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he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl said he looked like Charlie Chaplin his downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance  he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in the mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in brown hair cut to shoulders she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole idea of finding someone is absolutely draining

3

they do not see each other walk right passed she in a hurry late to yoga matt slung across back handbag slung on shoulder wallet forgotten under front seat in truck he is distracted in thought wondering is he afraid of women gynophobic the air on the street is heavy dense he smells his own perspiration feels exhausted appetiteless almost nauseous they each simultaneously consider what if i lived in New York City or Chicago what is it about Tucson its small town politics gooniness poverty criminality amateurish dramas hour to Mexican border both wonder is Tucson the problem would i find a fitting lover more freely with less difficulty in some other place
 Jul 2010 Cody Gaston
Del Maximo
mortality's taste is bittersweet
as death's brush paints life's new lease
impressionistic could haves, should haves, would haves
minimalist suprematism shapes dreams
surrealistic hopes
time's urgency hammered home by temporal clarity
top 10 lists glazed to topography
as future blends to present amid trees
a familiar CICU
a family gathering
beds with tubes and wires
monitors flashing and beeping
refreshing past's distance
with updated parking prices
will the ending be the same?
© May 31, 2010
733

The Spirit is the Conscious Ear.
We actually Hear
When We inspect—that’s audible—
That is admitted—Here—

For other Services—as Sound—
There hangs a smaller Ear
Outside the Castle—that Contain—
The other—only—Hear—
SHE is foremost of those that I would hear praised.
I have gone about the house, gone up and down
As a man does who has published a new book,
Or a young girl dressed out in her new gown,
And though I have turned the talk by hook or crook
Until her praise should be the uppermost theme,
A woman spoke of some new tale she had read,
A man confusedly in a half dream
As though some other name ran in his head.
She is foremost of those that I would hear praised.
I will talk no more of books or the long war
But walk by the dry thorn until I have found
Some beggar sheltering from the wind, and there
Manage the talk until her name come round.
If there be rags enough he will know her name
And be well pleased remembering it, for in the old days,
Though she had young men's praise and old men's blame,
Among the poor both old and young gave her praise.
 Jun 2010 Cody Gaston
D Conors
The sea is the land's edge also..."*
--T. S. Eliot

It's a sand-castle in morning tide
slowly constructed
for the first time; and the horizon
sea-blue, distinctly separated from sky-blue
with a razor fine-line
liquid running steadily
into time.

I saw a small boy, ankle deep
in steaming sand
building illusional dreams of
Kings and Queens and Knights
because he can
do anything he wants,
while dolphins dive and dance
in the sunrise crystal morning
with his tiny, growing hands...

And when the seagulls circle by,
above hearty, browning palm trees,
eating as they please,
the kiss of water hits the shore
invoking a magnificent mystery music
just before

I
realize as certain memories arise,
that beyond this circumstance
lies connectedness,
an ******, wavering consequence,
leaving me to forsake
alone
ness:

When I wander along this temporal shore,
flying, sometimes falling
through these storms:
like the sea I am in many ways
so sometimes slowly dying
without pain,
and in a certain collectiveness, she reaches
forth her foamy hand,
blistering my cheeks in colours crimson, sweet,
erasing that child's castle
in the sand.
D. Conors
c. April 1997
This was the last poem I had officially published in 1997. I had been awarded the honor of Northeastern Pennsylvania's Poet of The Month for National Poetry Month.
I read this and several other poems before a packed crowd, finished my reading, packed up my poems and said, "I'm done."
I haven't read aloud in a public venue since. Nor have I published any of my works until now on this website.
I hope you enjoy.
Here we shared the slips and reels of earnest conversation,
An interweaving counterpoint of dialogue
Wherein I bled the truth of loving.
Heart’s secrets shed
And shared.
And by and by transposing the antiphonal chant
You guide towards consonance, harmony,
With gentle lilting phrasing
Encouraging sweet concord within the cantus firmus.

And yet you say you do not sing?
Surely our hearts beat out the song of love and life
And all our narratives are ballades sung in open form?
I have heard you sing your madrigals
With melodies of hope and peace and grace
And tried to catch the tune.

Here, have rich harmonies been played out
And love songs whispered on the air.

So, if God grants, a final cadenza let there be
In a lullaby that’s sung for me.
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