysalis.

You let down your golden hair
& we make love then &

there...a tractor & some cows go by
we laugh & try to hide.

The sun beats down on my ***
we giggle & come

return
to the big old *****

town
&
turn

our blackberry picking days
into luscious winter jam.
Donall Dempsey Jan 2019
SHADOW PLAY

The shadow
(it seems)      

creates this stone

that I
(motionless & still)      

sit upon
as if it were the centre

of this world.

It is the summer
of my childhood

& the world
is making itself

known
to me.

My mind
hungry to learn!

My own shadow
chained to me

like a soul
to a body

longing to escape
my mortality.

It lies
like a fallen angel

thirsting for a Heaven

crestfallen at my feet.

Shadow plays
hide & seek

amongst the leaves

sunlight laughingly
chasing it.

Birds write
the notation of themselves

upon the telegraph lines.

Sounds morph
into each other

the moo of a cow
becoming the murmur of a bee.

I try
to understand

the existence
of a me.

The five-bar gate
prints its shadow

on the lane

smiling at its own
distortion.

Wild roses
ramble from hedge to hedge.

Honeysuckle
climbs upon its own scent.

I sit amongst the milk churns

gleaming with the silver
of their laughter

as if I were one
of their number.

Waiting for a tractor
to escort us to

a faraway dairy.

We three wise monkeys
(seeing)       (hearing)       (speaking)      

no evil

in this
the innocence

of my new
& only

world.
**********

MILK CHURN

Like one of
the three wise monkeys

I sit amongst
the milk churns

sitting on their
little pedestal

waiting to be taken
away to the dairy.

My aunt
casts a long shadow

standing right
in front of me

calling my name
& cursing me.

' Where is that boy? '

Somehow I am
invisible to her.

I have somehow
blended in

& she doesn't see

I am the milk churn
in the middle

...the 2nd wise monkey.

I place my hands over my eyes
until she disappears.

I sit on in the sun
on my own

happy
as a milk churn.

****

The same poem written a year apart with just the imagination coming in at a slightly different angle and changing the entire mental landscape of the poem. You can't step in the same stream twice!
Donall Dempsey Jan 2019
NO. 31 O'HIGGINS ROAD, CURRAGH CAMP, CO. KILDARE.

I climb a stair
that isn't there

stand on a landing
in mid-air

each step I take
creates the next part

of the vanished house
lost to time

as see through
as a cartoon ghost.

This was
(still is) for me

No. 31
O'Higgins Road

my world
the universe of me.

What was once
my bedroom...is now a cloud

a window
become a moon

night and its storm
sit in our living room

a bird tiptoes
down the stair

flying through
nine year old me

reaching for the light switch
to turn on

what isn't there.
It's just an empty muddy space now...no one could guess all the life that was lived there...but in my mind the house is still alive and goes on living despite its death.
Donall Dempsey Dec 2018
A PIECE OF CAKE

I resolve
to have no
New Year's resolutions

the resolutions
I don't make
I can't break

I can...&...I will
I tell myself
my self doesn't believe a word of it

New Year's Resolutions
a piece of cake!
The cake....wins!

my resolve
dissolves
before a piece of cake

unable to lose weight
let me
"Eat cake!!!"
"Be at War with Your Vices, at Peace with Your Neighbours, and Let Every New Year Find You a Better Man."

Whether this be the real Ben and nothing but the Ben is getting hard to tell but wise words all the same.  Fake quotes but good words if by Mr. Apocryphal or Mr.Anonymous?

Or more possible Bens...

""A long life may not be good enough, but a good life is long enough.

Be at war with your vices, at peace with your neighbors, and let every New Year find you a better man.

Love your enemies, for they tell you your faults."

Or translated from the Spanish?

"Have peace with all men, war with all vices, and concord with thyself. Make thy words agree with thy thoughts, thy actions with thy words, and thy desires with thy actions."

Or alleged sayings attributed to Publilius Syrus...

“Keep thy word, even to an enemy, and have only good thoughts towards him; it is better to receive an injury than to do one.”

“Forgive others often, thyself never; for one must live at peace with men, but at war with one’s own vices.”

“Let us rival each other in gentleness and goodness, for this is the noblest emulation.”

Ok ok so it gets hard to say who said what where and when or how...the important thing is to live the words and be their action in the realness of your world. Just....do it.
Donall Dempsey Dec 2018
JUST  A SECOND

★ ° . .    . ☾ °☆  . * ● ¸ .   ★ ° :.  . • ○ ° ★  .  * . .   °  . ● .    ° ☾ °☆  ¸. ● .  ★  ★ ° ☾ ☆ ¸. ¸  ★  :.  . • ○ ° ★  .  * . .  ¸ .   °  ¸. * ● ¸ .    ° ☾ °  ¸. ● ¸ .  ★ ° . • °   .  * :. . ¸ . ● ¸  .  °☆ these last 3153600 seconds with you¸. ● .  ★  ★ ° ☾ ☆ ¸. ¸  
have been such fun★  ★☾ °★ . ° ☾ °☆  ¸. ● .
can't wait for the next second to come* .  ☾ °  ¸. * ● ¸ ° ☾ °☆
 . ● ¸ .   ★ ° .  • ○ ° ★  . * .  ☾ °  ¸. * ● ¸ ° ☾ °☆  . * ¸.   ★ !★ ° . .    . ☾ °☆  . * ● ¸ .   ★ ° :.  . • ○ ° ★  .  * .      .   °  . ● .    ° ☾ °☆  ¸. ● .  ★  ★ ° ☾ ☆ ¸. ¸  ★  :.  . • ○ ° ★  .
Donall Dempsey Dec 2018
"... IN THE UNENDING AFTERNOON OF HER EYES..."

We drift from
Parisian museum to

Parisian museum
as if calling upon

some grand home
and the paintings deign

to see us
we the tourist class.

We are caught
in a deluge.

The unrelenting rain
tears time off

the present moment
revealing the past underneath

an older century
bleeding through.

How fragile are
les temps perdu.

I  whistle a motif
from César Franck.

"What's that ?" you say
"...the National Anthem of our love!"

I gaze up at Proust's
cork-lined room

102 boulevard Haussmann
now become a bank.

Imagine him there
glancing down at us

glancing up  at him
the slight movement of  blue satin drapes.

Or have I imagined him
as he imagines us

hurrying figures
from another time

the rain obscuring us
each from the other.

"Love..." Marcel reminds me
“...is space and time.."

his voice almost lost
in the rain's din

"...measured by the heart.”

"Allons Madeline....allons!"
A French mum scolds her sulky child.

The rain reigns
supreme.
***

By 1906, Proust’s parents had died, his brother had married, and he felt the family residence was too big. He moved to 102 Boulevard Haussmann(in the Ian Fleming novel Thunderball, it is described as "the solidest street in Paris" and the site of the headquarters of SPECTRE.) a building owned by his Uncle Louis, where he wrote the bulk of his work, mostly in bed.

Today the building belongs to the CIC bank, which has restored the bedroom, famously lined in cork for soundproofing, but the room’s contents are in the Musée Carnavalet, leaving the solitary chamber soulless..the silence listening to us not making a sound.
SPECTRE in some fictional alternative world still has its headquarters on Boulevard Haussmannn...a fact of which I was totally unaware being pulverised by rain and time....the moment coming apart at the seams.

A reconstruction, with original furniture, of the room where Marcel Proust wrote In search of lost time can be seen in Musée Carnavalet.

Off in a cramped corner were the reassembled pieces of furniture from Proust’s bedroom, including a five-paneled Chinese screen, a velvet armchair that belonged to his father and a writing desk, used mostly for piling books. He kept his notebooks and writing materials on an old rosewood end table beside the bed. Two other tables are adrift in this cramped tableau, one of which was used for his morning coffee tray, usually served with milk and croissants.

The original Boulevard Haussmann apartment was spacious but crammed with furniture, with double windows always covered by padded blue satin drapes. The bedspread was blue satin as well and there was a chandelier, which was never lit when Proust was working. The only light was from a long-stemmed, green-shaded lamp on the bedside table.

We were headed for the Musée Jacquemart-André, at 158 Boulevard Haussmann, the former home of banker and art collector Edouard André and his artist wife Nélie Jacquemart, recaptures the interior decor and lifestyle of respectable society. Proust was never a guest there, but he rotated in the same social circles, We were mere tourists...awed by the past.

As Beckett puts it in his essay on Proust...

"Life is habit. Or rather life is a succession of habits, since the individual is a succession of individuals; the world being a projection of the individual’s consciousness (an objectivation of the individual’s will, Schopenhauer would say), the pact must be continually renewed, the letter of safe-conduct brought up to date. The creation of the world did not take place once and for all time, but takes place every day. Habit then is the generic term for the countless treaties concluded between the countless subjects that constitute the individual and their countless correlative objects."

This poem is one of the countless treaties various individuals of me made with the moment in time that was mine being shared with Proust.

The enigma of the “little phrase” that “swept over and enveloped” Swann “like a perfume or a caress..." still lingers on as maybe Frack or as Proust admitted in a letter to Camille Saint-Saëns. I rather prefer Franck's Sonata in A major for Violin and Piano for its perfect cyclic beauty and its gentle reflectiveness.

But it was Franck's gorgeous Symphony in D minor( and the transformations of its four-bar theme )that I was lost in that day and became for me the "...national anthem of our love."

“It is only through art that we can escape from ourselves and know how another person sees a universe which is not the same as our own and whose landscapes would otherwise have remained as unknown as any there may be on the moon.”

The title comes from a lovely phrase that has always haunted me...

"...calmly imprisoned in the unending afternoon of her eyes..."

THE GUERMANTES WAY - MARCEL PROUST.
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