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 Mar 2014 Denise Ann
Nikki Belle
A grassy plain,
dotted with beautiful flowers.
Look closely, look closely.
There you'll see
a decaying flower.
The decay did not wait
for the flower to bloom.
It did not wait
for the perfect time.
It set its jaws.
And captured the budding flower.
The flower, not entirely helpless,
gave up hope on itself.
It gave up all that it had.
It succumbed to the darkness
that wanted to devour it whole.
Now you'll see, a decaying flower maybe.
Woe to the the unshed beauty,
the full capabilities of the little flower.
It is now no more, no more.
3/7/14
 Mar 2014 Denise Ann
Nikki Belle
Do you hear the whispers of my heart?
There, there! It whispered again.
Did you hear? It whispered your name.
It whispered the way it wants you to hear it.
Could you not hear?
You aren't deaf. Maybe it's the din around you.
Yes, that's it. Come closer, come closer.
And hear the whispers of thy heart.
Leave the past. Worry not about tomorrow.
Relish in today and treasure every moment.
Know that your name is the only name that my heart cries out.
Alas! You still don't hear it.
Let your guard down. Let m into your heart.
And maybe, maybe our hearts would reach out to each other.
Oh! That's why, it's ok. My heart would whisper your name,
Until it, too, would fall silent from thy pain.
03/15/14
In Dwimordene, in Lorien

Seldom have walked the feet of Men,

Few mortal eyes have seen the light,

That lies there ever, long and bright.

Galadriel! Galadriel!

Clear is the water of your well,

White is the star in your white hand

Unmarrred, unstained is leaf and land,

In Dwimordene, in Lorien

More fair than thoughts of Mortal Men.

To Flammifer of Westernesse.
It was many and many a year ago,
  In a kingdom by the sea,
That a maiden there lived whom you may know
  By the name of ANNABEL LEE;
And this maiden she lived with no other thought
  Than to love and be loved by me.

I was a child and she was a child,
  In this kingdom by the sea:
But we loved with a love that was more than love—
  I and my ANNABEL LEE;
With a love that the winged seraphs of heaven
  Coveted her and me.

And this was the reason that, long ago,
  In this kingdom by the sea,
A wind blew out of a cloud, chilling
  My beautiful ANNABEL LEE;
So that her highborn kinsmen came
  And bore her away from me,
To shut her up in a sepulchre
  In this kingdom by the sea.

The angels, not half so happy in heaven,
  Went envying her and me—
Yes!—that was the reason (as all men know,
  In this kingdom by the sea)
That the wind came out of the cloud by night,
  Chilling and killing my ANNABEL LEE.

But our love it was stronger by far than the love
  Of those who were older than we—
  Of many far wiser than we—
And neither the angels in heaven above,
  Nor the demons down under the sea,
Can ever dissever my soul from the soul
  Of the beautiful ANNABEL LEE.

For the moon never beams without bringing me dreams
  Of the beautiful ANNABEL LEE;
And the stars never rise but I see the bright eyes
  Of the beautiful ANNABEL LEE;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride,
  In her sepulchre there by the sea—
  In her tomb by the side of the sea.
 Mar 2014 Denise Ann
Lord Byron
She walks in beauty, like the night
     Of cloudless climes and starry skies;
And all that’s best of dark and bright
     Meet in her aspect and her eyes:
Thus mellowed to that tender light
     Which heaven to gaudy day denies.

One shade the more, one ray the less,
     Had half impaired the nameless grace
Which waves in every raven tress,
     Or softly lightens o’er her face;
Where thoughts serenely sweet express
     How pure, how dear their dwelling place.

And on that cheek, and o’er that brow,
     So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
     But tell of days in goodness spent,
A mind at peace with all below,
     A heart whose love is innocent!
 Jan 2014 Denise Ann
Mikaila
It's gonna get colder when you leave.
The ground will harden
And the trees will sleep
And the world
Will wait.
Underneath the snow,
Life
Will wait.
The wind will search for you in every face
Biting and frantic
But find nothing,
And in despair crack across the ground like a whip
Stirring up little ghostly eddies of ice crystals.
The snow will catch the branches and drag them down
Asking
Why the silence,
This year?
None of that summertime laughter
To light up the ice and make it sparkle.
The days will pull darkness around them like a thick coat
And slink by
In a hurry to be elsewhere,
Still too long, and too strange.

And then
Just when we've all almost given up,
Winter will soften, just a bit.
The rains will come, like a good cry you've been holding your breath against
For months,
And the snow will wash away
And the ground will be ugly and scarred,
But bare at last,
And the land will begin
Slowly
To bloom
In anticipation of your footsteps there.

The sun will hold its line in the battle against the night
For just a sliver longer every day.
The first flowers will shoot up through
The last little patches of snow,
Light green and fragile.
The world will wake
Yawn and stretch,
Is she back yet?
Is she here?
The cherry blossoms on the tree in my backyard will unfurl
White and delicate and frothy on tough, leathery branches
And we will all see that maybe
Everything is going to be alright
After all.

Is she back yet?
Is she here?
And summer will stroll in, laughing,
The moment you set foot on this soil again.
 May 2013 Denise Ann
Cara Anna
Everyone has that place they go to when the world is too much with them. Or at least, near everyone. Mine is dark, like the sea, and it’s full of stars. It’s not quiet. It’s endless and orchestral, swirling with symphonies that I haven’t quite heard yet, symphonies that are always just a galaxy out of reach.

And sometimes it’s full of fields. I’m from the city, but they feel like home. They circle me and the sky is blindingly blue and I count my breaths: One, Two, Three, and so on. Until softly the wind blows and there I can imagine a different sort of song -- it doesn’t elude me; it consumes me. It’s there in the breeze, in the drifting bits of dust and pollen and tiny particles of sunshine. It’s great and beautiful and the first song that anyone ever heard.

And every so often. Only every so often. That song changes. It’s still within reach, but it’s a different tune. The song is light with floating, glowing ash; it’s heavy with a million voices and laughs and other songs; it drips with summer drinks and rushes through my soul. I am not alone in some black, celestial ocean or alone in golden labyrinths; home is no imagined place, nor are others just comforting phantoms. I am with them. It is more breathtaking than the stars, and more blinding than the sky.

It was like this that my summer began. In musical swells of escapism, visions of melodramatic beauty, grander than my true surroundings. It was built up like Fitzgerald crafted the West Egg, and it nearly ended much the same way; a journey homewards marked with disillusionment.

First came the traveling. I had hoped to find something I’d lost, and started out my search in the throbbing streets of Barcelona, saturated with sunlight during the days and at night with the sounds from sports bars as the football games ended, or young lovers’ laughter along the clear, black Mediterranean coast. Even the most hushed, winding alleys were full of something; perhaps this was just some magical element I conjured to make every moment new and original.

In Spain I found sea food and chilled beer and a bright rose to color my cheeks. I found churches crafted with dizzying dedication, art that made my heart stop, that somehow filled the world with its own sort of symphony.

Then came Paris. There was wine, red and deep and romantic, wine that Hemingway might have brooded over, or that Audrey Hepburn could have brought to her lips on some glamorous getaway from her Roman home. I found walls too, covered with Degas, with Monet and Manet alike, with Da Vinci and the rest. I discovered what it feels like to survey the Luxembourg Gardens on a July day, from a high shady point where despite denim shorts and a boulangerie sandwich, you’re aware that you’ve been graced with something that holds a euphoric regality.

And finally came a trip to Maine. On the shores of Bar Harbor I saw the endless pines and clear blue waters that spelled out the promised land for the first explorers. Atop Cadillac Mountain, as I burrowed into my father’s jacket and hid my face from the wind, I found the stars, as endless as I’d dreamt. They danced for me as for Van Gogh and I could have died up there. I found cool mornings to be filled with walks to rocky shores, and tea and berries and books. There was a different quality here than had been in my European travels. It was introspective and quiet aside from the chirps of crickets and birds and the laps of waves on dark cliffs. I loved it.

Each place held its own collection. Sand and shells and Spanish fans; metro tickets and corks and long linen dresses lightened on the bottom from the waters of the Seine; sea glass pulled from the harbor and dream catchers and endless dog-eared pages. Physical, tangible, ephemeral things for me to grasp onto. I added them to my character, grafted them to my bones, made them my own.

But what use is imagined significance; I hadn’t grown or changed or even learned what it was I had been looking for. I was several weeks older, I had seen a few more corners of the world, granted meaning to trinkets and decided they added to my worth.

It was August then. Shorter days for fluttering leaves and the understanding that nothing separated me from the person I had been aside from the hours between us. Direction in life can’t be dreamt up, it’s earned. It’s what you’re allowed to have after you’ve fallen down and picked yourself back up. I fell, but chose to imagine a new self in faraway places where my troubles couldn’t find me amidst the breezy, sunny crowds.

The cobblestone Parisian streets, the docks of Barcelona, the coves of Maine; they were only where I fled to when my own world was too much with me. When I couldn’t find any use in continuing as myself, I invented a girl laughing on the edge of l’Arc de Triomphe, wading quietly into the inky mystery of the warm sea, or hiding in pine forests with a copy of Wuthering Heights and a serious demeanor. She was the same girl that lost herself into empty fields and dark oceans of stars.

Only one thing stopped the self-absorption that had claimed me that summer. It was nothing fateful; nothing original. I didn’t traverse the world to see this, and the experience was not mine alone. It didn’t hold any old hollywood glamour, nor was it the topic of any of Hemingway’s books. Or maybe it was. It was true, after all. It was the truest thing I did the entire summer; it wasn’t adorned with portraits or cathedrals or soaring landscapes because it didn’t need to be. Hemingway, I think, might have liked that. What I’m going on about now is that Every-So-Often moment. It doesn’t stand lonely in my memory, like so many of the others might. It’s brimming not with strangers and false romantic visions, but with the company of those souls you’re allowed to feel like you’ve known for your entire life, for more than your entire life. The sounds of empty seas and shapeless symphonies have no part; instead, there’s the strumming of guitars with songs so familiar they place an ache right in the core of you. You ache because that moment, full of bonfire and friends and song, is becoming you in a way that nothing else could have (for all of your efforts). It’s a beautiful ache, the one you get when you’ve come home after a long time spent lost and away.

— The End —