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Cyril Blythe Apr 2013
I wonder asunder
what a whale would wonder
or whether they wander
through waters of wonder.

Above on board bottles
boast "BAM!" faces mottled
but whether bought or dottled
broken beauties cottle.

The window metal rusts
recoiling at her lust
raptous roilings dost
remedy raw must.

and in frustration
and in anger
and in desperation
and in danger
I break.

Leaving convention losing sight of solid ground
sailing Atlantic and crossing canyons hidden
beneath tons of tons of water
I
amidst tons and tons of air
wonder and I wander
and
bottles boast "BAM!"
while
recoiling at her lust.

For this, Beloved, is a Carinval (kar-knee-VAL)
and Carnival, beloved, is a mummers farce.
Cyril Blythe Apr 2013
There is a wooden window, circular
above a roses-in-ink embroidered couch
that complements and contrasts the curtain
of roses-in-mud that eloquently hugs
the wooden sides of the wooden window.

On this couch I sit in my suit and out I see
through the circular wooden window
waves with stretch marks and salty burps
dancing (for me?) with brave crashing crescendos
and butter melting bass.

This ocean could teach humanity
absolutely everything about ***
its voluptuous waves caressing
the ***** seaweed and *******
it for miles until it's washed (limp) ashore.

The couch back is hard and unused
speaking of the depravity of our angry age
whose ***** wear bare the leather and studs
on the barstools in the club below my library
with its wooden window, circular.

I've yet to see a sunset or sunrise
in a place where I can see no land
but looking at the quiet reflections of rage on
the roiling ocean, on which I'm afloat,
I pray I do- I want to see it all aflame.
Cyril Blythe Apr 2013
"236 miles into the Atlantic.." the captain crackles,
I find the foils of snow and sand here,
dust and ridges etched ashore on Andes
mountain tops and the way
the wind seduces the elements to dance only
for her to laugh and slap down.

The escargot and garlic alligator
shift, below in crates. The drunken
feet stumble to the jazz of the
ocean and the timbre of the coconut ***
on their way to the formal dinner promised
in  this passage of escape. They saunter
but the ocean's sighs harmonize with her laughter.

"At night the opal blue sinks beneath black
but," she says, "I still see the jovial mist's blue dance."
So we toast with Shiraz and join the drunken
music with our drunken neighbors, souls drunk
and eyes feasting on oil candles and neon CARNIVAL
shot glasses that aid us, the broke, to run harder
into the night and away from the damnation of land.

I, you all, know that is what this is,
what vacations, rest, water, Advil, sunscreen
all promise and whisper and ****** until
they force your feet to dance so they
can laugh as they slap you down ashore,
awake,  thirsty, throbbing, burnt into the reality
you left for the past five glorious days.

Ah, and glory- you see?
The majesty of the waves and allure
of purple and green fade when compared,
remember? Nature is symmetry and
the depravity of pain pales in comparison
to the glory of salvation. Look to the sea,
see where Christ walked.
Cyril Blythe Apr 2013
We dance slowly and it’s broken.
Men shudder and women wail
When I dip you and we don’t miss
We don’t kiss.
Cyril Blythe Feb 2013
And what is there to say
And what am I to talk of
But the crackers we ate
On the blanket in the park

And lips
Your lips, beloved
Crusted with ******* crumbs and gloss
Touching mine

And then we laugh and things brush
And prickles on my skin rise
RISE RISE
Until
I open my eyes

And I see the spider
In the corner or my room
Across from my bed in the dark
Alone in his web and his poison

And he crawls and he spits
And he claws until he bleeds
At the inevitable and damnable
Future of solitude he is, he is.

Shivers of moon wind
Brush the blinds and I cough
Sending the spider again, up
Hidden in the depth of his silk

And alone I sit
And alone I smile
And alone my teeth are white

I stand naked in the night
And the haunted air licks
Everywhere that it owns
For I am it's and I am Devine

Dry fingers pull up the blinds
And shhhh slowly slide up the window
And the moon above honors me
With a glance and in it's eyes I see hate.

So I laugh and fight the shiver
As hard as I fight the future
And I scream to Black
I am yours, beloved, and you are mine.
Cyril Blythe Nov 2012
Janie pushes the metal book cart back into its parking space in the Document Delivery Department of the St. Louis Public Library and hangs the last sticky note for October 30, 2012 on the wall by the head of the department’s closed door. She retightens her brown scarf under her chin, tucking the wispy hairs above her ears back into hiding. Having your hair begin to prematurely gray as a teenager has dramatic effects on a person. Her mother wore scarves around her wrists when Janie was growing up and when Janie begin to wear scarves to conceal her salt-and-pepper hair, her mother just smiled. The clock hanging on the wall above the children’s section reads 11:28pm.
Two more minutes.
She reorganized the pens and books on her desk and set the box reading NOTES onto the right corner or her desk with three blue pens and a stack of note cards. Her coworkers learned fast that Janie does not like to talk. She does not like eye contact. She loves the silence, and never ever to ask her about her hair. Her manager gave her the NOTES box after about a month of horrible miscommunication and everyday it fills with requests for books or tasks that Janie has to complete. She completes the tasks one by one, alone, in her back office in the Reference Department and hangs the completed sticky notes on the wall by her manager’s door. She works the night shift and locks the library up every night. When she’s alone she can talk out loud to herself and those are the only voices she cares to hear.
“Goodnight, books. Good night, rooms.” Janie shut the heavy wooden door to the library, placed the color-coded keys in the front right pocket of her jacket, and began her walk to the bus stop one corner away. She avoids the main road, taking her first right onto a side street that she knows would spit her out right beside the bus stop.
“Goodnight Taco Bell Sign. Goodnight Rite-Aide. Goodnight Westside Apartments. Goodnight Jack-o-Lantern smile.” She stopped in the middle of the alley and peered up at the Jack-o-Lantern grinning down at her from the third story window above. “Mother wouldn’t’ve liked your smirk, Jack. She would’ve slapped that **** right off your face.” Janie, satisfied the pumpkin was put in its rightful place, smiled as she trotted on.
“Mother carved smiles into her arms and that’s why Daddy left, it is, it is.” She kicked at a crushed Mountain Dew can as she remembered that night from years ago.

“Mommy?” Janie pushed opened the door to her mother’s bedroom and saw the moving-boxes torn open and all their contents scattered across the floor. She tiptoed through piles of scarves and silverware and corkscrews until she reached the bathroom in her mom’s room.
“Come to us like rain, oh lord, come and stay and sting a while more, oh lord…” her mother’s voice was slipping off the tiled bathroom walls. Janie pushed open the door and saw the blood for the first time pouring from her mother’s wrist. Her mother was naked and perched on the bathroom sink, singing to a red razor blade.
“Mommy?”
“GET OUT!” Her mother jumped from the counter and perched on all fours on the floor. She began to growl and speak in a voice too deep to be coming from her own throat.
“Mommy! It’s Janie!” She began to cry as her mother, still naked and bleeding, twisted and writhed onto her back and began to crawl towards the door that Janie hid behind.


“Thirty-Three percent, dear. Just a thirty-three percent chance.” She shivered trying to clear the last memory of her mother with the words that all the shrinks had echoed to her over the years. “Schizophrenia is directly related to genetics, little is known about the type of Schizophrenia mother was diagnosed with except that it is definitely passed on genetically. But, there is only a thirty-three percent chance you could have it, dear. Thirty-three percent.” The sound of the bus stop ahead reminds her it is time to be silent again.
“Disorganized Schizophrenia.” She mouthed to herself as she stepped back out onto the busy street from her alleyway. She tightened her scarf and saw the bus pull into the pickup spot. She walked forward to the bus, again immersed in her self-imposed silence.
Stepping out of the February cold, Janie removes her wool scarf as the bus doors close behind her.
“Where to baby?” The driver smiles a sticky smile. Her nametag reads, “Shannon” and has a decaying Hello-Kitty sticker in the bottom left corner.
“The Clinton Street drop.” She hands the driver her $2.50 fare and avoids the woman’s questioning eyes. The night drivers are always more talkative, curious.
“Your ticket hon.” She tears Janie a ticket stub. “Everything is pretty dead this late, I’ll have you there in ten minutes top.”
Janie begins to shuffle towards the seats, ignoring the woman.
“You mind if I crank up the music?” The bus driver asks, purple fingernails scratching in her thick blonde hair. “I need to keep my eyes open and blood flowing and music is my fire of choice you know?”
“Sure.” Janie shrugs her bag onto her shoulder and walks on before the woman can say anything else.
“Route E-2, homebound.” Shannon’s voice crackles over the loudspeaker.
She shuffles down the bus towards her usual seat; second from the back right side.  Shannon starts the bus rolling before she reaches her seat and Janie can hear her singing along to “Summertime” by Janis Joplin. The bus floor, today, is sticky because of the morning rain. Two years of riding public transportation has taught Janie that staring at the floor as she walks to her seat is better than the risk of making eye contact. The bus is usually empty this late but if there ever happens to be anyone else on, it’s better not to converse. Safer that way.
She plops into her seat filling the indention that ghosts of past passengers left. The seat is still warm and Janie squirms around until the stranger heat is forgotten. She tightens her scarf and sighs. The brown pleather seatback in front of her is peeling towards the top. Janie leans forward and idly picks at the scab-like dangles of brown as she watches the sodden city canvas roll past her out the foggy window. As she picks, the hole grows. She twists and digs her unpainted nails into the seat until her hands feel wet, warm. Looking down, they are covered in blood and mud.
“What. The. Actual. ****.” she whispers, wiping her hands on her pants leg. She cautiously picks off another piece of pleather and a trickle of deep red begins to run from the seat back, clumps of mud now falling onto her knees. A puddle of blood and mire splatter down her legs and pool around her feet as she picks at the seat. Her white tights are definitely beyond saving now, so she digs faster until her thumbnail catches on something, bends back, and cracks. She gasps and withdraws her shaking hand, watching her own blood mix with the clotting muck in the seat, half of her thumbnail completely stripped off.
Looking around, all else seems normal. The driver is now muttering along to some banter by Kanye West, completely unaware of Janie’s predicament. She closes her eyes.
This is a dream, this is a dream, wake the **** up.
She opens her eyes to see the pool of filth around her feet trickling towards the front of the bus. Panic sets in with a whisper, They’re going to think it was you, your fault, you’ll be thrown in jail.
“But I didn’t do this.” She lashes out to herself. “I didn’t hurt anyone.”
Next stop, E-2. Shannon blares on the intercom.
“It’s just a dream, get your **** together, Janie.” She laughs at herself, manic.
Prove it! Her subconscious screams.
Convinced to end this moment she has to continue; Janie plunges her hand into the pleather grave one more time. Frantic and confused she laughs as she digs, spittle of muck splashing on her bus window.
Faster, faster, faster.
Deeper, deeper, deeper.
Realer, realer, real.
Wake up, now!
Then, as the bus slows, one last chuck of mud splatters to the floor and Janie sees a pink piece of her thumbnail stabbed into the white of a bone in the bottom of the seatback pit. Her white Ked’s were becoming so red they were almost black. She pulls her knees up to her chest and begins to rock back and forth. Clenching shut her eyes she begins to hum. Janie’s sweet soprano harmonizes with the buses deep droning purr, their wet melody interweaving with the driver’s alto and Lil Wayne’s screech made her feel dizzy as the bus turned right.
She take my money when I'm in need
Yeah she's a trifling friend indeed
Oh she's a gold digger way over town
That dig's on me
The bus slows to a stop and the bass is shaking. Janie is cold. She slowly peeks out of her right eye, expecting to be instantly immersed into the same dismal scene. The seatback is whole again. Releasing her knees, her feet fall back to the floor and her shaking fingers stroke the solid pleather.

“Ma’am? We’re at the Clinton Drop.”
Janie hurriedly picks up her bag and flees down the aisle to the bus doors.
“Everything alright, dear?” The bus driver asks, smiling.
“Fine, just fine.”
“You be safe out there tonight. The night is dark and only ghouls stroll the streets this late.”  Shannon laughed as Janie’s jaw dropped. “Happy Halloween, dear. It’s midnight, today is October 31st.”
The bus doors opened and a cold wind ****** the warm bot-air surrounding Janie into the streets. She begrudgingly followed, her mind spinning as she stepped onto the pavement. The doors slammed behind her and she turned to see Shannon pull out a tube of lipstick and smear it, red, across her cracked lips. Shannon made a duck-face in the mirror and reached down to crank up the music as loud as it would go. The bus exhaled and rolled forward, leaving Janie behind as it splashed through the potholes.
She surveys the surrounding midnight gloom and the street is quiet and dark. Even the stars are hidden behind swirling clouds. She begins to hum, hands in her pocket, and shuffle towards her apartment.
“Goodnight, stars. Goodnight, street.”
As she approaches her single-bedroom apartment, digging through her coat pocket for her keys, her thumb pulsates. She grasps the keys and pulls them out as she steps up to the apartment. Sticking the cold, silver key in the lock she looks down at her thumb and in the shadows of the porch sees half of the nail completely missing. She laughs as she pushes the door open to her bare apartment, light flooding out. Without any hesitation she closes the door behind her, sheds her clothes, and slips onto the mattress in the corner of the room gripping her thumb tight. She reaches out for the glass of milk on the floor beside her bed from the morning and it’s still cold. Nursing the milk, surrounded by blankets and solitude, she reminds herself,  “Only a thirty-three percent chance. A nice, small, round number. Small.”  
She sets down the empty glass and curls into the fetal position under the heavy blankets, pointer finger tracing circles on her thumb. Only when she has heated her blanket cocoon enough to feel safe does she remove her scarf and allow her thick white hair to fall around her face.
“Goodnight, room. Goodnight, mother,”
Cyril Blythe Nov 2012
Plunge, colder+deeper, illuminosity, shame, boats,
fear, family, disappointment, roots, train,*

Lights,
Camera,
Action:


When you told me, “no”
you called me “******”
and you became the Quarterback
you used to be.

You refused to watch
my musicals because football
“What real men do, boy”
ran in your blood.

So, I swore never to forgive
the blood that named me
your son because you threw
a pass and I didn’t have hands.

Winter was cold and the stage
was warm, unlike pigskin goose bumps
or Gatorade that you tried
to force onto my hands.

Then you finally came
to watch me sing
in Les Miserables and
you wept, warm tears.

“Proud of you, son”
you cried, and we wept
and my cold heart thawed
because of bloods warmth.

**Lights
Camera
Scene.
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