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Cody Edwards Apr 2010
Sing to me, O dark vault of night.

The divine muse is upon me;
Up on my shoulders.
She doesn’t appear to have
anything instructive to say
apart from “And how the ruddy,
blasted, Viking-snogging,
******, ******, mother-defecating
hell did I get up here!?”

Inspiring words indeed.
© Cody Edwards 2010
Cody Edwards Apr 2010
Skeletons of shadow teach me anatomy from inside the ark.
Quiet. Old women at the double doors. So dark, the sanctum.
Heaven is stained glass. Fold your paper hands, your husband
Mumbles under the preacher's emphysema. On the mic,
Occasional screams of raspy black-and-white noise. Screams.
How He screams. Red-faced Church-parent. Little Easter bows,
The snarling bouquets who sting and follow the grass-green Moon.
Of the ten mounted fans, only one stays awake enough to listen,
Awake enough to hope to catch every particle of sleeping dust.
We were made from dust. The mountains too. I can't see.
The concrete days. Cinders and spiders and cracking tile.
Roaring, wailing, proliferating my thick umbra in the mesmer flask.

When the door opens, how will I feel? Glass and sandstone.
Will I have my face or someone else's? Eight faces by four.
How will I taste? Cinnamon and lapis.
Will I have angles or planes? Metric and function.

Little, silver words trail fingers through me, trace me, and cement me.
I glisten once and then am spent.
© Cody Edwards 2010
Cody Edwards Apr 2010
"And Abraham drew near, and said,
Wilt thou also destroy the righteous with the wicked?"
- Genesis 18:23

I

There are about four thousand people
Here.
They throng in blasted heat like
Little arid wasps.
Gasping summer rain,
Like the opposite of fish.
Of their individual character
I can give no generality.

They are men and women,
They stand on roofs and
Sleep on their words.
They are hot and cold
And they hate and scold.
They are devils and stars
And ***** and priests
And children of priests.
Orators, they are also:
The speakers of the state (which
Is hotter than they could
Ever know); they steal
And reel and impose their
Splitting fingernails deep into
The varnish of the
Wishing well.

They are men and women,
They stand on roofs and
Smother dreams by spitting on the sky.

II

Fox. Come and light my little room
With your brilliant breath. Have you
Come very far? From the eye of the trees?

I should leave this little town if I were you.
It has its ways and leeches from our
Dangling hands. A tongue named Lethe.

Wake early and flee back to your dark,
Summon that green corpus shell that
You came from and follow its outlying root.

You should know the power of the vine.
It crawls in the blinding night and
Strangles what it cannot feed upon.

Oh my little fox, I beg you turn back,
For in familiarity lies strength and nothing
In this wilderness will give you nourishment.

III

He walks in waterways and crunches bone.
He watches moonlight play on open wounds.
He wishes dearly for the ends of weeks.
I heard him live his life without a sound.

The high school band with a treble clef. The year
Of empty penmanship in which he wrote
A thousand notes and mailed them underground
About which neither parent knew a thing.

Encounters best discovered some years later
Work to redden ears in coffee shops,
Or rather as I’m talking to him now,
With darting speech and halting eyes and all.

Perhaps the atmosphere could lend itself to blame,
The hormones and the collusive ennui.
But little charms the tear ducts quite like saying,
“Why am I this way, do you suppose?”

I haven’t got the heart to make reply
And often pose myself the same question
Before the mirror thinking of my whims,
The muddied roads that led me where they did.

My time has run itself to pieces in
The hope of spreading my horizons, but
Some sand runs faster in the way, some gains
More ground. And mine? This distance is unknown.

I licked the shelves of Hardy, Plath, and Keats.
I lorded over idiots with glee.
I lured the fathoms of my mind to float.
And oh, the things that he must think of me.

IV

The doors know I am coming,
They dart out of my way.
My telekinesis stops there
But I troll forward
And brandish my little iron steed.

****. Adjust my strap
And push the cart onward.
My purse like a little leather
Bundle of swaddling.
I nuzzle it close to my breast.

Frozen foods. Diet says
No carbohydrates, so I adjust
My tastes. In a little town
Like this, they’ll notice if
I don’t.

Magazine aisle. Nothing
But ***-endorsing rags
And godless photo sessions fit
For lining shelves and
little else.

Lord, this vast store!
Give me strength to bet back
To my car. God, look at
That **** at the pharmacy
Asking for birth control.

And I can’t help but
Cluck my tongue at her:
I just tell Ray I have a headache
And turn on my back.
Ha, as if she’s married.

No decency any more.
Men getting married, women too!
God supposedly “Banging” us out of
Star dust. Who are those atheists
To judge my truth?

Checkout. No, self-checkout.
I don’t like that clerk
Staring at me. Receipt.
Probably a ******* anyway.
And for a moment my mind controls the doors and all things.

V

She’s gone a bit insane.
Yesterday in class, she asked
To go to the lavatory
And just went straight home.
(Poor thing, I can’t blame
Her after all that has happened.)

She’s told me about her
Father before. Whether she’ll
End up as warped remains
To be seen. She’s got my sympathy.
(Mother dead at four, brother at
Seven and something else at twelve.)

Senior year is more than
Freedom from Dad, she says.
It’s freedom from myself,
Whatever that means.
(It is her father’s profound wish
That she memorize all of Revelations.)

From the grass, she tells me
That her father explained to her
That non-dairy creamer kills
Ants. She does it with a smile.
(We don’t have to say much more,
Suffice it to say he’s a very loud man.)

She still has an averse reaction
To stories about car crashes.
And I never read her her
Early July horoscope.
(Nightmares are too kind.
Panic sifts through windowpanes.)

Her uncle doesn’t call from
The old hometown, he was
Grabbed from her life and her
Father never says why they moved here.
(Two years her junior, she jokingly
Calls me Grandma because)

She hates her real one. Prom
And graduation. A candle
Ceremony and she’s gone.
Her father left before it was over.
(I’ll miss her, but I made
Her promise not to visit.)

VI

Hot like a miracle breath.
The two seasons: Summer
And February.
We taste the heat
And drive away for the weekend.
Of course the world ends
And the “Welcome to” sign.

Unsurprisingly,
The radio dies as we
Head back to town.
Why should the death of
An intangible surprise me?
Everything else
Dies here.

Pessimism like a mockingbird.
The smoking trees
Ripple like an Ella
Fitzgerald vowel.
Hold your
Miraculous breath
And it still won’t rain.

Our abortion
Welcomes the needle heat
with a  horrifying
Little finger.
That smile,
That smile.
Jesus.

How can it stay so
Hot? No reply,
But I forgot who
Was asking.
The irony of this ****
Town sparks my
Smile.

VII

So where are you from?

        I lived up north
Before I moved down here.
They needed teachers and
I thought “Why not?” Turns
Out this place is a lot
Slower than up where I
Came from. No offense.

(Laughs) None taken.
So what are you teaching?

Senior English. Pretty cool
Subject but I was shocked
How little the kids had been
Exposed to. I hope to remedy
That soon. (Mumbles something)
Any more problems, you know?

The parents have complained?

Oh, just the usual nitpicky
Silliness: “I don’t want my
Christa or Johnny reading
Such-and-such a book.”
After a few years, I’m
Sure the parents will lighten up.
Or, (Laughs) at least I hope.

How are the kids?

Can I actually answer that one?
One or two brights but most
Just seem ready to get out.
They’d better be willing to put
In some actual thought if
They really hope to. (Pause)
It’s not all about sports.

(Laughs) I hope you’re not too
******* the athletes. They do their best.

Well, I certainly hope
They do. I won’t play
Favorites or anything like
That. Hardly fair to the
Others, right? (Laughs,
A pause, tape ends.)

VIII

He can’t breathe.

He’s been running for
Hours.
The trees. The brush.

Wonderful veins blast
Away at their work
To preserve him;
Great fibrous tendons
Work to carry him
Away from the noise.

The murderous streets with
Scoured buildings
And trees inviting the
Convening crowds to lay
Out their burdens, to
String them up and
Ease their hard frustrations.

They have not seen him as yet.
He follows Polaris,
god of the irreverent,
Meager candle for a
Drowning man.

Exposed road; he flags
A car like a madman.
Well, we shan’t go
So far as to call him that.
And has he any bags?
No.
And which way is he going?
North.

Procession. Silence.

The coolish progress
Of a blackish
Summerish
Night.
How many minutes
out of town? and how
many moments in the
rounding cruelty of acting?
The driver smiles in his driver’s
Seat, eyes lit by the green
Display, ears filled suddenly with
Static.

The bruised night
Raises its single, white eye
Like the ponderous pitch
Of a bird.

I suppose he knew from
The second he saw the car:
There was never any sanctuary
In this little cloister.

The towns spreads like
Botulism over both windows.
He stops before the courthouse.
Stops before his jury,
Hanging judges.
And you needn‘t ask yourself
“Who are they?”

I’ll tell you.

They are men and women,
They stand on roofs.

They are boys from California
Who ran like foxes but refused
To run away.

They are musicians who lived
Their lives without a sound.

They are hopeless hags who
Speak in blinding grocery stores
And **** the gossip air.

They are girls with opportunities
Burst like an innocent cell
And violated by the heavy hand
That tucks them deep to sleep.

They are cruel little ******* who
Only wanted something to listen to
While the seasons spun around them.

They are teachers who never learned.
They are hearts that never burned.
They are heads that never cooled.
Not when it’s so hot outside.

They grew uneven like a story
Written in celebration of a meaningless title.
They have every right to be angry,
And yet they level their stones
At one another instead of the
Hell a glass house can become.

They walk so slow the sun
Can stoop and eat them up
Without the briefest guilt.
© Cody Edwards 2010 (Note: The stanzas in section seven should be eight lines with the question hanging and the answer indented in. I couldn't edit it that way on this page but ******, I try.)
Cody Edwards Mar 2010
Apparently, it is my societal rol
e to once a month (or once a wee
k, or how may you) succumb to
all the indignity, to the crushin
g blue of broken hands, and allo
w the swell of eternity its coarse
st way with me. And swallow lik
e a sieve the strands of all the flu
id universe.
© Cody Edwards 2010
Cody Edwards Mar 2010
Gorgeous fruit,
You are the mercury and
I the *****, slanted surface;

Faults in the flesh cry
“Scarlet ants
To fill my dreadful purpose!”

My little voice that steals from the page
Can fill the singing water.
But I wonder often

If all my breath
Is in accordance with
That great tome

At the end of all our days
Which instructs us
In the proper use of semicolons.

Until we know, I bar my
Wanton lips.
Get up and bar my wantonness

That I should
Live in the sands I am
Allotted.

O despairing syllabus!
Can you- will you care to number
On the murmuring calendar all

The days you must
Wait for me to clasp
The iron bar?

Ay, with my teeth set as far
Apart as my shoulders
And my very animus

Sewn into the college ruled
Notebooks, records, loose-leafs
With looser thoughts.

What I would do without
The seventy
Anticipatory footsteps in the snow

Might stop the very
Pull
Of land and ship

And pull out every
Stop
From under our deck.

Gorgeous fruit, I ask
You to pull the pencil
From my desk and entice
Me once more from my bed.
© Cody Edwards 2010
Cody Edwards Mar 2010
I reserved a table for the two of us
at the only restaurant in the world
that not only offers atmosphere and setting
but tone and syntax as well.

First some articles for appetizers. They're
easiest on my pocket you know.

An an, a the, and an a.
Let's not even start on the punctuation,
I'm treating you to a rather large meal.
As large as the entire English language,
now back to the articles.
Sure these taste like lint but they still
taste. Petit fours but there you are.
Try to be disinterested or you'll
put me off my food.

Nouns now. My, what a variety.
Bit meaty, eh? These have staying power.
They taste like a bit of everywhere,
and everyone, and everything.
What's that? Surely they're not that bland.
Maybe you need some seasoning.

"Adjective" comes from the
French for "to the word."
So exotic aren't they? These
really are fantastic.
Exquisite, unique, zesty to say the least.
You must admit, they
make the meal worth it.
I hope you're not allergic,
I could have sworn I just
had something "nutty."
Oh, it had nuts "in it"?
There must be some prepositions
mixed in here.

(I'm glad we're getting through
these now, I've never been a big fan of them.
When I was a kid, I would always push my prepositions to the end
of my sentences. You just can't do
that in a joint like this, it seems.)

Ah finally. The verbs are served.
Well-prepared it would seem.
Yes, anything you can do to a verb
they've done to these.
Infinitives (too good to realistically be believed!),
gerunds, and participles (No, not particles. But we
did have some of those at the Japanese restaurant.)
Fairly lean too, as I can't see
any auxiliary fat.

For some reason
those adverbs (just to your left, under that
thesaurus) really go well with this.
Plus those adjectives from earlier, rather pleasantly.

Now a brief selection
of conjunctions, but don't ruin
yourself. They're not a meal of themselves,
just a link to...

Oh! Look at those interjections.
So delicate, so (Wow!) incisive.
I told you to keep your appetite.
Well, just try a little of this. Goodness, me!

And then everyone proceeds to
die  
from a split infinitive.
© Cody Edwards 2010
Cody Edwards Mar 2010
If you care:
My
life is a little
box
and I dreamt of a
little box. The more I watched the less it
was. In
a solid white something. Lamps. A
table. Clothes. Proper punctuation and
capitalization. Unthinkable hopes
and blasphemous suppositions. Some force
that I can’t call God, just my sick
dream-logic, blew it to ashes. My world-cube. My mirrors.
My books. My awards and certificates and
All my precious stanzas. Cinders and pronunciation alone remained.
At this, I
smiled and
shook my soul
with the Prophet. My own music burst out
before me like mathematics
(My very breath guided by an
infinitely ascetic
sweep) and like oil paint (in
a world that glows
like neon and
breathes out empty
space) and I awoke from whiteness. I fold
myself into four
like the
secret of flight. But you don’t care.
© Cody Edwards 2010

(Note: Each line represents a decimal value of pi, in case you were wondering what the hell the arrangement is about. Just picture the colon as a decimal point..... I like math.)
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