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 Jan 2013 Conor Wilson
Emily Ould
I don't feel I've got the knack, the spark, the 'gee-whizz, she's got it!' to say I can sparkle
I don't have the 'good' to be enough.

Amateur

They say I have talent
But it seems I just happen to waste it

Watch it go past in the breeze,
or **** past like the rushing wind

Instead I'm just staring straight back at it while it waves away at me
I'm just too busy living and breathing to take any notice

Oops.
Have I just grown up?
 Jan 2013 Conor Wilson
Emily Ould
The woman you love/d is gone

But she still cares

So please never say she doesn't
 Jan 2013 Conor Wilson
Emily Ould
You can shout and swear at me all the hell you want
But I won't dare retaliate because I CARE
If I could shout and scream at you back I would
Believe me.

But I don't
Because I don't want you to see me cry
So that's why I hope you don't know that, afterwards,
I'll shed a tear or two

You startle me
When you get like that
Because I don't know what to do
I want to help you, but don't know how

For the now, I want to desperately be somewhere else
And I know exactly where that place is
But I'm terrified of leaving
For fear of losing you
 Jan 2013 Conor Wilson
Emily Ould
Every other word I tend to look at,
it's better than mine.
I think I know this.

Sometimes

I'm scared for my future
if I fear to lose my own words
I'll fear to lose myself

It
can be
overwhelming
 Jan 2013 Conor Wilson
Emily Ould
Having trouble fitting in
Going nowhere, it seems
Am I supposed to reach out,
Nestle into the arms that will hold me?

Or revert back in.
Yes.
Out.
In.
Out.
In.

The obsolete nature of human beings startles me so
This repetition
repetition, repetition
Tell me.

Am I meant to do it too?
I'm finding it hard to keep my pace,
to save face.
And so,

Predictably I stumble and I stagger
Up this hill that everybody else is sloping,
that inadvertently pulls me toward adulthood
Towards experience.

Please, let me go at my own pace
You can walk it too, if you like
Or you can go off at your own
And we will be separated
 Jan 2013 Conor Wilson
Emily Ould
You've finally got the life you always wanted, but never had.
And now you're apparently happy and I believe you.
Happy, but without us.

We don't mention the times when you were with us any more,
the times when you held our hands, whispered goodnight to us, tucked us in.
The easy times when you laughed at something funny, sitting there in the living room or standing in the kitchen.

We thought you were happy,
but behind the gentle warm smile and pool of blue eyes that reflected our own back at yours,
you were harbouring a secret.
A secret you'd likely held onto for a good, long and 'apparent' 17 years, possibly more.

Who knows.

It's hard to mention you at home now,
because it's always met with a stone cold silence or, even worse,
a harsh, bitter remark, that can render itself so easily from the one man you thought you loved's lips.

But how easy it is to remember.
To remember you before the outbreak of change, of a new life.
Easy to remember you lounging on the armchairs watching television in the evenings,
to hear you talking and laughing on the telephone out in the hallway,
back in those days when landlines were the norm,
as if nothing was wrong,
as if you were happy.

Now, I see you in the brief few minutes of the mornings,
when you drop me off to college.
A snatching of an encounter, and even then it's in secrecy.
But it's nice to have that private time with you;
it's even more special.

Our time.

But I'm really glad you're happy,
and that you're able to live life free.
I'm glad you've got the life you wanted.

Maybe, one day, he will too.
This poem is deeply personal; it holds so many conflicting emotions for me.
 Jan 2013 Conor Wilson
Emily Ould
A heart so fragile and worn, each piercing jab is like a silent
scream, aching, grasping out for somebody to hold.
Take hold of me.
      And the anger seeps down in through my blemished skin to the veins,
all the way to the filtered heart, where each broken beat is as solitary as the last.
      
      Anxious. Confronted. Alone in the fluctuated dark.

      Yet, you've got to just go with the tide, reach for it and hold on. Maybe then you'll be okay.
Perhaps.
      You're taking things too seriously, but still you can't escape the perils of the continuous back chatter inside your mind.
      They tell you jealousy's perfectly healthy, but in which dimension?
      
      The echoing wail of time lunges at me and I can't push it away.
      Disappearing into a book is the best type of escape for me, but when I open the pages they're soiled and ruined.
     A whisper of a page calls out to me but it always falls down.

      A seeping tunnel of madness is what they tell me I risk falling into, lower and lower until I sift through the sides and vanish into memory.

      Memory. I wonder what that's like?
 Jan 2013 Conor Wilson
Emily Ould
Pages exploit me.
Users will use me.
Sun will watch me until nothing is left,
to watch.
People will ask me, "Why, where do you come from, misfavoured soul?"
I will tell them I come from the sea, where pebbles wash the surface and where glass is made into porcelain rock.
Rock ...
nobody rocks me to sleep, any longer.

I stand at the window.
I watch.
I leave.

Misguide.
 Jan 2013 Conor Wilson
Julia
Comfort
 Jan 2013 Conor Wilson
Julia
s                                                           y
u                                                                 o
r                                 O                                u
r                               \ | /                                r
o                                 |                                 s
u                            /\                           e
n                                                   l
   d                                        f  
with your own warm water,

emerged. never experience

fresh air
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