"It is a postulate implicit in all metaphysical poetry that nothing is ineffable, that the most rarefied feeling can be exact and exactly expressed. If you cease to be able to express feelings, you cease to be able to have them, and sensibility is replaced by sentiment, in the end by the vague expression of the vague, and poetry degenerates into a diversity of noises."

Reincarnation

We all die
And that’s a must
Eventually we turn to atomic dust
The atoms have been
And always will be
From before we stepped out of
The primeval sea

They cannot die
Or multiply
They just are
And that’s no lie
So when people say
We have not lived before
Just turn the key
And point to the door

As we are all made
From stuff of the past
And scientists pin their claim
To that mast
So reincarnation
It is a fact
And in this life
We have to act

So sceptics you can argue all night
But of the above there is no fight
The soul and the spirit on the other hand
May be discovered if it is planned
Like the higg’s boson particle
Which is hypothetical
You have the right
To think
Soul is theoretical

She’s sometimes a fairy
Or a nymph from the sea
A troll and a Viking
Wise woman for free

A housewife a mother
A cook and a nurse
She earns just some pennies
To put in her purse

She yearns for romance
To be some ones muse
Not wielding a duster
And cleaning a hoose

One day she will find it
She’ll wish on a star
And the folk will all say
She’s “a ******* to far”

Look, look, master, here comes two religious caterpillars.
                                                The Jew of Malta.

Polyphiloprogenitive
The sapient sutlers of the Lord
Drift across the window-panes.
In the beginning was the Word.

In the beginning was the Word.
Superfetation of ,
And at the mensual turn of time
Produced enervate Origen.

A painter of the Umbrian school
Designed upon a gesso ground
The nimbus of the Baptized God.
The wilderness is cracked and browned

But through the water pale and thin
Still shine the unoffending feet
And there above the painter set
The Father and the Paraclete.
    .    .    .    .    .
The sable presbyters approach
The avenue of penitence;
The young are red and pustular
Clutching piaculative pence.

Under the penitential gates
Sustained by staring Seraphim
Where the souls of the devout
Burn invisible and dim.

Along the garden-wall the bees
With hairy bellies pass between
The staminate and pistilate,
Blest office of the epicene.

Sweeney shifts from ham to ham
Stirring the water in his bath.
The masters of the subtle schools
Are controversial, polymath.

It’s not so easy to admit that you’ve been here all along
Like my gnawed fingertips
Like my absence of dreaming
You with your breath and your stars

And your dead brother
Who I missed by a week

Is he the one who showed you how to make an exit?

in making Marjorie god hurried
a boy’s body on unsuspicious
legs of girl. his left hand quarried
the quartzlike face. his right slapped
the amusing big vital vicious
vegetable of her mouth.
Upon the whole he suddenly clapped
a tiny sunset of vermouth
-colour.  Hair. he put between
her lips a moist mistake, whose fragrance hurls
me into tears,as the dusty new-
ness of her obsolete gaze begins to.  lean….
a little against me, hen for two
dollars i fill her hips with boys and girls.

Robert Frost once said: to perish in fire
would be his choice
in the time most dire.

But should I have chosen thrice
my final vote would go to ice,
the pain of flame
just too great a price.
If world's end should come by night,
I would embrace Cold's numb sleep,
rather than to witness the sight
of dying bodies charred by light.

Therefore, I say:
Heed my advice.
For to perish in ice
would be quite nice

It is a light, that the wind has extinguished.
It is a pub on the heath, that a drunk departs in the afternoon.
It is a vineyard, charred and black with holes full of spiders.
It is a space, that they have white-limed with milk.
The madman has died. It is a South Sea island,
Receiving the Sun-God. One makes the drums roar.
The men perform warlike dances.
The women sway their hips in creeping vines and fire-flowers,
Whenever the ocean sings. O our lost Paradise.

The nymphs have departed the golden woods.
One buries the stranger. Then arises a flicker-rain.
The son of Pan appears in the form of an earth-laborer,
Who sleeps away the meridian at the edge of the glowing asphalt.
It is little girls in a courtyard, in little dresses full of heart-rending poverty!
It is rooms, filled with Accords and Sonatas.
It is shadows, which embrace each other before a blinded mirror.
At the windows of the hospital, the healing warm themselves.
A white steamer carries ****** contagia up the canal.

The strange sister appears again in someone's evil dreams.
Resting in the hazelbush, she plays with his stars.
The student, perhaps a doppelganger, stares long after her from the window.
Behind him stands his dead brother, or he comes down the old spiral stairs.
In the darkness of brown chestnuts, the figure of the young novice.
The garden is in evening. The bats flit around inside the walls of the monastery.
The children of the caretaker cease their playing and seek the gold of the heavens.
Closing accords of a quartet. The little blind girl runs trembling through the tree-lined street.
And later touches her shadow along cold walls, surrounded by fairy tales and holy legends.

It is an empty boat, that drives at evening down the black canal.
In the bleakness of the old asylum, human ruins come apart.
The dead orphans lie at the garden wall.
From gray rooms tread angels with ****-spattered wings.
Worms drip from their yellowed eyelids.
The square before the church is obscure and silent, as in the days of childhood.
Earlier lives glide past upon silvery soles
And the shadows of the ****** climb down to the sighing waters.
In his grave, the white-magician plays with his snakes.

Silent above the place of the skull, open God's golden eyes.