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Spanish

Vagos preludios. En la noche espléndida
Su voz de perlas una fuente calla,
Cuelgan las brisas sus celestes pifanos
En el follaje. Las cabezas pardas
De los búhos acechan.
Las flores se abren más, como asombradas.
Los cisnes de marfil tienden los cuellos
En las lagunas pálidas.
Selene mira del azul. Las frondas
Tiemblan… y todo! hasta el silencio, calla…

Es que ella pasa con su boca triste
Y el gran misterio de sus ojos de ámbar,
A través de la noche, hacia el olvido,
Como una estrella fugitiva y blanca.
Como una destronada reina exótica
De bellos gestos y palabras raras.

Horizontes violados sus ojeras
Dentro sus ojos–dos estrellas de ámbar–
Se abren cansados y húmedos y tristes
Como llagas de luz que quejaran.

Es un dolor que vive y que no espera,
Es una aurora gris que se levanta
Del gran lecho de sombras de la noche,
Cansada ya, sin esplendor, sin ansias
Y sus canciones son como hadas tristes
Alhajadas de lágrimas…

              English

Murmuring preludes. On this resplendent night
Her pearled voice quiets a fountain.
The breezes hang their celestial fifes
In the foliage. The gray heads
Of the owls keep watch.
Flowers open themselves, as if surprised.
Ivory swans extend their necks
In the pallid lakes.
Selene watches from the blue. Fronds
Tremble…and everything! Even the silence, quiets.

She wanders with her sad mouth
And the grand mystery of amber eyes,
Across the night, toward forgetfulness
Like a star, fugitive and white.
Like a dethroned exotic queen
With comely gestures and rare utterings.

Her undereyes are violated horizons
And her irises–two stars of amber–
Open wet and weary and sad
Like ulcers of light that weep.

She is a grief which thrives and does not hope,
She is a gray aurora rising
From the shadowy bed of night,
Exhausted, without splendor, without anxiousness.
And her songs are like dolorous fairies
Jeweled in teardrops…

                          The strings of lyres
                          Are the souls' fibers.–

The blood of bitter vineyards, noble vineyards,
In goblets of regal beauty, rises
To her marble hands, to lips carved
Like the blazon of a great lineage.

Strange Princes of Fantasy! They
Have seen her languid head, once *****,
And heard her laugh, for her eyes
Tremble with the flower of aristocracies!

And her soul clean as fire, like a star,
Burns in those pupils of amber.
But with a mere glance, scarcely an intimacy,
Perhaps the echo of a profane voice,
This white and pristine soul shrinks
Like a luminous flower, folding herself up!
Spanish

Fuera, la noche en veste de tragedia solloza
Como una enorme viuda pegada a mis cristales.

  Mi cuarto:…
Por un bello milagro de la luz y del fuego
Mi cuarto es una gruta de oro y gemas raras:
Tiene un musgo tan suave, tan hondo de tapices,
Y es tan vívida y cálida, tan dulce que me creo
Dentro de un corazón…

    Mi lecho que está en blanco es blanco y vaporoso
Como flor de inocencia,
Como espuma de vicio!
  Esta noche hace insomnio;
Hay noches negras, negras, que llevan en la frente
Una rosa de sol…
En estas noches negras y claras no se duerme.

  Y yo te amo, Invierno!
Yo te imagino viejo,
Yo te imagino sabio,
Con un divino cuerpo de marmól palpitante
Que arrastra como un manto regio el peso del Tiempo…
Invierno, yo te amo y soy la primavera…
Yo sonroso, tú nievas:
Tú porque todo sabes,
Yo porque todo sueño…

    …Amémonos por eso!…
    Sobre mi lecho en blanco,
Tan blanco y vaporoso como flor de inocencia,
Como espuma de vicio,
Invierno, Invierno, Invierno,
Caigamos en un ramo de rosas y de lirios!





              English


    Outside the night, dressed in tragedy, sighs
Like an enormous widow fastened to my windowpane.

    My room…
By a wondrous miracle of light and fire
My room is a grotto of gold and precious gems:
With a moss so smooth, so deep its tapestries,
And it is vivid and hot, so sweet I believe
I am inside a heart…

    My bed there in white, is white and vaporous
Like a flower of innocence.
Like the froth of vice!
    This night brings insomnia;
There are black nights, black, which bring forth
One rose of sun…
On these black and clear nights I do not sleep.

    And I love you, Winter!
I imagine you are old,
I imagine you are wise,
With a divine body of beating marble
Which drags the weight of Time like a regal cloak…

Winter, I love you and I am the spring…
I blush, you snow:
Because you know it all,
Because I dream it all…

    We love each other like this!…
    On my bed all in white,
So white and vaporous like the flower of innocence,
Like the froth of vice,
Winter, Winter, Winter,
We fall in a cluster of roses and lilies!
TWO loves had I. Now both are dead,
And both are marked by tombstones white.
The one stands in the churchyard near,
The other hid from mortal sight.

The name on one all men may read,        
And learn who lies beneath the stone;
The other name is written where
No eyes can read it but my own.

On one I plant a living flower,
And cherish it with loving hands;      
I shun the single withered leaf
That tells me where the other stands.

To that white tombstone on the hill
In summer days I often go;
From this white stone that nearer lies
I turn me with unuttered woe.

O God, I pray, if love must die,
And make no more of life a part,
Let witness be where all can see,
And not within a living heart.
 Oct 2010 D Conors
Leonie Adams
Now the rich cherry, whose sleek wood,
And top with silver petals traced
Like a strict box its gems encased,
Has spilt from out that cunning lid,
All in an innocent green round,
Those melting rubies which it hid;
With moss ripe-strawberry-encrusted,
So birds get half, and minds lapse merry
To taste that deep-red, lark’s-bite berry,
And blackcap bloom is yellow-dusted.


The wren that thieved it in the eaves
A trailer of the rose could catch
To her poor droopy sloven thatch,
And side by side with the wren’s brood—
O lovely time of beggar’s luck—
Opens the quaint and hairy bud;
And full and golden is the yield
Of cows that never have to house,
But all night nibble under boughs,
Or cool their sides in the moist field.


Into the rooms flow meadow airs,
The warm farm baking smell’s blown round.
Inside and out, and sky and ground
Are much the same; the wishing star,
Hesperus, kind and early born,
Is risen only finger-far;
All stars stand close in summer air,
And tremble, and look mild as amber;
When wicks are lighted in the chamber,
They are like stars which settled there.


Now straightening from the flowery hay,
Down the still light the mowers look,
Or turn, because their dreaming shook,
And they waked half to other days,
When left alone in the yellow stubble
The rusty-coated mare would graze.
Yet thick the lazy dreams are born,
Another thought can come to mind,
But like the shivering of the wind,
Morning and evening in the corn.
 Oct 2010 D Conors
Leonie Adams
(From a Persian Carpet)


Ash and strewments, the first moth-wings, pale
Ardour of brief evenings, on the fecund wind;
Or all a wing, less than wind,
Breath of low herbs upfloats, petal or wing,
Haunting the musk precincts of burial.
For the season of newer riches moves triumphing,
Of the evanescence of deaths. These potpourris
Earth-tinctured, jet insect-bead, cinder of bloom—
How weigh while a great summer knows increase,
Ceaselessly risen, what there entombs?—
Of candour fallen from the slight stems of Mays,
Corrupt of the rim a blue shades, pensively:
So a fatigue of wishes will young eyes.
And brightened, unpurged eyes of revery, now
Not to glance to fabulous groves again!
For now deep presence is, and binds its close,
And closes down the wreathed alleys escape of sighs.
And now rich time is weaving, hidden tree,
The fable of orient threads from bough to bough.
Old rinded wood, whose lissomeness within
Has reached from nothing to its covering
These many corymbs’ flourish!—And the green
Shells which wait amber, breathing, wrought
Towards the still trance of summer’s centering,
Motives by ravished humble fingers set,
Each in a noon of its own infinite.
And here is leant the branch and its repose
of the deep leaf to the pilgrim plume. Repose,
Inflections brilliant and mute of the voyager, light!
And here the nests, and freshet throats resume
Notes over and over found, names
For the silvery ascensions of joy. Nothing is here
But moss and its bells now of the root’s night;
But the beetle’s bower, and arc from grass to grass
For the flight in gauze. Now its fresh lair,
Grass-deep, nestles the cool eft to stir
Vague newborn limbs, and the bud’s dark winding has
Access of day. Now on the subtle noon
Time’s image, at pause with being, labours free
Of all its charge, for each in coverts laid,
Of clement kind; and everlastingly,
In some elision of bright moments is known,
Changed wide as Eden, the branch whose silence sways
Dazzle of the murmurous leaves to continual tone;
Its separations, sighing to own again
Being of the ignorant wish; and sways to sight,
Waked from it nighted, the marvelous foundlings of light;
Risen and weaving from the ceaseless root
A divine ease whispers toward fruitfulness,
While all a summer’s conscience tempts the fruit.
Seven "Wire" girls
One after the other,
Before being blessed
With our baby brother,

Seven "Wire" girls
The first was Elise,
Followed by Annie
Before Margaret made three,

Ruby arrived in the middle
As the case may be,
Not to be left behind
Along came Mimi,

Sweet Stella and Mary
Brought up the rear,
Before the appearance
Of brother D.G. so dear,

All the children
Of Maggie and J.B.,
Now you know as much as me
About our family genealogy.


August 8, 1995
That whistling Milkman so long ago
With tunes so happy and gay,
So very little did he know
How well he started my day,

The tinkling bottles
Of milk and cream,
Awoke me each morning
From my dreams,

With happy tunes
From this whistling man,
Brightening the day
Before it began.
ponder with me as I throw these diaries
filled with tales of ******* and burnt down cities
towards the direction of every ear
that had but a moment to listen to my plea
of how other lands hold the children of my sanity
of how in other lands I see decadent beauty
how I feel the gnawing tearing in me awfully

supernatural were the nights I imbedded in sultry
cringed smiles and listened to the forgein birdies
inhaled the fumes of gasoline and drowned in the glorifying sunny
wet my lips in salty water and enjoyed the stinging in my eyes
graced the cannabis valleys
and the meadows of sustenance and endless possibility

the waterfalls of magnificent hidden deep in the earth
behind the roses of my ancestors

speak to me my land
call on to me louder
hinder me away from this place
and manifest within in me your womanly power

seek me oh mother land
and cast me away from shattered lives
bring me back to you
and beg me todestroy this demise

I am toughly and sickly
at the same time

shower me with your graciousness
and devoutly banish my crime
I will wait for the thunder calling
and make excuses for this ****** place in the meantime
 Oct 2010 D Conors
keki
halloween
 Oct 2010 D Conors
keki
trick.
or may i ask treat.
hovering in  the full moons twilight light
looking for a cady thirst that thrives every ones mind.
But some one searches the night to get a scare
out of you
may i wish you a happy halloween

black cats lurk in and out of the foggy mist that surrounds the chilly floor
ghost haunt the living giving a chilly rattle up your spine
turn around no ones there and continue with your trick or treating for the night.
wolfs prey on flesh to savior their hunger for the next year or so till they rise again.
The skelton bones rise once again make thier bones shake and shiver as they were a musical instroment
clock stricks 12 and all the mysteriors monster hide in the shawdows till next halloween day.
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