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Daniello Mar 2012
suspected of being
problematic, one is a
common
but
questionable
model, and an
adjustment
may
be
required
to address all
the nonsignificant
differences—
how
they
nonetheless constitute
important arbitrary
criterions
for
equivalence

the significance test
based on
observational
data
is
susceptible to (errors
of) interpretation
over the
question
at issue
namely, do
case differences
arise
because of
exposure
to a comparatively
small sample
or
because
of
another variable?

Exposure can be
only mediated
by
crude
estimates
and so may be
misleading
during
the
forming
of the hypothesized
model of one
that describes
the
association
between exposure,
bias, and
the variables,
and
reconciles
difference
with equivalence
significantly.

The model provides
little information
that is
incontrovertible
but
the results suggest if
adjustment for the variable
makes no
substantive
difference
ignore it

but if your knowledge
indicates the
adjusted
variable to
be preferable

then prefer it
Daniello Mar 2012
Sublime how in a dream, I can let
that which when awake is painful and bizarre
be in my dream, so painlessly,
not thinking why at all.

My hope is simply once I’ll let
that which when asleep seems clearer in a fog
seep back to me, somehow near,
in life that’s strayed afar.
Daniello Mar 2012
incredible—
that it could be for some
and not others

choice? what is that?
the difference between living
and surviving?

asked a friend of mine I
made up—said it’s
simple really

said it’s fighting if
you can’t go, and going if
it’s hard.
Daniello Mar 2012
The gym is here today, perfect for me, exactly
as it was yesterday: too many mirrors, too many
glances, not enough weight, and not enough

pulse to burst me out, smelling like

bodies deconstructing. The stink of themselves
airing out in the uncleanliness of another day
that had to be. This one, too, to turn out

having been a necessary pixel. Even though

today it looks fuzzy. For instance, I could be
a deranged circus master right now, taming
my body as if it were a lion, commanding, as if

brandishing a lash, that beast to jump through

each fiery ring conflagrating in my combustible
mind. Like this one: Wouldn't this be happiness?
If I were a handsome actor, who lived his craft

and knew what a secret he were tapping into?

Who knew that really there was just one of us,
passing through each of us? And who, still, was
able to enjoy women, as blessed fruit he might

pick off the tree of life, and not as immaculate

fields of first fallen snow that almost desperately
seem to require distance and impassibility.
Wouldn’t it be? I lash the lion, he jumps

through the conflagration, and into flames.
Daniello Mar 2012
that is why us animals
**** like animals
feel like animals
when we ****, when we feel
like animals

just the nature
needing to continue
just the nature
being pulled in

a hot attraction
not pleasure but
within pleasure, within
that other animal, simply
****** like an animal

the unobservable
state, something like
the unknown impossible
globe encompassing
the slightly more
known, the slightly more
possible
globes encompassing
globes of
unconscious imagination
radiating
the end of time, inevitably

we are whirling towards

and the beauty
tremulous
            tremulous
Daniello Mar 2012
Our eyes are love, my love.
Loving you, I love and become love
and so become you, and so love myself.
I love I—a simple thought
in closeness (to that) which truly belongs
and gives itself to us all.

Though the infinitely recurring
empty distance lying in between our eyes
ripples concrescently accelerating waves
of deadening nothing across this dreamy
fusion for which I hope. They sweep a plague
across its vulnerable pastures, blank its
evolving light, and shed in gray the plains
that could, that might, burst in bloom
of colorful dawn. The empty distance
sends the nothing rippling through my
liquid soul, and brushes painfully the core
of its eternally lonely water.

I cannot speak to you as I would wish.
My tongue, my moving ocean of flesh
cannot righteously carry the sails of my
unutterable voice to the safe shores of
your ears. My torch, my light, my eye
is with yours so impalpable, shrouded,
fit to glean but only the most jagged edges,
the sharpest points, and our deepest caves.

But I love you, and so, bravely, I will love
our eyes, together—inscrutable flames,
distant stars that burn closely in the uncertain
black of our skies. You will take light years
to reach me, but if you had not already,
I could not be here, now, waiting for you.
You reflect off my skinned soul
and I am what returns to you, light years ago,
as the birth of your own eyes.

I can stare into the abyss of sky and not flinch.
But the depth of your eyes, my love, trembles
stillness itself. Makes the distant star in my eyes
burst in birth of bursting stars.
Daniello Mar 2012
When God created this piece
He must have done so in a quick
stream of blazing consciousness.
He knew it was genius. He knew
it was brilliant—unlike anything
that had ever existed. (Some say
it was this piece, in fact, that
created existence). But like many
artists, He must have been moved
by the ineffable within him, for
it seems not even He knows
what the Hell he was trying to
do, what the Hell he was trying
to convey. The piece remains
a mystery to the artist himself.
Even more the mystery to Him
than to His gawking audience
that has gawked at it for millennia.
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