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There is a couch and it is where I fall.
My seventeen year-old legs,
bandaged with bumblebee knee socks,
arch like ****** pink lawn-flamingo joints.
Crookedness meets at
cigarette skin thighs: grape-kiss fingerprints,
like mental leprosy, projected.
My eyes meet at where fingers told me to stay
and where the knuckles followed.

Acorn ***** hair sleeps in a tuft,
woken by the brush of a thirty-three year-old soccer coach.

-

My Vans grip sandpaper tape,
preceding clicks: sliding up and down,
like graduation day maternal comfort,
like dirt-under-the-fingernails *******.
Clicking wheels, sound waves
smacking across asphalt jungle.
Sounds escaping and reminding me
of how I'll never.

I'm not in love --  not sure if I can,
be affectionate towards the things
I don't understand.

I'm not in love -- even if I could,
I don't think I'd care like I should.
My breath is barbed;
skeletal strings shift into smoke,
drifting into the shadows
as the darkness will choke.

Pearl snow stuffs my skull;
my grandmother in an earthern womb,
sleeps under it all.
A tombstone the last thing we bought--
a report card of her life:
She is with Him in Heaven, In Paradise...
With Him, Without Pain--
is speculation but turns into thought.

The icy steps do not deter me
as I sit on the crooked concrete spine;
speaking to her, hoping the snow
does not make her cold, any more,
'I can stay a while longer...
I do not have to go home, yet.'

-

Eco-friendly light spills from under the door,
forming a pool as yellow as diseased skin.
The brass doorknob is like a girl I once loved:
******* the outside, hollow in the inside,
unable to be moved and okay with it.
Fury from a faucet fills the bathtub
and rings my ears with its intent:
to fill a void and go away when cold.

She lays in the water
the city treats better than us,
wading in a wealth of watermelon wash;
her body flushed from fading flesh,
pores swim and stretch around
cursive carvings, kissing cursed curves--
and I sit upon a bone-white curb,
stirring my finger in the soup of her day;
watching the drain ****, wondering
if she'll, too, drift away.
Ashland is a small town
on a small planet, in an
ever expanding universe.
The people here are bitter
and so is their spit, from
full-flavored cigarettes
and diluted kisses spun
from the lips of significant
others, that didn't listen to their
mothers, and married because of
irresponsible reasons, like personality,
respect, love, and other, 'Jesus, **** me
the **** now, so help me.'

Abstract thought is dangerous--
to the mind it's cancerous.
Alone and thinking about
melancholy shaped memories or
kisses that would echo through
your lungs, stomach, ******* soul.
Don't do it. Don't you invite the devil,
killing yourself is so concrete, it must
mean more than a concrete floor,
hovering above a rumored hell and a
definite uncertainty so delicate that it
eats into you with its sensitive meandering
disguised as beauty but, really, a violent,
violent, murderous host, hoax, fake but
eating your superficiality, programmed by
someone else, telling you it's you.

Ashland is a small town,
aren't we all a small town, inwardly.
Mass graves breathing,
like beached jellyfish.
Ketchup packet pastels
painting a diner dish.
I sit and imagine
so many things and more.
I smoke ribbons of grey
that dance around
the diner door.

The people move
and have so much to say.
Watch them scurry and hurry
through the invisible day.
The sun's colors bounce off
weekly washed windows.
And I suffer from the certainty
that my fulfilled dreams
will fulfill me,
as I flick ashes into the world
for the wind to carry away,
dragging shadows.
As my boss smokes
White american men with
gold retriever dogs
smoke black hatred,
not recognizing a grey smog.
Scared of black, brown --
all atheists are ill --
but not afraid of greenbacks
or guys named Bill.

Okay.

Here's your day job. Here's your pay, Bob.
America the great.
If terrorists equal Muslim
then Christians equal hate.

You say it's not victimization.
You say it's not a hunt.
You say it's not intimidation,
but sometimes I think you
see people as witches, ****.

Christ is the answer, indeed.
Without Him we're all lost
and our souls will never be freed.
Like tears frozen in the frost.
Bibles, crucifixes to fix the diseased mind.
How much does a prayer have to cost
to be genuinely kind?

Chemtrails stain pages
and bleed as curses.
Gay rights to be denied,
according to bible verses.

Nursery rhymes and cult games,
all in the good old King James.
Archaic and inane,
like an alter sheltered brain.

Here's your day job. Here's your pay, Bob.
Use the check to pay
angels and evangelists.
Protect yourself from ideas,
and buy a white picket fence.
As the rain washes Ashland
Chocolate colored Toms, Cool Blue and Navy, too,
North Face jacket, give me some individuality
I wanna feel ethereal; violently, annoyingly
happy. But the sky is as black as lonely cancer
without a soul mate; I know what it's like
to kiss as you erase her.

Hauntingly, melancholic instances ingrained
into my gelatin mind and
stayed.
And the smolder
from the brand on my shoulder
frayed.
I wish I could alter my reflection,
but the mirror I've bought,
somebody else
made.
South Shore
I have swallowed so much of other's blood that I have forgotten that I have bled, too.
With the world shuffling past,
I have became transfixed with the movements of my idols,
forgetting that my feet have left footprints that have, will, and always be buried under the sedimentary memories that I waited to smother me.

Sometimes I can feel my body buckle under the weight of all the dreams I've dared to dreamt.

Under the moon and on top of the world,
I understand that I am inbetween and will always be.
Ashland, Wisconsin
I lain in a half-sleep, hearing my grandmother's voice.

When she died, I was jobless,
sleeping on her couch,
and a few months out of the ward.

My mental instability helped me lose friendships, love, and my identity.

I used to hope death would touch me
and I did not know why I wanted it to.

Death instead touched her,
drifting like a gas, underneath her door,
into her lungs, erasing consciousness
like lavender being blown by the wind,
into marked a detergent bottle.

I lain in a half-sleep, hearing my grandmother's voice.

A blue shock spread throughout me,
like the ocean swallowing animals
and forcing them to adapt.

I began drowning in water that looked like gas station slushee,
my ribcage hugging frantic gelatin organs,
beating alongside the spindle of time.

I lain in a half-sleep, hearing my grandmother's voice.

My carcass became Sun-kissed from the burning of change --
my grandmother died before I could succeed:
my grandmother died before she could see me live.

I crawl through the coarse, wheat-dyed sand,
hoping the blood I trail can be measured in her love.

I hope to make her proud, to learn to work hard,
then harder and harder and harder.
To become fully healthy,
to become what she stayed by my side for.

One of the few.

I lain in a half-sleep, hearing my grandmother's voice.

She said she was proud of me.
It probably was me and not her,
but at least someone is proud.
Dedicated to my grandmother, Kay Hannas.
If every red-ripped ****** and perfect ***** meant something, they'd represent all.
The way the alcohol flows and the choreography of women under the night call.

If every smile smothered the defeat in her being,
she'd be less from a fogged mirror memory
and would be seeing
that I love her and the hurricane behind:
I still follow her into the flood,
follow her where bodies intertwine.

The wind whispers shouts and knee scrapes --
And there is something wrong with me
because I wonder of the way the world tapes
every traumatic second onto her hips
and lets it flow into her pale-palmed grip
that grasps my face and the hollow within;
the shallow shake of tomorrow's sin.

Her bed has a garden print,
but I close my eyes and hope
I stand in a Sun-bathed tomato patch,
waiting for the wind to whisk me away.
Ashland, Wisconsin
The sky, black as the eyes that stare at it.
Star-studded and as seamless as new programming.
I look down, the streets molested by fluorescent splotches --
red ribbons of memory evaporate from the lights of motorcycles,
gurgling by.

A homeless, pregnant woman, in a bar, once told me,
"Forgiveness is letting a prisoner free, then finding out that you were the prisoner."

The sunset looks like an explosion of emotions
no one understands, yet.

The smudges on her lips
look like the bruises of an orphan apple.
Ashland, Wisconsin
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