Submit your work, meet writers and drop the ads. Become a member
 
The Widow Mar 2017
We  were    squeezed    from    corruption
armed     with        the  monstrous cutlery
of  rippers and tearers of    rationed meat
    for a day,         for a day,         for a day:
the     butcher    gives   his       best     cuts
to the young       and godless      divorcee
find us, keep us              : a spectre hiding
in the    dark pig iron rust hooks looping
through     your ***    and shopping lists:
smelting                                     your coin
and punching                             your face
          Company is the        full knowledge
of our      protracted,        3  -stage   decay
burn                drift               degradation
             ­                        eyes crusting shut
in doom            and     settling    bomb silt
      palms up,    taking      a    punishment
                              ­     in the mothertongue
    ignoring       lessons     in    the gracious
                            expectancy of departure
We,      A legion of ancient clockwatchers,
in         on       the        joke       of       time
and    folk fetish     of apple-cheek poverty
    [Gasp!] The gruesome romance of class!
              !you cry!     !safe!     !always safe!
in the nuclear hotdog option       , which is
observably, the title of this advertisement
We will never get you[       ]you're awake!
and your atmosphere    is still In Da Black
      We                                        watch you
                                                     watching
the           5            car            pile          up
catch­ up       rolling          down your chin
chase the thrill of new love by scanning your more expensive loose vegetables through as brown onions. machines can't smell failure.
The Widow Feb 2017
When I was a bit younger
    there were exponentially more trees
that seemed worth looking at,
setting aside a whole afternoon to see them
   from different angles
   & painted
in the varying palettes of the most
   transformative, gradual shift of spring days.
   Alone. Accompanied. In company, but alone.
To touch it and love it in the touches, I'd wonder how
    it celebrated birthdays
    & the kind of person it would be
    & if we'd have anything to talk about
    & know that we wouldn't.
I am just a dumb kid, but i will have it:
    the patience of heart to understand
    and be traumatised
    by its past and future.
It grows & grows in spite of all who loved & abused,
   chooses to shade the heads of something beautiful.
   It grows and grows to be useful to the nest, the burrow.
   In crisis it stands
powerless to the decisions of cutters who mistake its silence
    for ambiguity.
    They've never had it, infectious in their nightmares like I have,  
     each bough strung with a noose
seeking our abundant earth,
earth that starved, dangling feet
crave hungrily but never reach.
Or in dashed breath dreams of lovers
spilled at its roots,
   ****** into the architecture
   & forever petrified
as living, wooden, cry of pleasure.
  In crisis it stands,
not wearing any clothes
& abstaining the vote
Weary of the machine
unable to make the music
or eat the food
The Widow Jan 2017
Hit her with the birch twigs and marshall a crowd of claws and peepers.

[and then try]

Bag their eyes with sordid flares and scandalous noisemakers.

[and then try]

Blur the distinction between tribute and torture: just enough of each.

[and then try]

The audience backs odds on purity or pregnancy.

[and then try]

She will be a critical darling or she will not be, depending on the rhythm of the spell and the keenness of her appetite.
The Widow Dec 2016
he is impotent
in heartache and ****.
is the sum of his reading
and the fault of his breeding
he is undercooked and underfed,
my love is a pig for the bleeding
and dough for the kneading
i have made him so thin that
streetlight shines through.
it is a mockery
The Widow Dec 2016
You know I could've been in pictures.
               sham pretty enough, Can point my mouth
                              can cry and **** and come on cue
                                        would've gotten my **** out
                               didn't mind if that's what it took.
I make a composite of all the bits of me
to get work. My hair  My perfect ***
my exposed midriff and inny
the times my eyes made it
                      I hate all of these things on their own
   but when stitched together they make a clean girl
                  who knows the bad muscle ache of work
I miss the bits that were never returned though
and I know you kept mementos
of the nights you dismantled
and reassembled me in your image
                               always leaving something out
                                always swapping me out and
                                   swallowing for safekeeping
give them back, I scream at people
who I know, know you too
give them back
The Widow Dec 2016
Emmett looked at me like that
the first to do so in the year + 2 months
since I debuted the scar
Our paths literally crossed -
I drew them later on a street map
with a big X where they eventually converged

- on the turn of the stairs
between floors 3 - 4 at the mall
, the way he ran from those cops
lithe economy of gesture
so balletic in flight
that I thought about how
his hips might interfere with me
before I bothered to look at his face.
I just wish Emmett didn't have
swastikas in his eyes.
Mom, I met someone.
Next page