Just. Eat a bowl of cereal.
Sit on the kitchen floor carefully so the milk doesn't spill, scoop the flakes into your mouth by the streetlights filtering in through the window.

Or climb out onto the roof.
Slip out your window, hip braced on the edge, and use your arms to pull yourself up, crossing your legs on the shingles and breathing in the stardust swirling around your head.

Create a masterpiece.
Dip a brush in some paint, use your hands to shape clay, choreograph a dance, script a play, write a poem, draw a spring day.

Make a blanket fort.
Tuck the blankets over the couch, pad the floor with cushions, and flick on the TV, so you can watch cartoons while wrapped in warmth like when you were a child.

Stargaze in the backyard.
Tiptoe out the back door, quilt tugged tight around your shoulders, spread it out over the dewy grass and stretch out, facing the clouds and counting the stars.

Learn Morse Code.
-.-. --- -. ...- . .-. ... .     .-- .. - ....     -.-- --- ..- .-. ... . .-.. ..-.     .. -.     - .... .     -.. .- .-. -.- --..--     -.- . . .--. .. -. --.     -.-- --- ..- .-.     ... . -.-. .-. . - ...     -... . - .-- . . -.     -.-- --- ..-     .- -. -..     - .... .     ... .. .-.. ...- . .-.     -- --- --- -. .-.-.-

Have a shower.
Run the water hot so it'll burn when it hits your back, shed your clothes and step into the steam, breathing in the vapors and imagining that you stand in the heart of a geyser.

Go back to sleep...?
No, this elusive peace is distinctly one with the night, and it would be foolish indeed to throw away such a gift merely to function during the bland sunlight hours.

h.f.m.

The woman is perfected
Her dead

Body wears the smile of accomplishment,
The illusion of a Greek necessity

Flows in the scrolls of her toga,
Her bare

Feet seem to be saying:
We have come so far, it is over.

Each dead child coiled, a white serpent,
One at each little

Pitcher of milk, now empty
She has folded

Them back into her body as petals
Of a rose close when the garden

Stiffens and odors bleed
From the sweet, deep throats of the night flower.

The moon has nothing to be sad about,
Staring from her hood of bone.

She is used to this sort of thing.
Her blacks crackle and drag.

480

“Why do I love” You, Sir?
Because—
The Wind does not require the Grass
To answer—Wherefore when He pass
She cannot keep Her place.

Because He knows—and
Do not You—
And We know not—
Enough for Us
The Wisdom it be so—

The Lightning—never asked an Eye
Wherefore it shut—when He was by—
Because He knows it cannot speak—
And reasons not contained—
—Of Talk—
There be—preferred by Daintier Folk—

The Sunrise—Sire—compelleth Me—
Because He’s Sunrise—and I see—
Therefore—Then—
I love Thee—

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow—
You are not wrong, who deem
That my days have been a dream:
Yet if hope has flown away
In a night, or in a day,
In a vision or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand—
How few! yet how they creep
Through my fingers to the deep
While I weep—while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

It was many and many a year ago,
  In a kingdom by the sea,
That a maiden there lived whom you may know
  By the name of ANNABEL LEE;
And this maiden she lived with no other thought
  Than to love and be loved by me.

I was a child and she was a child,
  In this kingdom by the sea:
But we loved with a love that was more than love—
  I and my ANNABEL LEE;
With a love that the winged seraphs of heaven
  Coveted her and me.

And this was the reason that, long ago,
  In this kingdom by the sea,
A wind blew out of a cloud, chilling
  My beautiful ANNABEL LEE;
So that her highborn kinsmen came
  And bore her away from me,
To shut her up in a sepulchre
  In this kingdom by the sea.

The angels, not half so happy in heaven,
  Went envying her and me—
Yes!—that was the reason (as all men know,
  In this kingdom by the sea)
That the wind came out of the cloud by night,
  Chilling and killing my ANNABEL LEE.

But our love it was stronger by far than the love
  Of those who were older than we—
  Of many far wiser than we—
And neither the angels in heaven above,
  Nor the demons down under the sea,
Can ever dissever my soul from the soul
  Of the beautiful ANNABEL LEE.

For the moon never beams without bringing me dreams
  Of the beautiful ANNABEL LEE;
And the stars never rise but I see the bright eyes
  Of the beautiful ANNABEL LEE;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride,
  In her sepulchre there by the sea—
  In her tomb by the side of the sea.

1764

The saddest noise, the sweetest noise,
  The maddest noise that grows,—
The birds, they make it in the spring,
  At night’s delicious close.

Between the March and April line—
  That magical frontier
Beyond which summer hesitates,
  Almost too heavenly near.

It makes us think of all the dead
  That sauntered with us here,
By separation’s sorcery
  Made cruelly more dear.

It makes us think of what we had,
  And what we now deplore.
We almost wish those siren throats
  Would go and sing no more.

An ear can break a human heart
  As quickly as a spear,
We wish the ear had not a heart
  So dangerously near.

54

If I should die,
And you should live—
And time should gurgle on—
And morn should beam—
And noon should burn—
As it has usual done—
If Birds should build as early
And Bees as bustling go—
One might depart at option
From enterprise below!
’Tis sweet to know that stocks will stand
When we with Daisies lie—
That Commerce will continue—
And Trades as briskly fly—
It makes the parting tranquil
And keeps the soul serene—
That gentlemen so sprightly
Conduct the pleasing scene!

"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"

i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body.  i like what it does,
i like its hows.  i like to feel the spine
of your body and its bones,and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the,shocking fuzz
of your electric furr,and what-is-it comes
over parting flesh….And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new