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Beauty isn't seen with our eyes
It is felt with our soul
We cannot understand our minds or hearts
What we feel and what we need
It's not the make-up, the body, the perfect hair
It's not the scars, scratches or marks

It is what our heart sees that is not defined
Its those eyes that tell a million stories in a single blink
Its the deep smile that pushes memories deeper than the butterflies they cause

We see all of this, but not with our eyes
Feel it without our hands

It is within all of us
Waiting to be seen by the right person
That one person that hears the stories you tell
That is over taken by a simple touch
The one that lets those butterflies fly like angels back to heaven
The one that not only do you see their beauty, but they see yours

Your souls entangle, as your bodies do
And everything
..fits

Beauty
Love
Desire

All we need to feel this is to see without eyes
To feel without hands
Speak with no words
And hear through the silence

And that
Is beauty.
I kept rambling to keep you talking,
So afraid of pauses, so
Sure you were leaving.
I wouldn’t have stopped you

But.

My chest was filled with black holes and
My breath was heavy and your hands were
Heavy and your eyes were
Somehow not blue but still full of the sky.

I wore it like a bruise the next day.
Our love was another lifetime.

I do not know how to describe it,
except to say
that it wasn’t so much the sky glowed bluer
or the earth grew greener
or that I’d found God
or music.
(because aren’t they the same thing anyway?)
No,
it wasn’t like that at all.

It was more that
it didn’t matter
if the stars bled violet kryptonite
or the grass quit knowing why.
Because you would be right there with me
watching the heavens divide, a passion of
stormclouds and curtained twilights, and
the rain -a thousand soldiers
straining to free the light

and all I wanted to listen to was the way your body holds mine.
'Tis a bleak wild hill,--but green and bright
In the summer warmth and the mid-day light;
There's the hum of the bee and the chirp of the wren,
And the dash of the brook from the alder glen;
There's the sound of a bell from the scattered flock,
And the shade of the beech lies cool on the rock,
And fresh from the west is the free wind's breath,--
There is nothing here that speaks of death.

  Far yonder, where orchards and gardens lie,
And dwellings cluster, 'tis there men die.
They are born, they die, and are buried near,
Where the populous grave-yard lightens the bier;
For strict and close are the ties that bind
In death the children of human-kind;
Yea, stricter and closer than those of life,--
'Tis a neighbourhood that knows no strife.
They are noiselessly gathered--friend and foe--
To the still and dark assemblies below:
Without a frown or a smile they meet,
Each pale and calm in his winding-sheet;
In that sullen home of peace and gloom,
Crowded, like guests in a banquet-room.

  Yet there are graves in this lonely spot,
Two humble graves,--but I meet them not.
I have seen them,--eighteen years are past,
Since I found their place in the brambles last,--
The place where, fifty winters ago,
An aged man in his locks of snow,
And an aged matron, withered with years,
Were solemnly laid!--but not with tears.
For none, who sat by the light of their hearth,
Beheld their coffins covered with earth;
Their kindred were far, and their children dead,
When the funeral prayer was coldly said.

  Two low green hillocks, two small gray stones,
Rose over the place that held their bones;
But the grassy hillocks are levelled again,
And the keenest eye might search in vain,
'**** briers, and ferns, and paths of sheep,
For the spot where the aged couple sleep.

  Yet well might they lay, beneath the soil
Of this lonely spot, that man of toil,
And trench the strong hard mould with the *****,
Where never before a grave was made;
For he hewed the dark old woods away,
And gave the ****** fields to the day;
And the gourd and the bean, beside his door,
Bloomed where their flowers ne'er opened before;
And the maize stood up; and the bearded rye
Bent low in the breath of an unknown sky.

  'Tis said that when life is ended here,
The spirit is borne to a distant sphere;
That it visits its earthly home no more,
Nor looks on the haunts it loved before.
But why should the bodiless soul be sent
Far off, to a long, long banishment?
Talk not of the light and the living green!
It will pine for the dear familiar scene;
It will yearn, in that strange bright world, to behold
The rock and the stream it knew of old.

  'Tis a cruel creed, believe it not!
Death to the good is a milder lot.
They are here,--they are here,--that harmless pair,
In the yellow sunshine and flowing air,
In the light cloud-shadows that slowly pass,
In the sounds that rise from the murmuring grass.
They sit where their humble cottage stood,
They walk by the waving edge of the wood,
And list to the long-accustomed flow
Of the brook that wets the rocks below.
Patient, and peaceful, and passionless,
As seasons on seasons swiftly press,
They watch, and wait, and linger around,
Till the day when their bodies shall leave the ground.
Chances I’ve missed and dreams gone astray
Unspoken words when I’ve nothing to say
Paths that I’ve taken that have led me to here
All that i see always seems so unclear

Those that I've ran from and those that I’ve chased
Love's that I’ve lost and battles I’ve faced
Riddles I have in the depths of my mind
Answers i search for but failing to find*


© 2012 Paul Bolton
They go together,
As lovers should,
And take of their love
In the shade of the wood.

It is not ugly,
Nor is it unclean
To lie in the shadow
Unknown and unseen.

Never a sorrow
Was born of two
Couched in the shadow
The whole night through.

If only lovers
Walked in the lane
No one would suffer
Or sorrow again;

But a step before them
And a step behind
Are people possessed
Of a very small mind

Who nod and whisper,
And poison the bread
Of innocent lovers
Until they are dead.
*This is not an original work by me*
This poem is by a favorite poet of mine named Byron Herbert Reece. He is a distant relative of mine. I wanted to post these poems because he is little known, and I think his work deserves to be recognized.

*the following is a short biography taken from a collection of Reece's poems titled "Ballad of the Bones".*

Byron Herbert Reece was born and reared in a secluded mountain area of North Georgia near Blairsville. Before he entered elementary school, he read "Pilgrim's Progress" and much of the Bible, upon which many of his later ballads were based. As an adult, he was a lonely mountain man who was a modestly successful dirt farmer and a poet of surpassing genius. Reece had the ability to say new things in the old traditional forms, distinguished by their simplicity and accuracy. His poetry was mystical, lonely and often seemed preoccupied with death. Reece was perhaps the greatest balladeer of the Appalachians. During his short life, he received two prestigious Guggenheim awards and lectured as Writer-in-Residence at UCLA, Emory University and Young Harris College. Reece died by his own hand on the campus of Young Harris College in early June 1958.
 Feb 2013 Cordelia Lee
Ben Jonson
To draw no envy, Shakespeare, on thy name
Am I thus ample to thy book and fame;
While I confess thy writings to be such
As neither Man nor Muse can praise too much.
'Tis true, and all men's suffrage. But these ways
Were not the paths I meant unto thy praise;
For silliest ignorance on these may light,
Which when it sounds at best but echoes right;
Or blind affection, which doth ne'er advance
The truth, but gropes, and urges all by chance;
Or crafty malice might pretend this praise,
And think to ruin where it seemed to raise.
These are as some infamous bawd or *****
Should praise a matron. What could hurt her more?
But thou art proof against them, and indeed
Above th' ill fortune of them, or the need.
I therefore will begin: Soul of the Age!
The applause, delight, the wonder of our stage!
My Shakespeare, rise; I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room:
Thou art a monument without a tomb,
And art alive still, while thy book doth live,
And we have wits to read, and praise to give.
That I not mix thee so, my brain excuses,
I mean with great but disproportioned Muses,
For if I thought my judgement were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee I would not seek
For names; but call forth thundering Aeschylus,
Euripides, and Sophocles to us,
Pacuvius, Accius, him of Cordova dead,
To live again, to hear thy buskin tread,
And shake a stage; or, when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
To whom all scenes of Europe homage owe.
He was not of an age, but for all time!
And all the Muses still were in their prime
When, like Apollo, he came forth to warm
Our ears, or, like a Mercury, to charm!
Nature herself was proud of his designs,
And joyed to wear the dressing of his lines!
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, **** Aristophanes,
Neat Terence, witty Plautus, now not please;
But antiquated and deserted lie,
As they were not of Nature's family.
Yet must I not give Nature all; thy art,
My gentle Shakespeare, must enjoy a part.
For though the poet's matter nature be,
His art doth give the fashion; and that he
Who casts to write a living line must sweat
(Such as thine are) and strike the second heat
Upon the Muses' anvil; turn the same,
And himself with it, that he thinks to frame,
Or for the laurel he may gain a scorn;
For a good poet's made as well as born.
And such wert thou. Look how the father's face
Lives in his issue, even so the race
Of Shakespeare's mind and manners brightly shines
In his well turned and true-filed lines:
In each of which he seems to shake a lance,
As brandished at the eyes of ignorance.
Sweet swan of Avon! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That did so take Eliza and our James!
But stay, I see thee in the hemisphere
Advanced, and made a constellation there:
Shine forth, thou Star of Poets, and with rage,
Or influence, chide or cheer the drooping stage,
Which, since thy flight from hence, hath mourned like night,
And despairs day, but for thy volume's light.
Or ever the knightly years were gone
With the old world to the grave,
I was a King in Babylon
And you were a Christian Slave.

I saw, I took, I cast you by,
I bent and broke your pride.
You loved me well, or I heard them lie,
But your longing was denied.
Surely I knew that by and by
You cursed your gods and died.

And a myriad suns have set and shone
Since then upon the grave
Decreed by the King in Babylon
To her that had been his Slave.

The pride I trampled is now my scathe,
For it tramples me again.
The old resentment lasts like death,
For you love, yet you refrain.
I break my heart on your hard unfaith,
And I break my heart in vain.

Yet not for an hour do I wish undone
The deed beyond the grave,
When I was a King in Babylon
And you were a ****** Slave.
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