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 Jan 2011
Anthony Moore
Over royal tombs and palace walls,
moonlit dreams spread whispers of the rising sun.

Come to me says the sirens song
Come to me, lay down your sword, lay down your shield
Come to me


Shadowy figures gather within the dark spots of her eyes
to share secrets of why she can't see.
Vision stolen by the greatest of thieves,
capable of stealing things that aren't yours to begin with;
Nor anyone elses.

But when the stars come down to kiss goodnight
and she rests her head on the softest planets,
sprawling across galaxies, wrapping her body-less soul in a warm nebula,
the sweetest dreams will cradle her new born thoughts,
tugging at the strings to her wings,
drowning out every siren that sings and brings their destruction
with out having to touch them.

Standing on rooftops chanting paganisms toward the heavens
like a heathen taunting the sky fire.
And it comes,
like the rain from home it comes;
It always does.

And as the gentle sunrise graces her face,
lighting up and opening the windows to her soul
I see that it's burning cyan-hazel flames;
Make moonlit dreams become sun soaked realities
Anthony J. Alexander 2010
 Jan 2011
D Conors
We, the same from and of flesh and pumping blood,
our skin sweating in touch, together, the scent
was always the same,
you and I, one younger, one older,
the way it was meant to be,
in fights and tears and pup-tent shared lamp-lit fears,
we rolled our heads beneath the stars above
upon the grassy knolls, our pillows kept,
not ever knowing that one of us would be
covered beneath the soily breath,
the one of one of us, still left,
watering the fields of your footsteps,
now dressed up as dreamy memories,
the tossing heart of guilt and pleads,
for just one more day, ******! -one more
day...
I had still some things,
I wanted to say.
__
My schoolmate Tim and I both lost out brother Mikeys.
This poem is for them.
--D. Conors
1 Jan. 2011
For both Mikeys.
 Nov 2010
D Conors
You're the words of love
with every turn of the page
of my life, that burns
bright in the night,
and sets the day's scene
just right,
for the love you
bring, starts the story
to sing, and the melody
drifts through every chapter
like mists surrounding me,
and you continue the tune,
with every page
that I view,
from the beginning,
until the end,
and then I re-read
it all over again,
the book that you've
entitled, "I Love You"
-because the story is true:
"I love you, too!"

__
the book:
http://beautyineverything.com/5092820337
d.
13 nov. 10
for "M."
 Nov 2010
D Conors
the first thing i do
when i wake up
in the morning
is cry

the last thing i do
when i go to bed
at night
is cry

there are times
i do not count
anymore
during those times
in between
i cry

now i cry
and i no longer
no why
because there's
no reason
to cry
when there's
no
reason
d.
07 nov. 10
 Nov 2010
Amy Lowell
From out the dragging vastness of the sea,
Wave-fettered, bound in sinuous, seaweed strands,
He toils toward the rounding beach, and stands
One moment, white and dripping, silently,
Cut like a cameo in lazuli,
Then falls, betrayed by shifting shells, and lands
Prone in the jeering water, and his hands
Clutch for support where no support can be.
So up, and down, and forward, inch by inch,
He gains upon the shore, where poppies glow
And sandflies dance their little lives away.
The ******* waves ******, and tighter clinch
The weeds about him, but the land-winds blow,
And in the sky there blooms the sun of May.
 Nov 2010
Amy Lowell
They have watered the street,
It shines in the glare of lamps,
Cold, white lamps,
And lies
Like a slow-moving river,
Barred with silver and black.
Cabs go down it,
One,
And then another,
Between them I hear the shuffling of feet.
Tramps doze on the window-ledges,
Night-walkers pass along the sidewalks.
The city is squalid and sinister,
With the silver-barred street in the midst,
Slow-moving,
A river leading nowhere.

Opposite my window,
The moon cuts,
Clear and round,
Through the plum-coloured night.
She cannot light the city:
It is too bright.
It has white lamps,
And glitters coldly.

I stand in the window and watch the
moon.
She is thin and lustreless,
But I love her.
I know the moon,
And this is an alien city.
 Oct 2010
Delmira Agustini
Spanish

Vagos preludios. En la noche espléndida
Su voz de perlas una fuente calla,
Cuelgan las brisas sus celestes pifanos
En el follaje. Las cabezas pardas
De los búhos acechan.
Las flores se abren más, como asombradas.
Los cisnes de marfil tienden los cuellos
En las lagunas pálidas.
Selene mira del azul. Las frondas
Tiemblan… y todo! hasta el silencio, calla…

Es que ella pasa con su boca triste
Y el gran misterio de sus ojos de ámbar,
A través de la noche, hacia el olvido,
Como una estrella fugitiva y blanca.
Como una destronada reina exótica
De bellos gestos y palabras raras.

Horizontes violados sus ojeras
Dentro sus ojos–dos estrellas de ámbar–
Se abren cansados y húmedos y tristes
Como llagas de luz que quejaran.

Es un dolor que vive y que no espera,
Es una aurora gris que se levanta
Del gran lecho de sombras de la noche,
Cansada ya, sin esplendor, sin ansias
Y sus canciones son como hadas tristes
Alhajadas de lágrimas…

              English

Murmuring preludes. On this resplendent night
Her pearled voice quiets a fountain.
The breezes hang their celestial fifes
In the foliage. The gray heads
Of the owls keep watch.
Flowers open themselves, as if surprised.
Ivory swans extend their necks
In the pallid lakes.
Selene watches from the blue. Fronds
Tremble…and everything! Even the silence, quiets.

She wanders with her sad mouth
And the grand mystery of amber eyes,
Across the night, toward forgetfulness
Like a star, fugitive and white.
Like a dethroned exotic queen
With comely gestures and rare utterings.

Her undereyes are violated horizons
And her irises–two stars of amber–
Open wet and weary and sad
Like ulcers of light that weep.

She is a grief which thrives and does not hope,
She is a gray aurora rising
From the shadowy bed of night,
Exhausted, without splendor, without anxiousness.
And her songs are like dolorous fairies
Jeweled in teardrops…

                          The strings of lyres
                          Are the souls' fibers.–

The blood of bitter vineyards, noble vineyards,
In goblets of regal beauty, rises
To her marble hands, to lips carved
Like the blazon of a great lineage.

Strange Princes of Fantasy! They
Have seen her languid head, once *****,
And heard her laugh, for her eyes
Tremble with the flower of aristocracies!

And her soul clean as fire, like a star,
Burns in those pupils of amber.
But with a mere glance, scarcely an intimacy,
Perhaps the echo of a profane voice,
This white and pristine soul shrinks
Like a luminous flower, folding herself up!
 Oct 2010
Robert Graves
This valley wood is pledged
To the set shape of things,
And reasonably hedged:
Here are no harpies fledged,
No rocs may clap their wings,
Nor gryphons wave their stings.
Here, poised in quietude,
Calm elementals brood
On the set shape of things:
They fend away alarms
From this green wood.
Here nothing is that harms -
No bulls with lungs of brass,
No toothed or spiny grass,
No tree whose clutching arms
Drink blood when travellers pass,
No mount of glass;
No bardic tongues unfold
Satires or charms.
Only, the lawns are soft,
The tree-stems, grave and old;
Slow branches sway aloft,
The evening air comes cold,
The sunset scatters gold.
Small grasses toss and bend,
Small pathways idly tend
Towards no fearful end.
 Oct 2010
D Conors
It's London, all the time,
when at night I close my eyes,
it's when and where I get to roam and dwell,
in the city I know inside-out so well,
where all the narrow streets and cobbled stones,
teacups, pint glasses, and fresh scones,
lend themselves into the misty English air,
of London's ancient, yet so modern flair,
of Piccadilly, and Hyde Park Corner's box,
riding Black Cabs, or a big Red Double-Bus,
evening gas-lamp walks with ol' Saucy Jack,
fish and chips and shandys for a perfect snack;
then the changing of The Guard at Buckingham,
where native Cockney's and young mums with prams,
gather for a view of Lizzy's Royal Family Show;
but, my, how rich the April sun sets and does glow,
over the rolling raging river Thames of yore,
where ancient Roman armies marched to shore,
proclaimed: LONDINIUM! -the regal rest,
of civilised peoples and the Royal Crests,
where lives and deaths would go and come,
yet The City despite all odds has lost and won,
in the hearts, souls and minds of all who take,
great London as their true hearth and home to stake,
and arise and fall the poet's versing nights and days,
whilst Big Ben chimes his toll in the foggy haze;
and alas, London from my slumber dissipates,
to that of which I yearn and love, asleep or wake,
knowing where my home of soul-keep lies divine:
in London, my dear London; it's London, all the time.
__
London:
http://beautyineverything.com/3366195864
d.
27 oct.10
 Oct 2010
D Conors
For all you do
to make me
feel real
when
i feel so unreal,
you
season me
with your
sincere smile,
a mile
wide,
from the outside
into the inside
of my
so very alone
and not-so-healthy
soul,
i thank you
for all you do
to make me
feel as real
as you,
yes,
i do,
thank
you!
___
For Christine, "The Queen."
(true-blue)
http://beautyineverything.com/3309227505
d.
27 oct.10
 Oct 2010
H.P. Lovecraft
Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.

I have whirled with the earth at the dawning,
When the sky was a vaporous flame;
I have seen the dark universe yawning
Where the black planets roll without aim,
Where they roll in their horror unheeded, without knowledge or lustre or name.

I had drifted o'er seas without ending,
Under sinister grey-clouded skies,
That the many-forked lightning is rending,
That resound with hysterical cries;
With the moans of invisible daemons, that out of the green waters rise.

I have plunged like a deer through the arches
Of the hoary primoridal grove,
Where the oaks feel the presence that marches,
And stalks on where no spirit dares rove,
And I flee from a thing that surrounds me, and leers through dead branches above.

I have stumbled by cave-ridden mountains
That rise barren and bleak from the plain,
I have drunk of the fog-foetid fountains
That ooze down to the marsh and the main;
And in hot cursed tarns I have seen things, I care not to gaze on again.

I have scanned the vast ivy-clad palace,
I have trod its untenanted hall,
Where the moon rising up from the valleys
Shows the tapestried things on the wall;
Strange figures discordantly woven, that I cannot endure to recall.

I have peered from the casements in wonder
At the mouldering meadows around,
At the many-roofed village laid under
The curse of a grave-girdled ground;
And from rows of white urn-carven marble, I listen intently for sound.

I have haunted the tombs of the ages,
I have flown on the pinions of fear,
Where the smoke-belching Erebus rages;
Where the jokulls loom snow-clad and drear:
And in realms where the sun of the desert consumes what it never can cheer.

I was old when the pharaohs first mounted
The jewel-decked throne by the Nile;
I was old in those epochs uncounted
When I, and I only, was vile;
And Man, yet untainted and happy, dwelt in bliss on the far Arctic isle.

Oh, great was the sin of my spirit,
And great is the reach of its doom;
Not the pity of Heaven can cheer it,
Nor can respite be found in the tomb:
Down the infinite aeons come beating the wings of unmerciful gloom.

Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.
 Oct 2010
D Conors
We join spokes together in a wheel,
but it is the center hole
that makes the wagon move.

We shape clay into a ***,
but it is the emptiness inside
that holds whatever we want.

We hammer wood for a house,
but it is the inner space
that makes it livable.

We work with being,
but non-being is what we use.

__

"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
There's a keen and grim old huntsman
On a horse as white as snow;
Sometimes he is very swift
And sometimes he is slow.
But he never is at fault,
For he always hunts at view
And he rides without a halt
After you.

The huntsman's name is Death,
His horse's name is Time;
He is coming, he is coming
As I sit and write this rhyme;
He is coming, he is coming,
As you read the rhyme I write;
You can hear the hoof's low drumming
Day and night.

You can hear the distant drumming
As the clock goes tick-a-tack,
And the chiming of the hours
Is the music of his pack.
You may hardly note their growling
Underneath the noonday sun,
But at night you hear them howling
As they run.

And they never check or falter
For they never miss their ****;
Seasons change and systems alter,
But the hunt is running still.
Hark! the evening chime is playing,
O'er the long grey town it peals;
Don't you hear the death-hound baying
At your heels?

Where is there an earth or burrow?
Where a cover left for you?
A year, a week, perhaps to-morrow
Brings the Huntsman's death halloo!
Day by day he gains upon us,
And the most that we can claim
Is that when the hounds are on us
We die game.

And somewhere dwells the Master,
By whom it was decreed;
He sent the savage huntsman,
He bred the snow-white steed.
These hounds which run for ever,
He set them on your track;
He hears you scream, but never
Calls them back.

He does not heed our suing,
We never see his face;
He hunts to our undoing,
We thank him for the chase.
We thank him and we flatter,
We hope -- because we must --
But have we cause? No matter!
Let us trust!
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