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 Oct 2010
D Conors
and waiting and everything
in everyway, and everyday,
and everynight, waiting
seems
like a movie playing on an IMAX screen
and I'm the character in every scene,
and it all looks so plastic, oddly idyllic,
a situation drastic, I live in,
feeling like a dream,
nothing seems solid, no gravity,
just me
alone but with people doing their rounds,
the only thing missing
are the clowns.
that like to juggle in your dreams,
but the scream,
are not monsters or ghosts,
just real live old people,
dying in streams,
and every minute taking me away,
and leaving no trace
just me erased,
for all intents and
purposes.,
lonely, awaiting and cursed.

_
can't wait for it to be over soon
d
23 oct 10
 Oct 2010
Shel Silverstein
Well, my daddy left home when I was three,
and he didn't leave much to Ma and me,
just this old guitar and a bottle of *****.
Now I don't blame him because he run and hid,
but the meanest thing that he ever did was
before he left he went and named me Sue.

Well, he must have thought it was quite a joke,
and it got lots of laughs from a lot of folks,
it seems I had to fight my whole life through.
Some gal would giggle and I'd get red
and some guy would laugh and I'd bust his head,
I tell you, life ain't easy for a boy named Sue.

Well, I grew up quick and I grew up mean.
My fist got hard and my wits got keen.
Roamed from town to town to hide my shame,
but I made me a vow to the moon and the stars,
I'd search the ***** tonks and bars and ****
that man that gave me that awful name.

But it was Gatlinburg in mid July and I had
just hit town and my throat was dry.
I'd thought i'd stop and have myself a brew.
At an old saloon in a street of mud
and at a table dealing stud sat the *****,
mangy dog that named me Sue.

Well, I knew that snake was my own sweet dad
from a worn-out picture that my mother had
and I knew the scar on his cheek and his evil eye.
He was big and bent and gray and old
and I looked at him and my blood ran cold,
and I said, "My name is Sue. How do you do?
Now you're gonna die." Yeah, that's what I told him.

Well, I hit him right between the eyes and he went down
but to my surprise he came up with a knife
and cut off a piece of my ear. But I busted a chair
right across his teeth. And we crashed through
the wall and into the street kicking and a-gouging
in the mud and the blood and the beer.

I tell you I've fought tougher men but I really can't remember when.
He kicked like a mule and bit like a crocodile.
I heard him laughin' and then I heard him cussin',
he went for his gun and I pulled mine first.
He stood there looking at me and I saw him smile.

And he said, "Son, this world is rough and if
a man's gonna make it, he's gotta be tough
and I knew I wouldn't be there to help you along.
So I gave you that name and I said 'Goodbye'.
I knew you'd have to get tough or die. And it's
that name that helped to make you strong."

Yeah, he said, "Now you have just fought one
helluva fight, and I know you hate me and you've
got the right to **** me now and I wouldn't blame you
if you do. But you ought to thank me
before I die for the gravel in your guts and the spit
in your eye because I'm the nut that named you Sue."
Yeah, what could I do? What could I do?

I got all choked up and I threw down my gun,
called him pa and he called me a son,
and I came away with a different point of view
and I think about him now and then.
Every time I tried, every time I win and if I
ever have a son I think I am gonna name him
Bill or George - anything but Sue.
 Oct 2010
Charles Bukowski
if you’re going to try, go all the
way.
otherwise, don’t even start.

if you’re going to try, go all the
way. this could mean losing girlfriends,
wives, relatives, jobs and
maybe your mind.

go all the way.
it could mean not eating for 3 or
4 days.
it could mean freezing on a
park bench.
it could mean jail,
it could mean derision,
mockery,
isolation.
isolation is the gift,
all the others are a test of your
endurance, of
how much you really want to
do it.
and you’ll do it
despite rejection and the
worst odds
and it will be better than
anything else
you can imagine.

if you’re going to try,
go all the way.
there is no other feeling like
that.
you will be alone with the
gods
and the nights will flame with
fire.

do it, do it, do it.
do it.

all the way
all the way.
you will ride life straight to
perfect laughter,
it’s the only good fight
there is.
 Oct 2010
D Conors
and for a moment
and for more than
moments
it all and everything
stopped
cold
dead in the tracks
of a memory
fleeting
whirling in the sounds
the echoes
and the sounds
of a warped
scream
or a song
or a laughing laugher
against the buffet
of the mind's wind
and the colour-rush
and the grainy
screen of inner views
gone
going, going
gone
forever
(in the blink of a mind's
eye)
going
gone
time escaped
and replaced
again
away it goes
and memory
bleeds
dry and sere
never returning burning
bridges
disappear and reappear
until the ashes
turn back into
coal.
d.
20 oct. 10
 Oct 2010
D Conors
You sit now
                        stranded,
moored to nothing,
          going nowhere,
your bilges dry,
your engines shut
down
and
         up
inside the salt-rusted
skin, pocked with rot,
where once you
sliced across
the water's top,
a vessel full
of
life,
bow and stern,
prop and anchor,
never
           ever
in your mindless
dreams believing
you would stop,
and
        no one
would even care-
no sailors,
no cargo,
no sunrises,
sunsets,
waves and beasts of the
                                               deep
to sound their fare-thee-wells,
no more those chimed
                 8 bells,
you,
now stopped,
docked
and
        alas,
forgot.
_
Derelict:
http://beautyineverything.com/5096209757
d.
20 Oct.10
 Oct 2010
D Conors
Big ****, The Head *******,
was the head of all the ******* in the ******* Shed.
What made Big **** so skilled and keen
at dickheadedness was to be seen.
Big **** had a certain ******* flair,
for tugging at everyone's short and curly hair.
He never had an important specialty,
except for being a type-A personality.
His skills were near to nothing great.
He kinda looked like a backward ape,
with a necktie 20 years gone out of style,
and his middle-management bullshitty wiles;
"I'm better than any ******* here!"
He'd proclaim everyday with a prickish sneer.
So they put him on his own cocky shelf,
where he could reign all by himself,
and every *******, ***** or *******-wanna-be,
would come to the ******* Shed just to see,
what they could achieve if they'd observe instead,
the ways and means of Big ****, The Head *******.
___
Dedicated to every single uptight, middle-management, pain in the ****
you have ever had to work with or for.
D. Conors
08 August 2010
 Oct 2010
Jack Kerouac
And how sweet a story it is
When you hear Charley Parker
tell it,
Either on records or at sessions,
Or at offical bits in clubs,
Shots in the arm for the wallet,
Gleefully he Whistled the
perfect
horn
Anyhow, made no difference.

Charley Parker, forgive me-
Forgive me for not answering your eyes-
For not having made in indication
Of that which you can devise-
Charley Parker, pray for me-
Pray for me and everybody
In the Nirvanas of your brain
Where you hide, indulgent and huge,
No longer Charley Parker
But the secret unsayable name
That carries with it merit
Not to be measured from here
To up, down, east, or west-
-Charley Parker, lay the bane,
off me, and every body
 Oct 2010
D Conors
"I'd rather have a bottle in front of me,
than a full frontal lobotomy,"
or so the saying goes,
as for me, myself and I, my friend,
I'd take both to soothe my woes!
__
Jack, the liquid lobotomist:
http://beautyineverything.com/5060607209
d.
19 oct. 10
 Oct 2010
D Conors
all i have left are brief, fleeting fantasies.

i see things i wish i could touch, and touch nothing that i see.

it makes no sense, none at all i know, as it's now all in vain.

i must learn to give myself up, i must give into the pain.

tears are trying to fall, yet the lions of rage stifle the flow.

i know i am going nowhere with nowhere going to go.

here's me taking a stroll now into that land of makingitallup.

this is my last less than a mile to go, falling down, falling up.

this is the invisible me who can no longer be seen or give talk.

this is me you don't see on the bymyself walk.

___
brief fantasy:
http://beautyineverything.com/5089079591
d.
18 oct. 10
 Oct 2010
D Conors
“The rest is silence.”"-A. Crowley

I

I will know you only because
you are known to me deep down
beneath the subtle shadows carved
permanently upon your deceivingly
angelic face
sculpted by an artist
nameless to none but the heavy slab of stone
he used to create an ache
I’ve come to want to know as you
whose soft and silent rolling voice
where from there springs the torrents
of a turmoil melting like wax
in the mixed up chasm
of your mind
the destroyer of your smile
the reminder of bad times
that causes me to know you and from where you come
riding in bare-back
jet-black hair flying on
the hated molten roaring
riveted steel furnace
of inner anguish
again
and again
you beautiful deadly diamond black jewelry rose
of unworldly charm and perfected pain.

II

This is how I know you
in the steamy swelter of the nightfall’s
stifling bluish pall
you and I alone somewhere
anywhere
but probably nowhere
between the silken smooth heavenly legs of
here and there inside
the broken smoked crystal chandelier
of an ancient chamber room illuminated by
the flicker of more than fifty slowly disappearing
jutting candle-flames
I know you
because you make yourself known
to me
on the black-satin wrinkled bed-sheets that
we lie
writhing around upon like two
dying dancing angels
being swallowed by the suffocating oil
of a shame we bother created
just like gods
or dancing dancers dancing slowly
dying
in the pallid ***** fuming fog
…dancing with the gods.


you are as I know you
silhouetted in the silence of our
ecstatic shattered sighs
as we fly through lust’s futile passions where
we lie, we lie
we lie…


III

You are crawling across
the one-thousand mile mattress
stalking towards me
starvation’s fire fuels
your steely-sharp brown eyes
leopard-like your lithe,
tiny olive-brown body poised
ready to pounce
ready to strike
arrayed in skin-tight crimson lace
deadliness flashing on your face
your ******* dark and pointy ******* feel
fit for me to fed the song—
I smile—
then with healthy, stealthy fury
you leap
and pin me down
trapping
me between these shiny sheets of coal
and your sweeping feline glowing
perfumed-prison hair
polished glossy ruby fingernails
dig deep
into my massive arms
ivory razor-baring teeth
bite my hips
my neck
my chest
my thighs
you stop just in time
to devour me
delightfully
rocking, reeling in the sounds of us around
the intoxicating scent of your
flaming fountain-***
colognes my livid throbbing burning *****
I yell
I try to scream
I want to cry
…but instead, drift off to dream.

IV

You lie awake
aiting watching and waiting allowing
your imagination and your hands
on a journey to your ever-lingering
flaming fury far beyond the heights of hunger’s call
just as we have done no doubt
without each other
for a long time
in the cold
in and out
up and down
back and forth
body arches
thighs uptight
muscular calves quivering
toenails clenching like an eagle’s talons
on the bed
--lift high your sweet holy offering to the air!

Hands wet and warm fly from the glistening
magic perfect patch of forever music
that makes me want to weep
you scream
I awake
we breathe deep
we go back.
Repeat the scene.

V

Pre-dawn purple painted brush-strokes streak the sky
framed by the window where I know I will find you
in nothing more than a gown of sleek vermillion
light-chamois
that displays the room glow striking at your body’s faint
outline
your slender legs
your precious girlish hips
that golden chain around your waist
Divine
your blushing tearless chiseled cheeks
I arise
and walk behind you
run my trembling fingers up your spine
I still don’t really know you as your sighs compete with
mine
you reach around and lead me away
behind a peeling splintered door
warped and withered with
dismay
where you will teach me how to paint
by spilling your blood in
splatters
upon the floor
in said consequence I
calmly take the blade from
your tiny talking hands
pull your slashed and sliced torn wrists
to my tongue
and slowly lick
with a lingering criminal kiss
the dripping cuts that begin to fade
and go away forever in the day
now that the wounds have disappeared
becoming scarless
bloodless
sere
I can but heal your beaten lost youthful body
although I cannot convince you that
I care.
Daylight here.

VI

I know now that I know now
that I know you
and in the ****
with suntanned bodies wind kiss-hissing
through our hair
we walk side by side
on the blistering shoreline sand
avoiding bits of broken glass bottles
one by one
if we can
slowly strolling to the edge of the
abysmal eternal
emerald omniscient ocean-waves
breaking
ttundering
blanketing our feet
spraying its mist upon
our hands
I stop
you sprint
on diving headlong at the deep
the foamy water roars
and roars
you emerge and approach the shore
standing straight along
beside me
to stare
at a pair of grayish seagulls circling
in the air
squawking songs about themselves
when before the breathing of a minute
one
bird drops dying dead to feed
the never-ending belly
of the sea
the other screeches viciously
mourning
you look
at me
and then I come to know now how to know you
now that you have at last known me
as your part your pink and precious lips
for the first time
we will ever kiss
as you finally cry for
our
reality.

That is not sand left clinging to your cheeks
Just the salty tears we need
To set us free.


Now you can bury you and me.


(Threnody means “funeral chant.”)
D. Conors
c. November 1994
All original documentation has been preserved.
 Oct 2010
D Conors
this is where i sit like stone,
knowing soon it shall be over,
all balled up and all alone,
wreathed in sickly crimson clover;
in a corner cold and stark,
where the pressure chokes my chest,
my mind's eye fizzles into dark,
i cannot eat nor find sweet rest.

i no longer see the pathways,
where i have strolled past fields of pain,
cloaked in shadowed sunless days,
walking weary in the chilling rains;
of torrid teardrops that always fail to fall,
stuck inside behind my bloodshot eyes,
between sight and dreams i scarce recall,
haunted by the sounds of ghostly cries.

i no longer feel the passions,
i had once did cling,
for there no longer comes a need to rise,
or open my mouth to sing.
__

I sit:
http://beautyineverything.com/175543419
d.
17 oct. 10
 Oct 2010
Theodore Roethke
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.

We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.

Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.

Great Nature has another thing to do
To you and me, so take the lively air,
And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.
 Oct 2010
D Conors
today you took me by surprise,
bright smile, dancing eyes,
loosened the noose on yet another lonely day,
wherein the depths of these shadows I do lay,
again, you came a-light,
golden skin, heart a-flight,
taking the time to share some of your life with me,
the very essence of your softly sweet vitality,
beauty, you breathe the skies,
today you took me by surprise
D. Conors
September 2010
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