He’s gone again, a plane to India.
The North Sea foams cold, its current
pushes him always away, he goes
I stay and think of him, the woman
he could know - is he alone?
He only feels in love when riding trains.

We last parted frantic, running for trains,
promising let’s meet again, after India.
The doors slide closed, and then I was alone
in the wake of his train’s current,
cursing myself for being the woman
who hang her hopes on a man who goes.

But sometimes I’m the one who goes.
To foreign countries I too have ridden trains.
I’ve played the role of Independent Woman
(although the North Sea was closer than India)
I still fear I lost him in its current.
We kissed goodbye then walked home alone.

Has he counted the nights that he’s spent alone?
Turning over and over – when sleep comes and goes
does memory flow in a deluge, churning current
of possibility lost or missed like trains?
Is he dreaming now, sweating on a bus in India
in all the noise, is he missing a woman?

He told me he cannot find a woman
he can talk to, so he is alone.
It’s adventure he lusts for, it’s India.
It’s only the act of going he loves, so he goes.
But I'd fill the seat beside him on trains
if I could give myself away to his current.

Time rolled over us in its driving current,
now I, always a sentimental woman,
imagine him when I’m riding trains;
remember him when I’m sleeping alone.
I cannot shed my life to go where he goes.
But I count the miles - the North Sea to India.

We speak carefully
without naming body parts.  
As if the utterance of a word
could evoke touch – which would mean
hearts racing off in jolty cadences, sweat and
altogether too much skin.

We move with hyperawareness of our limbs.
The air ripples and reaches with each gesture
in phantoms of feeling.
I sense the edges of your fingers,
I cannot ignore the millimeters of
space between our knees.

Your mouth curves down at the edges,
when your gummy smile splits
at the things I say. I remember your lips.
I cannot put them away
in a part of me that locks.
Your mouth opening against mine –

your tongue slipping in.
Put it away.
Your mouth on the pulse below my chin.
Turning back in your doorway,
the dawn light white on your skin.
Put it away.

This wanting is something I can keep
like a mantra - a bed with you
won’t again be a bed for me.
Now we drink as strangers or friends
who once pressed their bodies against each other’s –
but heavy snow covers only blur the edges,

nothing disappears entirely.
We speak carefully

to hide the pump of blood and memory.

You sit across from me in three increasingly
intimate bars, nearer than you’ve been in years,
under lights that darkened and softened
incrementally, old wood and candles,
swallowing beer and the fear that there was only so long
this could go on until you had to catch a train.

There are only so many hours we can face one another,
talk about love and the sting of its absence
and pretend as if we are not addressing
the absence that lives in the space between our bodies.
The space that we dare no longer cross;
our bodies that we dare no longer allow to touch.  

You say that we live in cages woven from the things
we want and the things we cannot do,
and so the freedom we waited for is a lie.
We were betrothed before we knew we had a choice,
we are wed to circumstance and responsibility.
You say I still look lovely, after all this time.

Who are we now? Two strangers at a bar table, leaning
in as close as we dare, thinking that your smile is
still the same, your hair is shorter but your smile is the same
one that I remember from the night I held you to my *******,
sleepless, until the winter sun rose pale.
When we learned our love was born too late and too frail.

One more round you say. I have someone waiting for me,
you have the last train home to make, but yes,
of course, one more round I say

He misses me still, but that's old news.
He's missed me for so long now - he can do it in his sleep.

He does it while he eats alone at his desk,
while he runs for a train,
while the rain is coming down in sheets.
While a girl takes off her dress and he reaches for her,
his hands hesitate a decimal. He turns off the light,
and misses me.

It grows inside his chest, like a bonsai tree -
something natural but stunted.
Snipped and pruned carefully, but not allowed
to grow outside it's box. Not allowed to put down roots.

He hauled it off, across the sea.
Across China and the Middle East, he misses me.

Half a world apart, in Amsterdam I walk
with my eyes to the ground, all brown and grey.
Thinking of the planes and trains that bore him
away.
This has become second nature for me.

It's midnight in Tokyo, he sits at his desk
in the light from the street
thinking of trees, canals, red bricks, me
and when we sleep, he and I both,
it's with ghosts in the sheets.

The woman feels the man's presence beside her
like a vacuum.
A darker shape in the darkness of the room;
beads of sweat dry on his chest.
There is an ache in the deepest part of her
but she bears down on it, lets it throb against the sheets.
He turns over and over.

The woman watches the man's long back get dressed.
Convexes and concaves.
He looks at her with alien shyness,
a stranger in her routine, too big for the house.
She swallows the ache and coffee; two cups
with painted birds. He drinks and rises from the table.
She goes to strip the bed.

Jesus,
with all this wine wine wine
the water bill's overdue.

Violet-stained hands don't
wash away no sins.

Baptism don't come from a
faucet that don't run.

And we ran out, baby

there's not a drop to drink.

Give me your last name.
Not her not her not her

me.

I will shed my skin and assume yours.
I will pluck the rings from my fingers
like overripe cherries

and assume yours.

Your name clashes with mine.
It is hard to spell, it rolls like a stone pile.
But I will wear it every day
on my brow like a crown;

on my tongue like communion.

Until some unknown hands chisel it
letter-by-letter onto the stones that will mark us.