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Christos Rigakos Oct 2012
there is a place i want to see
          which no man yet has seen
a city built around a tree
          where it has always been
where animals feed off the fruits
and no man's dared to step his boots
          where flirting sun in sky just smiles and preens

a city built around a tree
          which no man yet has seen?
how could a city none could see
          be built and always been?
who built it if it wasn't man?
could animals, and if they can
          would they also build zoos for you and me?

(C)2012, Christos Rigakos
Two septet stanzas of ABABCCB rhyme scheme which follow the structure of Eros & Psyche, except for the meter of 4-3-4-3-4-4-5.
Christos Rigakos Oct 2012
i am the sun

that rises from its nightly earthly grave
propelled by hope to find her love in skies
unmasking galaxies for their disguise
his mighty queen, pursued by lowly knave

and finds but empty space littered with stars
its solar flares upon its face but scars

descending then it falls into the sea
and drags the heaven's colors to the floor
its light extinguished through the closing door
in dying for a spell will cease to be

i am the sun

(C)2012, Chistos Rigakos
Christos Rigakos Sep 2012
my wedding photo hints of some foul play
          of death, destruction lurking, looming 'round
as four have cracked or burrowed under ground
          while two remain who yet have lived to stay
for two by two the years have counted them          
who've left this picture someone has condemned
          and neither they nor evil can be found

from left to clockwise tragedy has struck
          this picture taken in 2004
a blissful wedding day with bliss in store
          has seen no bliss yet only jet black luck          
for two years is the pattern found within
as if installments paid for unknown sin
          and two by two the years have taken more

2006 my brother passed too soon
          at thirty this was not his time to go
from one disease a cure does not yet know
          and from his loss we still are not immune
as one by one his organs fell asleep
until he too slipped through, we couldn't keep
          and he was just a prelude to this show

2008 my grandpa, ninety-five
          had lived a healthy, fruitful fulfilled life,
outlived even his loving doting wife
          by eight years more the man remained alive
for two years of his grandson was berieved
whose name he often spoke of as he grieved
          an old man overwhelmed with burdened strife

2010 the blissful pair had split
          whose wedding day this picture to us bore
after six years her joy had been no more
          explaining that my throne no longer fit
for i'd become a burden to her cause
and cut off, bleeding freely without gauze
          i cannot find the life i had before

2012 my father's heart had failed,
          in April he was saved but for a spell
until in May his heart one last time fell
          despite all of our efforts as we railed
and as it were, a grandson he'd not see
a son of my wife's flesh enjoined to me
          now how this pattern plays i cannot tell

the back row in the picture's marred complete
          the front row bears the two that now remain
this pattern of two years i can't explain
          but if continues more will see defeat
the clockwise movement left to right is done
now right to left the foreground move will run
          2014 promises new stain

the next in line, my mother in two years
          and two years after her my aunt is left
then i will be of everyone bereft
          an orphan, fate fulfilling all my fears
by this 2016 none may laugh
but one, this silent chilling photograph
          completing all my family's great theft

(C)2012, Christos Rigakos
This is true.  In my wedding photograph a tragedy happens to each person within the photo every two years.  Everyone in the back row has met a tragedy.  Now two remain in the front row.  It may be a simple coincidence, but if the pattern continues, I look forward to another funeral in 2014 and one more in 2016.  I hope I am wrong.

Written in a style similar to that found in Shakespeare's VENUS and ADONIS, or James Thomson's CITY OF DREADFUL NIGHT.
Christos Rigakos Sep 2012
on the tree branch
outside my window
a squirrel chews furiously
on a walnut

as sales have fallen
business declined
frustration
is a fat sweaty man
sitting on my chest
i cannot breathe
i surrender
and lay as if dead

watching
outside my window
as the squirrel
finally cracks the shell

(C)2012, Christos Rigakos
Christos Rigakos Sep 2012
under dirt
in a box
no voice
     teaching about nutrition
no breath
     exhaling cigarette smoke
a brain
     shrunken
          no more knows
shut down
     irreversibly
          dismantled
in silence
in a box
under dirt

(C)2012, Christos Rigakos
Christos Rigakos Sep 2012
empty bench
beside a grave
silence


(C)2012, Christos Rigakos
Haiku
Christos Rigakos Sep 2012
for months we grew in knowledge and in love,
through loving--leaving--loving, holding still,
always both snarling wolves and cooing doves,
both love and anger rendered my heart ill,

i bid her fond farewell but for a spell,
to clear the mind and cleanse the ailing heart,
i asked, please wait, yet if you can't, be well,
and find a good man, make a brand new start,

i watch her from my secret distant place,
her growing closeness to a man i chose,
my blessing sits half-twisted in my face,
both wishing well and not, to what now grows,

though bluntly wrong for me i so adore,
the one i've loved for months behind my door

(C)2012, Christos Rigakos
English (Shakespearean) Sonnet
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