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My reflection is tattered with these strings of insecurities,
    and I'm bound to the walls of my constant inequities.
And my eyes, as if rotting, are stuck in their quivering,
    for the beauty I once knew and loved is now withering.
I laid on the cold hard floor,
feeling the chops of air
as they spun from the ceiling,
escaping the mass of my body;
finding refuge in my arch,
my natural resistance
to flatness.

And I was watching,
stalking myself from a distance,
but all that was seen
was my cardiovascular essence,
pulsing on the ash-ridden floor,

until I cascaded,
washing;
falling below to My Earth's
very core.

I was watching and laying,
and falling,
but when all had occurred, I remembered:
My Self is not merely a body,
a skeleton breathing out words,
but a soul and a spirit and presence,
and that is what ought be preserved.
The Siamese twin of anti-commitment.
I
am only an enigma
to myself.  

I
can only foster
the words from the books
on my shelf,

But I
found a box
full of lines never used
in a home, over-bruised,
compensated with ruse.

The ruse was the house,
in the sense of its looks,
for on a block full of mansions,
it held only books.

The floors were all battered,
and the sinks filled with mold.
And the windows were shattered,
inside of the home.

But if one thing it taught me,
this mansion, a crook,
is some enigmas might vanish
if on the inside we looked.
I am only an enigma to myself.  
I can only foster words from the books on my shelf,

But I found a box full of lines never used
in a home, over-bruised; compensated with ruse.

The ruse was the house in the sense of its looks,
for on a block full of mansions, it held only books.

The floors were all battered, the water pipes groaned,
and the windows were shattered inside of the home.

But if one thing it taught me, this mansion, a crook,
is some enigmas might vanish if on the inside we looked.
The original can be found here:  http://goo.gl/BBxCe

I would love more critiques from anyone.  Feel free to look at my other poems, too.  
Thanks for reading!
My overwhelming solemnity;
brown fields of Spring-time withering.

Nostalgia, be riddled,
by life,
before none;
sweet candy sour,
as the taste on my gums.

Pale, empty vessels of our spirit,
said one,
A final embrace from the Mother -
to son-
the end of a turn,
of a wheel just begun.

Find - now - in a moment,
the peace,
and the sun;

- don't cry under moon crests,
don't weep for high tides -

for,

but laughter
and sorrow
and joy found in love

shall Wake us each morning,
blood found in our bodies,
our hearts and our lungs.

The present is written,
The past is still sung,
The future a distance,
a lion unroped.
Draft
Niche?
Writing.
Society?
Binding.
Reality?
Blinding.
Family?
Cont­rolling.
Me?
Confused.

You?
Strong.
You?
Ambitious.
You?
Determi­ned.
You?
True.

But me?
Well, I'm still seeing
broken glass on the floors
of dysfunctional homes.
And it's hard to get a grip.
Sun shines brightly on
lightly coloured blue balloons
as they float gently to the sky.

Children run and slap
their feet on wet bricks
trailing to waving waters
in backyard pools.

Couples sit and picnic
on the soft green grass
of small fields filled with
dandelions.

Old men sit tall and stark
with open cans in hand
by tailgates, watching
games on blurry television screens.
I sit on the edge of my seat,
as I hear the soft whispers of lost souls
and the confident moans of relief,
as sturdy men and women pass on their longevity,
blessing their kin to enjoy their final piece of peace.

I **** in the sorrow,
the sadness that pierces the air
like a cold blade into the stomach of summertime,
and my soul weeps almost vocally,
depressed with the weight of ancestral burdens.
I can't believe I spelled "bystander" as "bistander". Hahaha.
a Wordsmith's ambition,
it is not something grand.
It is pleasant, and common,
though it's honestly bland.
For each world we desire,
all so beautifully planned,
there, no words can be written,
well, at least not by hand.

But our Pen is our Bible,
and We bleed it with sighs,
and I'm pleased to announce,
that by writing, We survive;
For the words that we've written,
every line we provide,
puts the world on our shoulders;
brings our image to life.
The life of a soul
is like a candle.
Birth ignites the solid
wick,
and a fire, consuming, is breathed
into the malleable consciousness;
the wax of knowledge
is melted
and molded.

The soul is born
quite opposite of animosity,
and thrives in the
rapture of curiosity.
It is whole,
with nothing foretold
but that existence unfolds,
till pain settles and
fringes the rim.

Fear and hurt and loathing,

the gusts of extinguishing,

take back the breath of ignition,
and leave the candle's wax to settle
as before.

However, to the surprise of the mind,
observers shall find, that much like
the levels of wax still to mold,
the conscious, depressed,
is weary
and much less bold,

but, yet, passion thrives,
and the fire survives,
anew to seek what is
more potent
and true.

The cycle continues,
repeating.
Melting and fading and
melting and
fading,
and

Knowledge is gained!
Ignorance is burned like
the wick of the soul's
candle!

Until the wax is quite low,
and the fire won't show,
and the wick of life's candle,
once burning and fading,
is now dying.

The enlightened light,
the fire and shine,
was snuffed into nothing
by time.

The wax's decreasing
was brought forth
with the increase of knowledge;
with the process of living;
with the suffereing of wisdom.

Perhaps, then,
ignorance is not bliss,
but bliss is death,
for in death there is time,
time to reflect, and to grind
out the details of life,
and to rest
without the crossing breaths
of passion and exhaustion.
This is just the first draft, I hope.

I had some strong philosophical feelings poured into this poem.  I really want to make something brilliant out of it, but I know there is work to be done.  If you have any suggestions, please let me know.

Thanks,
Christopher.
Our bones were sticks,
and we grabbed 'em all together;
threw 'em in a pile,
and lit 'em all on fire.

I thought we'd
keep 'em burning,
but your shadow kept blowing out the
blues and reds and yellows.

I was
wrong.  

I thought you'd stick around
I thought you might try to have some fun,
but you left the check for next month's rent
in the mailbox;
not even on the kitchen counter.  

I was
wrong,

And now I got a tongue,
real slick,
and whiskey to chase back daggers;

red stingers, stretched and fresh,
holding in between my copious veins.
I prefer to think the title has no ****** connotation.

The second part has some connotations, obviously, but the first part is less about that and more about something else.

I leave you all to determine what it means for you,
but I suggest you take into account how important the title is to understanding this poem as a whole.

I really strove to piece all of it together.  This is just a first draft, though.  Tips and comments are appreciated, as always.

Thanks,
Chris
My senses tense,
tingling with aspiration
of the energies within the air.

Renewed with prolonged
activation of perceptive portrayals
of vicious sunbeams attacking
the hems of my subconscious.

I awaken to the sun.
A gut-wrenching pull of vocalless expression.
One word, your word,
and my stomach begins to writhe.
I fight myself from the inside,
shaky hands that actually look fine.

I hide in the crook of your
shoulder;
my face a stone, reflecting the tension
between the beat,
beat,
the increasing speed
of my pulse.

Your touch meets my touch,
fingers to fingers,
and I become a whirlpool
of impulse and reservation,
of passion and hesitation;
hope, and yet consternation.

Eyes to eyes,
and I am a villain in my own skin,
sick with disdain for myself, then.
But you are beautiful,
and I cannot look away.
I wake in a dream,
in a haze of the sea;
cascaded by waves,
every time my heart beats.

Every crest is a vessel,
of love or truth or cries,
every crash its own message,
spilling life behind my eyes.  

A harp's melody weeps,
singing sweetly to my mind,
and I find myself asleep,
as its beauty intertwines.

I'm left with this vision,
as I visit the light,
and I pass into nothing,
or to something divine.
There once was a tiny raindrop;
it fell right out of the sky.

It fell in a puddle of brothers and sisters,
and all without pause said "Hi!"

But before it could finish,
the puddle had dried,
and the poor little rain drop...
Well, sadly... he died.
And though my face,
be it smiling,
presents an air of control,
I fear that I have lost it all.

And I brace myself,
for I predict that I will be buried
beneath the rubble,
beneath this teetering construct
that I have haphazardly built in my short,
short,
life.

And I have tried,
I have tried to forget that I built
this homeless house of mine.

And I have thrived,
I have thrived in my ignorance
once upon too many times,

and I shudder at the thought
that the "all" which I am destined to lose,
is really nothing.

Nothing at all.
Your red tongues leap
with heated strokes
through puddles of
scorched air.  

Your arms shine
with shameless malice,
so to approach you,
no one dares.

You are wild.
You are pure.

You are dangerous.
My heart is home to vicious vultures.
They feed on insecurities.  
And when they eat, they grow and grow,
until they're just as big as me.  

The vultures venture from my heart,
and embark upon my soul.
There they wait in circles, high,
for all my dreams - and all my hopes,
to grow a bit too old.  

My vultures are my demons,
a never ending scare.
From the ***** of my feet,
to the backs of my knees,
to the tip of every hair,
they fly and wait and conquer,
until there's nothing there.
Your windowed soul
speaks leagues of numbered
tears as your heart beats beats beats,
and the tint of your eyes
shows the truth of your lies,
every time your half-crooked smile
hides the words that you speak speak speak.
Copyright © Christopher Tolleson
I saw with my own eyes
the perfect portrayal
of beautiful indifference.

I saw it in the blue-green shades;
the swirling ocean waves;
bright stars in a dark, cool galaxy.

You held yourself,
back straight,
teeth white,
hair brushed,
and skin tan.

And I was bemused
with your wonderful perception.
Half your words whispered,
"Listen, I'm beautiful,"
but the other yelled softly
your impeccable intelligence.  

A true wonder;
a confusing marvel;
your blue-green eyes,
your sparkling smile,
and your wrathful blade,
sheathed behind a perfect portrayal
of beautiful indifference.
First draft.  Comments are appreciated.  

© Christopher Tolleson, April 3rd, 2012
What is the sound of wind, when it is still?
The voice of God; not of common nature.
Will His will be that of a saving pill,
gradually easing the pain and hurt?
Not to be so blunt or overbearing;
subtle and often thought to have been gone;
found in time of heart's wearing and tearing;
patience shall prove the world to have been wrong.
Common stares of displaced disappointment;
the love of passion and passion of love
that speaks and heals; it, a hidden ointment;
messages sent by means of still'ed doves.
Nought of punishment or chasten of sin,
in the presence of a quiet God's whim.

*An old sonnet I wrote.
As I grow older,
and Loneliness steeples-
I find that
OUTSIDE comfort
provides
less and
less
Satisfaction.
You see me,
an open man.
Strong and tall,
with massive hands.

I see me,
a brittle soul.
With broken
bones and
rotted whole.

And every day,
when I awake,
my weary bones
begin to shake.

And every night,
I end my fight
to free myself
from endless plight.

But, perhaps,
upon tomorrow,
some'one will cure
this old man's sorrow.
Wild Turkey 101
does not taste quite the same as,
does not go down quite the same as,
and certainly does not go out quite the same as
some good, cheap
*****.
I was sitting outside,
smoking a cigarette
with three of my favorite pals,
and I looked at each one of them,
and I told them,
"I love how,
right now,
we're happy.
And how,
when I look in each of your eyes,
I can see the smile that isn't even on your face,"
and then we smiled,
and I went back inside.
The ice cubes
floating in the Mellow Yellow ocean,
inside my styrofoam cup,
feel like millions of frozen bees,
stinging my hands
with jolts of cold electricity.
Cold, cold floors press
against the soles of my feet,
as I roll out of bed
still affined to my sleep.

While my eyes remain low
and quite dauntingly heavy,
my hands moving slow
part them ever so stiffly.

Then, before me a speech,
spoken only in vision,
brings tears to mine eyes
by its glorious image.

Alive yet again,
the sight gives me relief,
for the glorious sun
shan't deliver disbelief.
My adopted metaphor is "deliver disbelief."
From the right and left,
my phobia attacks me.
Smells of unfamiliarity
and rain in my boots
climb the peaks of my
grand smelling utensil.

I wonder if the woman
sitting next to me has
noticed the smell of my
feet I washed so hastily,
or the body that my soap
didn't meet, or the weak
cologne wrapped around
my neck.

Quite possibly, she can't
smell a thing; her nose
may be too stopped up;
perhaps it isn't listening.

In reality, my senses blind me.
Alone, I cannot smell the
wonderful and horrid odors
of my body.  She stands up
and leaves; I let my mind digress;
however, I am met with the fact
that whoever sits next will
make me face the same
sub-conscious test.
It's the night of our dear Christmas,
and I alone am making noise,
for my brothers and sisters retired from joy,
and I'm shaken by the beauty of our first snow of this year.  
The ground, not powdered, but littered in pounds,
of the sticking white water that falls, so profound,
is entrancing and frozen and terribly cold,
but I am in love, and I am thankful.

The air is thick with peace,
and every breath holds the promise of fresh life.
Tomorrow begins a new day, as always,
and if I shall live to witness its glory,
I will try harder than before,
and so on, and so forth,
and so on, and so forth.
It's hard to describe something close
to the smell of coffee and pollution,
but the taxi-cab infested café shows me what it's like.

The normal latte;
a crowded sidewalk;
a bright blue sky
littered with towering masculinity.

But that plane is flying awfully low.
First draft of a poem for my Creative Writing class.  

I'll be publishing another draft after receiving some critiques, so feel free to give me suggestions!
I've spent the past hour fervently pondering selfishness, sacrifice, closeness of family,
economy, future, past, the importance of the present, knowledge, education, laziness, friendship,
culture or the lack thereof, loneliness, lines drawn that we might cross, the subjectivity of those lines,
right, wrong, hope, misery, pain, fear, happiness and the pursuit of happiness, contentment, and the most shockingly simple, yet overwhelmingly accurate statement describing the combined existence of them all: life is complex.

I feel like some poetic injustice rests in that statement.
My friends:
the fire hearted nomads;
the hard headed lunatics;
the kids with lion eyes.

We used to be the roots of a tree;
veins of an ox's heart.  
We used to be free,
but now we've fallen apart.

I said, you said, we said,
"This fire in my heart
is forever," but

naivety got the best of me.
Our fire died - and so - the tree.

The thumps of our ox's heart stopped beating.
Forever lost its meaning.
Comments are appreciated.  

© Christopher Tolleson, April 1st, 2012
My sides have been stuck,
struck with pointed thorns;
unborn tragedies seething for
release.

Each one, I picked and prodded,
and left in soiled animosity;
bitter knots wreathed in poisonous
posterity.

Each foreign touch seems to have
left my gall cascaded
but Yours, debated -

a rhythmic ring of probing
pessimisity.

I breathe.
You squeeze,
touch my outer fringe, the withering;
I freeze.
You bequeath a fresh'ing thorn.

I writhe,


Moments collide -
fourth dimensional paradigms -
commonly unseen,

birthing blooms by vestal wounds;
you cut the stem,
you redesigned the strife,
in obsequios streams.
My overwhelming Solemnity
is represented-
by brown fields
in Spring-time withering.

Nostalgia riddles me
with, and throughout,
my Life.

It is a Sweet candy;
Sour- like the taste of my gums,
as I reflect on my Experience
as a Living, Breathing,
flesh-Encumbered Soul.

"These are the pale, empty vessels of our spirit,"
says One, about our bodies.

"'Tis the final embrace from the Mother to Son,"
says One, in regards to Death.

"This is the end of a Turn,
of the Wheel just Begun,"
says one,
pondering the endless Circles
of Our existence.

But find,
in one Moment,
peace.
But see,
in one Moment,
the sun that revels on Our faces;
that dances like flames, upon Our eyes.

Don't weep because the moon crests;
because the tides rise;
because the the vivid flowers of Our mind have begun their soft decay.

Instead,
remember that Our dying bodies exist;
that peace can be found;
that the moon is merely a Shadow of the sun's brilliance;

that We,
as all Hope foretells,
as the Flowers of one age,
tread paths for the dying New;
for unborn eyes;

for the Shadows of Our acceptance.
This is a rewrite of my poem, "A Little Wisdom Too Late."

I hope you enjoy, and your comments are greatly appreciated!
Lamps that light with lingering flames
quench dreary eyes of midnight pain;
hin'dring such precarious Names,
who've come to find they sinned in vain.

The Baker appeared, and took hold his stake
for the Name who tried to steal the Baker's bread.
Poor stum'bling Name was stopped in cold regret.
Staunch whiskey perspiring upon His head,
He ponders all the threats the Baker'd make;

turned and sprinted against the wall
of wheat and grass and trees and all,
but brazen hands, fire-scathed, wed
His life, ironically, to the art of baking bread.
The sun and the moon
blend together in my mind,
one for each of my eyes. 
Everything is dark and cold,
and Everything is hot and bright.
I presume, though, that I do not betray the standards
of hope and humanity, nor justice and morality,
but who else will have sympathy for the wicked?
I sit in awe,
and watch as your sensual
twists and turns
portray the caricature of freedom,
until I realize
that you're always rising.  

Any mediocre breeze
takes advantage of your weak
and flimsy form.
And your go-with-the-flow-esque
life will be your ironic downfall.

And I no longer want
your
freedom.
So, turn your hands
and open your palms,
and life will give you gifts.
Change might come
and spin you 'round,
but your heart will find its lifts.  

Plow your lands
and plant your seeds,
and watch them as they grow.
Water them
and pray for them,
and reap more than you've sown.

And if happiness is what you want,
then listen to me speak.  
There's secret to the sunlight.
'Tis a gift that's always free.
Free love and light and sustenance,
without the old "give me!"
If consistency is home, my mind is the wandering vagabond.
No matter the fondness
that distance does bring the heart,
it does not compare
to the wrath of these
not-so-frequent close encounters.
You took the dinner knife
that we ate with,
and you spit-shined it
with obscenities.

You stabbed my "freeloading"
back.  

And I let it fester a wound,
before I pulled it out with my
bottom-feeder
claws;
the same claws that
shed splinters in the
woodwork of our
hardships.

My bleeding knuckles,
bare-*****, and filthy,
without the pennies
to wash them off,
couldn't heal fast enough
to stitch your
paper apologies to your
glass expressions.  

Then, the house that "you built",
the house in Hypocrite Pit,
burned slowly,
like the lamp light
that flickered after dinner.
First draft of an emotional poem.  Betrayal is a sick feeling.

Edited formatting and grammar.  11/11/2012
Yin and Yang have nothing on my
bipolar, wishy-washy personality.
I'm self-diagnosed;
a pile of mashed potatoes
where the butter's just not melting in.

I am an indiviudal,
not quite unique,
but quite right hypocritical,
and not so naive,
but I'm sure plenty cynical;
that's why I survive.
I'm not so **** conventional,
call me the Impulse Individual.  

But to me,
that's not some sin,
I'm not compelled
to fall right into the wake
with the rest of us.
When I hear,
When I am listening,
if the sounds are sweet 
and strong,
like the great winter Huntress,

then my soul seeps into Hades,
and the Lost begin
to congregate. 

And I,

I become the
thick, 
wet 
void
of endless stars

in the deep,
dark,
water sky.
Each time we depart
is one other breath,
deprived of my gasping lungs.

Each hello
is one other beat
that my heart won't make
on a coming day.

You are my pleasant parasite.
You drain me sweetly.
Birth:
the long,
clean,
feathered
pen,
dipping into the
just-filled cup of ink.
Life:
the deft,
curious strokes,
lying,
breathing
into the canvas
all the wonder
of emotion.
Death:
the splatter painted handle,
the feather-losing fray,
the crippled wrist of occasion,
with the upward stroke, instead of down.
the blot of black,
in the all white nothingness.
In thirty years,
when I look back,
what will my mind have seen?

Will I be old and unforgiving?
Will I be young and free?

Could working days and long cold nights
be my history?

Will fire rest inside my heart,
and love inside my soul?

Will every man I'd ever met remember what I told?

Or is my life a boring book,
just wishing I'd been bold?

Oh future.  You, so unexpected.
Don't speak in such clichés.  

My life will be a burning star,
composed of blinding rays.

A hearth of endless sunrises,
to brighten up the days.  

Not all may notice how I've gleamed,
but that just goes to say,
that even all the brightest stars,
should shine from far away.
Draft of a new poem.  Critique would be great.

I'm curious how this poem comes off, so please tell me. I might need to edit for better clarity.
Consider for a moment,
a straggler of life;
his bag of misfit materials;
the empty train car he sleeps in, when he is lucky.

This, to the world,
is my soul to me.
A snowy field of minimalism,
tainted only by the brief, yet constant,
glimmer on the horizon.  

In this vision there is truth,
and hope,
There is truth,
and hope,
in loss and in lacking.
For as stragglers do wander,
their dreams provide homes to thoughts,
and warmth to sadness,
and medicine for wounds.

There was not always this brilliant field of white.
Before it, laid the maze of forestry,
the hovering shadow of fate.

Within the trees was confusion,
and within confusion was pain.
But, with the bright blizzard of chaos,
came the simplicity of love, and therein laid acceptance.

There are those who must chop trees to see the sunlight,
and there are those who simply find the fields of snow,
laying pleasantly within the reflection of the sunrise.  

This, to the world,
is my soul to me.
Wandering acceptance,
caught in the mess of falling trees.
Thousands of atoms shift
ever so violently to produce
an ever so slight smile,
exploding with the
power of ten thousand suns,

While puffs of air pass pleasantly
from the depths of thriving lungs
out of crooked lips
made of thousands of tiny atom's sons,

And little worlds of white and
ragmatical strings of red
house smaller worlds of
brown and green,
and black which they embed,

Which all in all,
though each so small
and grand in their own way,
partake in that that's necess'ry,
to make up someone's face.
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