The King of the World is on his way now,
he always shows up when the chips are down.
Everyone just loves The King of the World,
he always arrives with his banners unfurled.

The King can be a loud chap,
or The King can be quite a quiet mime,
he even puts his pants on
one royal leg at a time!

The King might eat breakfast,
or The King just might not,
he is everything you are,
yet is is all that you forgot.

He's a musician of sorts,
with a very big band,
his arrival is in herald,
throughout every land
-with brass trumpets a-blare,
and snare-drums rat-a-tat,
he makes everyone aware,
that he's now where you're at!

The King marches his forces
through the cities and fields,
assure of his courses,
lying flat beneath his heel.

He revels at the sight of deterioration,
fills his belly with the joy of nations in extinction.
The King grounds everything down to things he scrapes off his boots,
he topples the governs and poisons the cultural roots.

The King's fixations are splashed with spatters of blood,
turning kingdoms into crumbles of ashes and mud.
He bulldozes the bodies into toxic pits of ****,
contaminates by obscenity, wringing his hands at the wit.
Lionized by his minions in the empty empires he wrought,
The King's elite ruling class is dictated with rot.

In the aftermath of the bile
of his genocidal, sweet plight,
The King celebrates with great style,
turning the daylight into night.

With bonfires a-blaze on the wicked, windy wasteland,
The King of the World strikes up his big band,
and once marching again will torch and ravish the land,
dropping massive, beautiful bombs for the sake of the thrill,
melting the people and villages and eroding the hills.

The time for The King
always is nigh,
for he is surrounded by
the conjurations of lies.

Some say he is evil,
(but, he's not the Devil, you see)
-He's The King of the World,
he is you, he is *me.

Satin-textured shamrock flower,
whose eyes chrome the seas
of the faded cushioned theatre seats,
with their sparkling, piercing power--
You,
saunter sprightly up and down,
lyrical laughter over-bounds,
in quick-timing
to the taste
of your Irish school-girl ways.

We take time enough to see,
those livid, lush-red cheeks,
(ripe, rose-blushed every time
as you savour sweet the wine)
that sanctifies
your softly senses,
sans pretenses,
whereon your wings of
wonder float and fly.

Scented, tactile spirit-showers,
all the joy we need,
as the stage-light's haunting beam,
Sheers the magic of this hour--
You,
lightly lift us off the ground,
set us oh, so softly down
upon those rhyming wisps of air
that caress your auburn hair.

Now, I, a poor poet,
upon this paper
play
pleasing poetics of your praise,
whilst the ink upon these lines,
dries far faster than the tears
falling
from my wistful, yearning eyes
in exaltation of
your Wings of Wonder Ways.

Just gimme a call,
we'll do coffee
at that shop in the mall.

I have lotsa time,
minutes to spare,
my cellular plan is fine,
not that you really care.

Just gimme a ringie,
I downloaded a tone,
we can have some coffee-
beats sitting around all alone.

___
Coffee and cell:
http://beautyineverything.com/5063911283

We scream
for ice-cream,
crunchy cones crisp,
cream and sauce drips down your wrists,
those sweet calories latching to your hips,
but, 'who cares?' you state, licking your lips,
we scream
for ice-cream,
                             drip,

                                       drippy,
d
r
i
p


s.
___
Drools:
http://beautyineverything.com/5065478350

My golden honey-***,
sweet fruit of the bees,
I'd love to lick you
in the spring-time breeze;
drink from your luscious golden jar,
and love your taste,
just as you are.
__
A honey-***:
http://beautyineverything.com/5054031447

In my dream,
drilling into the marrow
of my entire bone,
my real dream,
I'm walking up and down Beacon Hill
searching for a street sign --
namely MERCY STREET.
Not there.

I try the Back Bay.
Not there.
Not there.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window
of the foyer,
the three flights of the house
with its parquet floors.
I know the furniture and
mother, grandmother, great-grandmother,
the servants.
I know the cupboard of Spode
the boat of ice, solid silver,
where the butter sits in neat squares
like strange giant's teeth
on the big mahogany table.
I know it well.
Not there.

Where did you go?
45 Mercy Street,
with great-grandmother
kneeling in her whale-bone corset
and praying gently but fiercely
to the wash basin,
at five A.M.
at noon
dozing in her wiggy rocker,
grandfather taking a nap in the pantry,
grandmother pushing the bell for the downstairs maid,
and Nana rocking Mother with an oversized flower
on her forehead to cover the curl
of when she was good and when she was...
And where she was begat
and in a generation
the third she will beget,
me,
with the stranger's seed blooming
into the flower called Horrid.

I walk in a yellow dress
and a white pocketbook stuffed with cigarettes,
enough pills, my wallet, my keys,
and being twenty-eight, or is it forty-five?
I walk. I walk.
I hold matches at street signs
for it is dark,
as dark as the leathery dead
and I have lost my green Ford,
my house in the suburbs,
two little kids
****** up like pollen by the bee in me
and a husband
who has wiped off his eyes
in order not to see my inside out
and I am walking and looking
and this is no dream
just my oily life
where the people are alibis
and the street is unfindable for an
entire lifetime.

Pull the shades down --
I don't care!
Bolt the door, mercy,
erase the number,
rip down the street sign,
what can it matter,
what can it matter to this cheapskate
who wants to own the past
that went out on a dead ship
and left me only with paper?

Not there.

I open my pocketbook,
as women do,
and fish swim back and forth
between the dollars and the lipstick.
I pick them out,
one by one
and throw them at the street signs,
and shoot my pocketbook
into the Charles River.
Next I pull the dream off
and slam into the cement wall
of the clumsy calendar
I live in,
my life,
and its hauled up
notebooks.