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Daisy King Apr 2017
she smells like honeyed storms –
meaning: we are all a mess of light,
we are bitter and raw; a drunk train,
a daring locomotive, a dream ship;
we are also summers and bedsheets
and nectarines and rain, old maps,
deep with creases, but also brittle,
paper like moth wings, easily torn;
we are fast like wax, lazy like roses,
full of madness and malice, of motion
like clockwork; we keep those faces
and hands because we are not in time;
we are in-understandable –
meaning: we are all in a mess of infinite,
we are limitless; an acceleration,
an unwinding expansion, a runaway,
a struggle; we are all in a mess;
we are the holy that you will not find
in a temple or church or stained glass
or ancient passage; you will not see us
in any book, or on walls or at windows
or along skylines or across seascapes;
no, we will not be findable at all –
meaning: perhaps, just this; perhaps,
that is the way of the metaphor.
Daisy King Mar 2017
Tender and illusive, thirty thousand beams of light.
She had a cherry pit heart and the bitter-sweetest bite.
Pinpricks and clumsy kicks and a head just like a cave.
Sleep so thin and far too steep collects all it can save.
Nothing made of sound that’s real; ideas grow absurd.
From the seeds of perception- what is seen or heard?
Or how does it feel to hold on tight to the hems of mad?
Suffocation becoming softness and good becoming bad.
No one ever speaks of him, the prodigal son’s brother.
Who else gets forgotten in the shadows of each other?
If the streets were to empty and all people to disappear
How long would it take for loneliness, after relief from fear?
Daisy King Mar 2017
Figure I.
The first time you see the desert. That first time will be too much. You will be looking from the passenger window of a car the colour of sea-glass while there is someone you care about talking in the backseat about something you no longer want to hear. Mostly because the world seems to be losing its music and it’s mostly because the people in it aren’t listening. Not the way they used to, not the people you know. We know. Further down the road, everything else will be too loud or too distractingly important and there will be no music. Fearing this deafness you see in the people you grew up with, people at the same point on the road, with the same shoulders, the same bus passes, the same alarm clock calls- they don’t have to be the same any more than being in the same place- this makes people think sometimes in words that are not kind but they are true. You would give up three years of your life to be the desert.

Figure II.
Someone says thank you for being here. You turn back your head and swallow the paper ball, swallow it like it’s prayer when god isn’t watching.

Figure III.
Well sometimes it’s okay I mean they said I was too destructive too sensitive but I mean how can one person be both, if we are really just one person each? It won’t be forever no not the rest of my life but it is then I need to get over it if I am ever going to do anything or be anything or is that the same thing too? I’m sorry to bother you- go to sleep you are my favourite person I’m okay.

Conclusion.
It’s all terribly loud. Did you sleep last night? Are you comfortable? Would you like to leave with me? Stay with me? You are enough for me. The desert doesn’t care if I am not enough when there is so much space to exist.
Daisy King Mar 2017
Enough now, about all the boys and men whose hearts you stole,
how flowers sprouted from their chests
before you swallowed them whole.
Tell me about ghosts trapped in amber, about how
you can take flight driving down an empty road
with your eyes closed, at night.
I want to hear about summer lightnings
recorded on cassettes, personal but dangerous mythologies,
and winsome regrets, and if you ever sleep to dream,
if they hurt more than waking because either way,
you’re driving, and your voice is still shaking.
You were a girl born of crystals, you grew into a shell.
I think you could love, or ****, but you hide it all so well.
Red and blue lights like a prayer ending,
an exit night gave you. You are calling ‘catch me’-
will they find you or will they save you?
Aren’t you going to live forever?
Aren’t you named after a hero?
Aren’t you a modern Joan of Arc, a Titan, Michelangelo?
Swerving into traffic, smiling more with every turn.
Tell me you are racing for someone,
not imagining how to burn.
I want to ask what happened to you, but
I’m not strong enough to face what I can’t predict to hear.
I can't witness your fall from grace.
I’ll tell you that I love you, to remind you that it’s there
yet I wonder if love itself put hatred in your stare.
Don’t tell me with such pride that you never stick around
and how he loved you more, and it razed her to the ground.
I know that girl, I am that girl,
and you’ll move on and forget her.
She’ll hear the echoes forever-
*I’m like you, but do it better.
Daisy King Nov 2016
They never spoke about it but it happened, and thoughts
of what happened pushed into the soil only grew heavier and dirtier
when they pretended to strip the past of its indelible importance
and pretended that their early nights were the product
of productive days and not prescriptions, but they never had dreams
and they never took flight and they never felt the rush of wind
on their faces and their faces did not even feel theirs.
They stilled in their silence until silence sounded like a soundtrack.
If they had thought about it, they might have seen the faintest promise
of closure, enough to try for, enough to cry for. Cold and concrete
and the cure perhaps as painful as the poison itself but to come to a close
nonetheless. Instead they chose to tell themselves no closure was needed
for no wounds had been left open for nothing had wounded them,
and saw this as stoicism, as strength but it was strength mistaken,
in actuality it was slavery, and the bad guys got away,
and the robbers got rich, and what went around never would come back around
with some comeuppance. Their paths redirected, their plans and aspirations
and passions scribbled beneath a blanket of white noise they thought
was safety. They never again would take off their shoes to dance
or light candles in the summer or make someone's day by offering a smile
or offer anything much at all. Why would they, when they got nothing back?
A tombstone in every doorway, a bitterness in every bite,
a listlessness in every kiss and in that listless life, one big lie-
I am whole, I can be what I want to be because this never happened to me.
They throw their heads back and then they laugh. They watch Forrest Gump
with dry faces. They sometimes have nightmares like those of children,
of crocodiles and claws under the bed. When they wake, that means it's a new day
and that means nothing now. Tell me you know I exist, says the smallest voice,
a whisper, an echo, from somewhere buried so immeasurably deep under stones,
a voice that had been ****** to death. Tell me you'll save me, that
you'll pull me out of here, that you will give me a chance to survive,
I'm all bloodied up and broken but because of that I'm stronger now.
I know the meaning of strong, and I know that it all means something.
If they ever catch a breath of that small voice, they turn up the radio,
take another pill and swallow, change the channel to a game show,
check their phones and when the curtains are drawn, throw more stones.
Daisy King Oct 2016
we lay horizon-angle along aisles of the city,
its veneers bore the clouds as they idle awhile
in copper-bordered cobweb bundles

and rain is language, language is rain,
loosened from the tips of wine-stain tongues,
knuckle being blown or kissed by lip
lines; we trip over them all the time
or shoe-laces of feillemort-freckled boys,
never an umbrella, washed-out old news.

listen to the not-words we aren't speaking in a
shake of salt, a game of conkers, or get out of the city
and to the woodlands where, in a haze of petrichor,
you'll hear it all around on bark and leaf and then
the tinnitus of every caravan or shed.
A tin home with an iron lid to live in,
corrugated skin,

city life is wilderness but I know there is more
and wilder such, but I only half-dream of trees
carrying curses, stolen idols or heirlooms arising in
the anatomy of snakes wearing war-hoods
purely for the purpose of poetry/.

the storms that come can rattle the trees
round the courtyard into an epilepsy unflagging
and then sometimes

in my mind, flowers spit out embers petal-tooth
and lava spills onto tarmac streets.
the night knocks on the closely matched
blocks of paving stones. fireflies are out
but it looks like they'll die, their translucent wings
bring to mind an undressed volcano.

the cathartic outbreak of spiders that
that spread into a multiplication of landmines.
Daisy King May 2016
Everything is wrong until it’s not.
With your temperament, the world around you
and all that you’ve got invested in this life,
it is all going to rot, and the more
worms eat away the more you detest
so busily detesting that you forgot
that everything is wrong until it’s not.

Everything is wrong until it’s not.
People queuing to put their voting slip
into the ballot slot are inwardly complaining,
about whomever and what are they plan
to do and how they’ll explain, nothing is plain,
and thinking in plain terms, you forgot
that everything is wrong until it’s not.

A heart fails to start, no cry in the operation room.
Occupied by just I, this is less a home than tomb.
Maledictions in the curtain, heard from the floor.
Contradictions make uncertain what I knew before.
They pass away, pass us by, the past is left unresolved.
They disappear and go missing, cases still unsolved.

Everything is wrong until it’s not.
You thought you had it under control but now
you’ve lost the plot, you’ve lost your map and
X marks the spot and you’re selling out,
dropping out, ready to snap, you snap
at the world, it snaps back, and you forgot
that everything is wrong until it’s not.

Nothing is alright.
Life’s an endless fight.
It’s that or flight--

and the war was all around you
but the last gunfire is shot.
The bullet goes right through.
So you just keep on going too
and now somehow, despite
that on your back there’s a spot
you swear was put there: targeted
and misled and kept up all night
with voices in your head blaming you
aiming for you when you’re in full sight-
This war will all seem so contrite
When you stop placing blame,
and everything is alright.

In the operation room, the baby cries.
Anticipating doom, you told yourself lies.
You won in the end, after so many tries
You begun, in the end, to see the sunrise.
There are some things we’ve yet to realise.
Each realisation brings a surprise-

You fought so long and took on a lot
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