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I can tell you about the girl.

Her freckles were beige constellations,
and her voice was husky and rasped
like birds before the churning of a storm.

She was weird and laughed at everything I said -
which made her even weirder,
because I'm only funny in certain photos
and in certain clothes.

Her left arm was covered in scars and burns.
"As you can tell, I'm right handed," she said.
Arthritis surrounded her wrists and other joints,
and all I could think about were my
grandmother's arthritis crippled hands,
and if the girl would thank the arthritis, one day,
for no longer allowing her to self-harm.

One of her feet were bigger than the other
and, when she walked, she would lose balance.
"I'm not sure if the world is too fast
or if I'm too slow. Then again," she winked,
"it's probably because of my feet."
I liked her because she treated me like a person,
but didn't take me as seriously
as I took myself.

I struggled with self-respect
and she struggled with a drug addiction.
Her arm was needle park
and sometimes she missed ******
more than she missed me.

She wasn't the type of girl to shake
without her drugs -
she'd, instead, talk about them
like they were old friends.
She understood them
more than she understood herself.

After a few months of ***
and, "I'll be sad when you leave,"s,
I called her my girlfriend
and she smiled.
Flecks of speckled angles, bright,
I saw her, first, she accepted
my night.

Five days later,
she overdosed on morphine.
I picked her up.

Her eyes were glazed over.
I said, "I love you,
but this is *******."
She cried and said,
"Forgive me."

I lain in bed, next to her -
next to the avoidance of death.
She asked how I was
and I said, "Everything I write is ****,
but I'm glad I can write ****** poetry
about how we'll be okay."

She asked, "We will be okay, right?"

I hope.
I want to be buried
beside the river
that drowns you.

-

The way the sky sits.
Our sleeves
wrapped in wind.
I kiss your lips.
You are my end.

-

Sequins and swans
on the dress of
the universe.
I want to be warmed
by the galaxy's grasp.

-

You are my water:
You move beside
and against me.
Capture my ocean side.
Surf my skin like you'd trace
  your fingers on
  VCR tape.

Wrap your hands
  around my neck,
  until I fade to black--
looking into your eyes.

Capture my ocean side.
  It feels like a diamond
is sinking into my chest.

  I want to hit myself,
            repeatedly,
until I can't feel anything
but my blue skin smush
underneath my knuckles.
  My fingernails
      kissing my palms.

Capture my ocean side.
  I cannot face what I have
drawn onto my mirror.
What I found measurable,
  has lost scale, has lost
          purpose,
immensely, breathless.

Rewind the tape
  around my neck.
I'd rather not see through
  the film
    or you.

Capture my ocean side.
A cigarette after ***
  gets old
when it's the only thing
  burning
in your world.

When Netflix feels like
  family,
you wonder where
  everyone went.

******* feels like
  a cry for help--
So help you God.

Missing your home
  is second
to missing who
  you once were.

Eastern philosophy,
Karl Marx, Rawls--
We don't know
  any ******* thing,
really.

Pretending to be more.
Pretending to be smarter
than we really are.

May holes in our sides
let others see
that we're beating, too--
just not as ferociously
or as honestly.

May we vanish
into the darkness
that best suits us.

If the light is our night,
may we follow it.
Follow it...
Follow it...
Rebel from our frame.

May God grant us
to be more
than losers.
There is no I in denial.
They kiss in bed.
They roll around.

There is no I in denial.
He bought her flowers.
She placed them in a vase.

There is no I in denial.
They hug outside of
traditional thought.

I do not know how we got here,
but I know I don't want us
to stay.

There is no I in denial.
They **** in bathrooms.
They make love in gardens.

There is no I in denial.
She blew a kiss.
He caught a tough break.

There is no I in denial.
He holds a box of his things,
after being shown out.
She says they'll manage.

I do not know how we got here,
but I know I don't want us
to stay.

There is no I in denial.
They kiss in bed,
but it's not the same.
They roll around in bed,
but it begins
to feel
like effort.

There is no I in denial.
He bought her less.
She said it didn't matter.

There is no I in denial.
He feels like his father,
imagining things
she's doing.

I do not know how we got here,
but I know I don't want us
to stay.

There Is No I In Denial.
They don't talk as much.
They sit farther apart.

There Is No I In Denial.
She asks him what's wrong.
He resents her care.

There Is No I In Denial.
He gets drunk and
breaks the vase.
The flowers lay,
covered in wet glass,
sleeping in a puddle.

I do not know how we got here,
but I know I don't want us
to stay.

THERE IS NO I IN DENIAL.
They don't talk, they yell.
They don't remember each other.

THERE IS NO I IN DENIAL.
He drinks more.
She feels less.

THERE IS NO I IN DENIAL.
They were married underneath
an oak tree,
  She said, "I do."
He smiled and said,
  "I'm so lucky."

The flowers lay on the floor,
  dying.

I do not know how we got here,
but I know I don't want us
*to stay.
I want to be a dog's growl:
  as rough as bark.
As I ruff and I bark
  until my throat bleeds,
down my tongue,
  and clots, choking me.
Strangling my anger.

  I want to bite God's hand
and taste the scars and lines.
  I want to run alongside
the downfall of man
  like I'm chasing cars.
Waiting to be run over.

I want to be castrated,
  neutered,
so I can fall in line,
  so I can conform,
so I can be me in a sea
  of nobody else.

I want to be beaten
  with a chain
attached to my neck.
  I want to be on t-v.
I want to be saved.
  I want to betray trust.

Generic. Generic.
  I want to be like this poem:
  generic, you martyr.
You genocidal ****.
  You deadbeat.
You racist.
  You sexist.
You intolerant ****.
  I want to chew off
my trapped leg.
  I want to be a dog's growl.
Green, stringbean bodies.
  Neon skin, the color of
a lime being crushed
  underneath a heel.

Tell me about earth,
  I could hear the voice
in my head. Like a
  radio being crumbled
up into a ball and
  thrown into my
train of thought.

Earth?

Yes, Earth. Tell us about it.

Us?

There are forty-million listening.

Oh. Well, Earth. Earth. Earthy-Earth.
  Earth is full of humans, like me.
People. Humans are people.
  And people are hell.
In No Exit, there are these--

We've read No Exit.

You've read No Exit?

We've read everything humanity
has published, in a matter of
  m o m e n t s.
You aren't as developed as you
seem to think you are.

What was the best thing you read?

We were partial to
Last Exit to Brooklyn.
Now, back to our question:
tell us about Earth.

If you've already read everything,
why do you need to ask,
let alone ask me?

You are the most
insignificant person
on this planet.
We are interested
in your thoughts.

I'm insignificant?

Yes.

Oh. I see.
Earth... Well, people...
People are beautiful.
The Earth is beautiful.
What makes us gorgeous
is our growth and our
desire to progress.
What makes us dazzling
is our belief that
a collective happiness and
an individual happiness
is both attainable
and sustainable.
Now, **** me
and annihilate
my planet, already.
That's why you're here,
right?

No. We're here to
harvest your women
and to colonize
everyone else.
You just persuaded us
to breed with your women.

But, that's ****.
And colonizing?
That's slavery.

We've read everything
your planet has ever written.
**** and slavery has been
encouraged on your planet
since your brief breath of
e x i s t e n c e.
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