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Cory Childs Jul 2011
Careful, now, 'lest silence shatter
barricades that hold the heart
and blind to my unchecked desires
prying piece of mind apart
Cory Childs Jun 2011
The new wind threatens
the structure of what has been
the wisdom of tradition
all our rigid, reverent ease

How can I hold?

Oh, how can I hold when
the freedom from control can expand
chance for wild reaction
naked in the savage ocean

Where did we go?

The new wind could mix
flowing wisdom with this
safe and steady freedom

Preserve what's passed to
help the future last in
any way they see fit

However we hold!
Cory Childs Jun 2011
Why does attention so fondly take hold
when ever new moonflower buds
on lonely land cleared of the last's marigolds
that long masqueraded as love?

Will arum give way to hydrangea?
Will heartsease yield lavender's bite?
I cling to mad dreams of hibiscus
conceived in the moonflower's light.
Cory Childs May 2011
Prelude:
How could this have come to be, this life, so ever-changing?
these laws that pushed the smallest things to pull the greatest mountains?
and what could cause the chance to think and wonder why we can?
Sophia flowed through mystery where Logos formed a plan.

Act 1:  Epigenesis

First Interlude:
At the heart of sacred grounds, a man claims what is righteous
with ****** standard pointed proud and conduct that disguises
a savage pulse, an ancient thirst; is Cronus set in stone?
Impressing eager, weaker men, Saint George goes on and on.

Act 2:  Saint George

Second Interlude:
Where the wood once bloomed unbound, a shaft of ivory rises
and reigns above a throne of clouds, where veil of white disguises
a wilting rose, a potted plant; did Gaea plan her fate?
Behind the stained-glass window's view, Joanna meekly waits.

Act 3:  Joanna
These are excerpts from an operetta I'm composing.  I had hoped for these stanzas to be able to stand on their own as poetry.  In the work, the first stanza will be read aloud while a feminine Eros and a masculine, deified Logos meet in the middle of the stage and, after clasping hands, Eros is pushed down by Logos.  The interludes will be sung by a full female choir.
Cory Childs Apr 2011
She raised herself with elegance
above the scathing sea,
and from a splendid mountaintop,
her strength shines down on me.

But I see the waves are rising
as the clouds conceal the sun
and choke her bright horizons;
will hope be overrun?

My heart is moved to action!
I can't let beauty fall!
If ever hope is lapsing,
I'll always heed her call.
Cory Childs Mar 2011
Day

Day after day
after day after day

Day after day
the dawn will wake
and so will I

From a dreary, dull escape
I'll find the strength
to open my eyes

Through the midday height
I'll guide myself right
for better, brighter ways
(a better, brighter way)

When the weary dusk sets
I'll reap due rest
with honest, easy grace
(shameless, graceful, sweet senescence)


Night*

Use the day
Use the day

See, the light
never dies
it hides away

Why not try?
Let life thrive
against decay

Star echo
seems hollow
but don't despair!
(oh, use the day, use your love and hope)

Love and hope
shape our world
just as well
(to shape our world just)
As these are the lyrics to a 4 part choir composition, the lyrics in parenthesis are referring to what is sung by the female and male soloists.
Cory Childs Mar 2011
His Holy Empire


At the heart of sacred grounds, a shaft of ivory rises
and reigns atop a throne of clouds, where veil of white disguises
a wilting rose, a potted plant; did Gaea plan her fate?
Behind the stained-glass window's view, Joanna meekly waits.


Act 1: Poor Joanna

Twirling her hair idly, Joanna looked up out the window and sighed.
"I've wistfully waited so long for you to come home and save me… Save me from wondering and wandering too far alone." She slumped into her seat. Life was so unfair.

Despite her attempts to resist, Joanna soon quietly submitted to gravity's pull on her drooping eyelids. Just as a smile began to waltz across her face, she was violently jolted upwards by a surge of adrenaline. She instinctively buried her disfigured hand into her abdomen as her eyes darted about the unkempt room and over her unfulfilled duties. She suddenly found herself in front of her dresser's mirror and watched as her shaking hands dug through piles of cheap jewelry and stuffed animals, indiscriminately tossing the toys onto the floor. Finally, her hands found what she had been searching for. Her reflection smiled back as she ritually lifted her brush and began to make herself up.

She hated how her face looked without makeup; she had grown to believe it seemed strange if it wasn't shiny and exotically colored. Each layer concealed her blemishes and bruises so well that she sometimes forgot they were there at all. But now, no matter how desperately she painted, the comfort wouldn't come! She loathed what she saw! Joanna winced away from her tear-streaked reflection.

"Why am I so…"


Act 2: Echoes of Solomon

But she couldn't will the words; she didn't even know what it was that she needed to ask. Joanna felt conflicted and unsure as she was barraged by the jostling images that filled her head. She felt so queer when she had offered to shake his hand instead of immediately taking his arm, as was customary when a bride-to-be first meets the man she's been arranged to marry… so ugly when she noticed that every woman at the wedding was wearing makeup except for her… so damnably rude when, after he had ordered the musicians to play a minuet, she had interrupted them a second time to request a waltz… so ashamed when she had danced with such wild, voluptuous abandon… so horrifically guilty when he stumbled, when she made him grab her hand so forcefully that bones snapped as he dragged her out and scolded her for embarrassing him… so naïve to believe that she could think for herself… so overwhelmingly worthless for failing to meet his expectations?

She hated her desire to dance. She hated her desire to eat. She hated that she was miserable, even though she had done everything that they had promised would make her happy. What was she doing wrong?! She cried, "Why? Why am I…" and collapsed. Joanna's walls crumbled as she let herself be swept away by the rivers of repressed sorrow that welled from her heart. Feeling drained and strangely lighter, she found the will to face her reflection.

"I've been so strong since Saint George has been gone. He'd be proud, I'm filled with prayer instead of fruit!" Joanna was caught off guard by her reflection's sudden scowl. "But the days have grown into weeks unknown… I'm feeling frail, what's a damsel to do?" Joanna turned and looked out around the cell as though for the first time. Her probing fingers disturbed the dust-coated bookshelf as she helped herself up and stretched toward the window's ancient, forbidden latch. She threw open the gates of her perception and leaned out to observe the wilderness through wisps of clouds. Her hair flowed freely in the wind and her eyes beamed like the sun.


Act 3: When Adam Delved and Eve Span

Joanna looked up in a familiar way and said, "Tell me: Who governs the trees beyond the courtyard? Ease me; why are the leaves conceived to fall?" Joanna's trembling knees finally buckled as she cried, "Bear me! I can't stand when all I have are unanswered questions. You left me helpless! Won't you please lead me?"

Joanna tried to get back on her feet, but sickly fell to her knees in a fit of coughing. She looked down at a wooden cross that was framed by the purple of her most luxurious pillow and said, "He taught me what happens when little lambs go astray; with no rod to guide them, they'll find themselves prey. I'm too afraid to leave, though no lock bars my way. He bade me love the leash. In lord's courtyard, I'll obey."

Joanna reeled deliriously as she rose to her feet to be bathed in the growing light from the window. She reached out with a bony finger to touch one of the cherubim that were lacing the window with golden embroidery, but her hand passed through as though nothing was there. Joanna didn't seem to mind. She looked up and said, "I've wishfully waited so long for you to come down and save me… Save me from wondering and wandering too far alone."

As she smiled and dreamt of dancing on clouds, Joanna laid down and died.
To hear a rough midi draft of the accompanying music: http://corychilds.bandcamp.com/track/his-holy-empire
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