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CR Jan 2014
hello, sweetheart in the lightbluejeans, what’re you thinking of
whatever happened to gumdrops and thankyou notes and long skirts that say
‘I am a forward thinking woman’

how your eyebrows in self-photograph are the spitting image of your grandma’s
and how she never had a funeral and neither
did
you,
but you’re
****-sure not living anymore, not since the world-bruise and the ankle-bruise
and your protruding soul-bruise (your soul is in your hip bones; it bangs on the doorframe
when you walk into the kitchen every time)

you don’t remember the year but there was one
when you knew it all would be beautiful
for you
how could it not

back up to that long-gone January. that evening in your best friend’s car
when you choked on the phone that it physically hurt to listen to the sharp voices
no matter what, but especially when you knew what you knew and you *******
knew what you knew and you couldn’t
forget
not that January

not that May, when you told him you’d decided to be better
not that December, when you told somebody else
not ever—you were better but you wouldn’t forget
not ever

you set your course on what you didn’t know—what you didn’t know
would never, never hurt you, and

your best friend said go. he said do what you love he said
no one loved like you and you had
a smile and a way with words and the world deserved you and your
big, big love
you were full of love
you were love

and then he left—your big love wasn’t the kind he needed and you survived,
but a little less wholeheartedly because you were missing a little bit of it
and you saw that sharing the whole thing was
what everyone said it was
after all

you were a little smaller the next time when
somebody else told you what you were—beautiful and big and
worthwhile—so many times that you said what the hell and you
kissed him
and he took that kiss and turned it into red
red
red wine
and you had no heart to tell him you preferred white; he had you already
you had him already
and no one would go un-
bloodied

and what do you love? your best friend that day
assumed you had an answer—so did you
but what the hell was it,
you ask through the *****-fog
what do you love?
do you?

and now
what’re you thinking of, honey
how the next one and the next and the sunglasses future
is cracking summer ice, not stone, and you’ll
kiss but not say
iloveyou
it will be misty and gray for you
you’ll plan on only what you know in sweatshirts and quilts
and you’ll shut the shades

and even this January
not forget

not since the world-bruise
and your own
CR Jan 2014
Growing up in Poughkeepsie, the
barbells of unfaith always shook her
wrists when she lifted "I
will be gone from here soon enough"
over her shoulders. "I will love
like crazy."

Grown-up in the city, she
swallows hard in the marble mirror
and thinks "Maybe today
will be the day," but
it never is, and she ignores
the petulant inside voice saying
"Unfaith is unfaith but
so is dead-eyed
companionship, so unclench
your fists"--she hasn't yet.
CR Dec 2013
some nights it was yes-
terday

others

I lose what tree
it was

in retrospect-
ive light
circles
CR Nov 2013
the world's at home, and it's from taming one star to another till it's light.

once upon your voice I walked on eggshells
wrote on eggshells with infinity and refuge
you’d drink a fifth
of anchor steam, and refuge
we’d talk all the doors closed
refuge.

the fault lines, beautiful in
their unself became the weave of things
your skin radiated a reddish copper glow of
the ones behind
floating like in your stars
red and gold—
he’d change your colors.

I had faults, but we did not
and you did not, but he
talked like next year with you
and this heaven curdled—
I wanted to *like
heaven and so I
breathed the doors closed quiet
drank my own refuge in the dark
that you didn’t ever count.

let’s count the darkness now
the sun is what I love and I can see it
hiding in the things you said—
“we were back burner anyway”
—I want to like heaven
and so I dress the shore, waiting
but if it’s coming it’s slow
and I want to like heaven.

so I go
taming one star to another
till it’s light.
CR Nov 2013
two bridges only went down in the fire
my architectural catalogue was largely unscathed--the
ones with the most foot traffic these days
standing tall still
but two went down.

first my most recent design.
in the city I just left it stood alone and imposing and
gray
weather beaten in so few months
and weak--not my best work, though
I gave it everything when it was commissioned.
I thought it might crumble some day.

one other was lost--the first tall one that I'd built
and the first unexpectedly beautiful
ornate thing I was ever proud of.
I hadn't been back in years when I got the call. no one-last-photo of
its sunset or one-last-drive across its bumpy surface.
just a clearer view to the skyline
--takes longer to reach now, the traffic on 95 is a real *****.

years since I'd been back
but I wasn't quite finished, not
forever
I wrote this half-asleep and it's not my best metaphor
CR Oct 2013
when the milk light steals into my eyes—hey it’s grownups’ goodmorning
—I let your elbow go and then I pull it back again, soft metonymy (i
sometimes remember
when you’re awake, and abashed I keep it quiet
how you’re my favorite part
—of what?—not applicable, but this morning I remember
when your eyes are closed, and I let you feel how much I
feel you in my ribs when you’re all around me)

the punctuation of the days was always mine and I
couldn’t breathe as well without keeping the dark
for me just me
and still my eyelids weigh me down a little but
I don’t mind
hey goodmorning
CR Oct 2013
on Orion's belt, she spends her wish
though he hangs there, unfalling, why wait,
she wonders, why wish on empty air
(she forgets, though, that even Orion,
brightest warrior, isn't really there)

and she dreams in most conventional
metaphors, and she scolds herself: her
unconscious architect
would not be commissioned for the
Golden Gate Bridge, or anything, if you
know
what I mean

when she closes her eyes (awake)
she sees the colors like his synesthesia
though he kept his finger paintings locked away
and his fingers without prints
never there (he's never there)

and good mornings come in pairs
and nights look unempty (don't tell
her what they are)
why wait, she wonders

god forbid you wait
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