Submit your work, meet writers and drop the ads. Become a member
 
A smile fell in the grass.
Irretrievable!

And how will your night dances
Lose themselves. In mathematics?

Such pure leaps and spirals ----
Surely they travel

The world forever, I shall not entirely
Sit emptied of beauties, the gift

Of your small breath, the drenched grass
Smell of your sleeps, lilies, lilies.

Their flesh bears no relation.
Cold folds of ego, the calla,

And the tiger, embellishing itself ----
Spots, and a spread of hot petals.

The comets
Have such a space to cross,

Such coldness, forgetfulness.
So your gestures flake off ----

Warm and human, then their pink light
Bleeding and peeling

Through the black amnesias of heaven.
Why am I given

These lamps, these planets
Falling like blessings, like flakes

Six sided, white
On my eyes, my lips, my hair

Touching and melting.
Nowhere.
The woman is perfected
Her dead

Body wears the smile of accomplishment,
The illusion of a Greek necessity

Flows in the scrolls of her toga,
Her bare

Feet seem to be saying:
We have come so far, it is over.

Each dead child coiled, a white serpent,
One at each little

Pitcher of milk, now empty
She has folded

Them back into her body as petals
Of a rose close when the garden

Stiffens and odors bleed
From the sweet, deep throats of the night flower.

The moon has nothing to be sad about,
Staring from her hood of bone.

She is used to this sort of thing.
Her blacks crackle and drag.
Off that landspit of stony mouth-plugs,
Eyes rolled by white sticks,
Ears cupping the sea's incoherences,
You house your unnerving head -- God-ball,
Lens of mercies,
Your stooges
Plying their wild cells in my keel's shadow,
Pushing by like hearts,
Red stigmata at the very center,
Riding the rip tide to the nearest point of
departure,

Dragging their Jesus hair.
Did I escape, I wonder?
My mind winds to you
Old barnacled umbilicus, Atlantic cable,
Keeping itself, it seems, in a state of miraculous
repair.

In any case, you are always there,
Tremulous breath at the end of my line,
Curve of water upleaping
To my water rod, dazzling and grateful,
Touching and *******.
I didn't call you.
I didn't call you at all.
Nevertheless, nevertheless
You steamed to me over the sea,
Fat and red, a placenta

Paralyzing the kicking lovers.
Cobra light
Squeezing the breath from the blood bells
Of the fuchsia. I could draw no breath,
Dead and moneyless,

Overexposed, like an X-ray.
Who do you think you are?
A Communion wafer? Blubbery Mary?
I shall take no bite of your body,
Bottle in which I live,

Ghastly Vatican.
I am sick to death of hot salt.
Green as eunuchs, your wishes
Hiss at my sins.
Off, off, eely tentacle!

There is nothing between us.
The air is a mill of hooks --
Questions without answer,
Glittering and drunk as flies
Whose kiss stings unbearably
In the fetid wombs of black air under pines in summer.

I remember
The dead smell of sun on wood cabins,
The stiffness of sails, the long salt winding sheets.
Once one has seen God, what is the remedy?
Once one has been seized up

Without a part left over,
Not a toe, not a finger, and used,
Used utterly, in the sun's conflagration, the stains
That lengthen from ancient cathedrals
What is the remedy?

The pill of the Communion tablet,
The walking beside still water? Memory?
Or picking up the bright pieces
Of Christ in the faces of rodents,
The tame flower-nibblers, the ones

Whose hopes are so low they are comfortable --
The humpback in his small, washed cottage
Under the spokes of the clematis.
Is there no great love, only tenderness?
Does the sea

Remember the walker upon it?
Meaning leaks from the molecules.
The chimneys of the city breathe, the window sweats,
The children leap in their cots.
The sun blooms, it is a geranium.

The heart has not stopped.
I shall never get you put together entirely,
Pieced, glued, and properly jointed.
Mule-bray, pig-grunt and ***** cackles
Proceed from your great lips.
It's worse than a barnyard.

Perhaps you consider yourself an oracle,
Mouthpiece of the dead, or of some god or other.
Thirty years now I have labored
To dredge the silt from your throat.
I am none the wiser.

Scaling little ladders with glue pots and pails of Lysol
I crawl like an ant in mourning
Over the weedy acres of your brow
To mend the immense skull-plates and clear
The bald, white tumuli of your eyes.

A blue sky out of the Oresteia
Arches above us. O father, all by yourself
You are pithy and historical as the Roman Forum.
I open my lunch on a hill of black cypress.
Your fluted bones and acanthine hair are littered

In their old anarchy to the horizon-line.
It would take more than a lightning-stroke
To create such a ruin.
Nights, I squat in the cornucopia
Of your left ear, out of the wind,

Counting the red stars and those of plum-color.
The sun rises under the pillar of your tongue.
My hours are married to shadow.
No longer do I listen for the scrape of a keel
On the blank stones of the landing.
There is nothing I know
                       about you
and yet like a peach
I want to perforate your skin,
                taste
something delicious,
find   out   what I can,
open
      your
             grotesque
                            novel,
discover all the        flaws
I can later ignore,
a sea can come
                 to **** them up,
                 leave your gems
on the shore.

I'd like your name to be sugar
                                    on my lips,
                         sink
my fingers in the     gaps
between your           fingers,
be suffocated by you,
       be drunk on you
     in the best possible way
and still be left
rasping
gasping for more.

A day
will arrive
when your wavecrashesintomine,
no clock needed,
no forward
                  slashing days with a pen,
it will happen
    and I’ll be here
sitting
on our beach    with a book
ready to fall,
fall to the edge
of wonderful madness.
Written: April 2014.
Explanation: A poem written in my own time (with slight changes possible in the near future), written in the sort of style (but not necessarily the structure/genre) I want to write in from now on. The title comes from the fact that things can be washed away and washed upon a shore - I felt it was/is a great image. The ending may be altered - the 'madness' refers to how some might say you can 'fall madly in love' with someone. I absolutely did not want this piece to be soppy, or mushy, or even be classified as a strong 'love piece.'
Out of all the things to be inspired by, this piece would not have been written had I not seen an image of Taylor Swift standing next to the sea earlier on in the day. (The poem is not about her, or indeed anyone really, just for the record.)
Sometimes I only watch
the waves tumble
as a blue rug
over a flight of stairs,
other times I want them
to pummel me,
wallop into me like boulders
and smash against my ribs
again and again
and again,
feel my digits wrinkle
like a rotten fruit,
feel the water splash on my lips
and know it's alright
if I dunk down
surrounded by swathes
of aqua satin,
hear a rattling,
an amplified burble in my ears,
aware it's just me and the sea,
the sea can have me,
I'll allow it.
Written: April 2014.
Explanation: A poem written in my own time, connected to 'The Shore' and 'Trail' in my ongoing series of beach/sea poems.
Next page