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As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
'Love has no ending.

I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street.

I'll love you till the ocean
Is folded and hung up to dry,
And the seven stars go squawking
Like geese about the sky.

The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.'

But all the clocks in the city
Began to whirr and chime:
'O let not Time deceive you,
You cannot conquer Time.

'In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

'In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or today.

'Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.

'O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare at the basin
And wonder what you've missed.

'The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

'Where the beggars raffle the banknotes
And the Giant in enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

'O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.

'O stand, stand in the window
As the tears scald and start;
You shall love your crooked neighbor
With your crooked heart.'

It was late, late in the evening
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
I write in my underwear.
I write in my underwear, so my thoughts are not caged
underneath my clothes.
I refuse to look at the screen.
I only look at my fingers, hitting the keys as rhythmically as I say the words in my head.
I type because my thoughts are too fast
And I fear if I write I will forget

I am one of many.
One of many who speak because they cannot help it.
Whose words burst forth from their lips in spontaneous spasms of passionate opinions.
We will not hold our tongues
We will not mind our manners
And we will not conform to please
For we are romantics,
and poetics,
and hopers, and dreamers,
and liars, and cheaters.
We not only do things because we feel them,
But because we want to experience them.
And with are experiences
Of love, tragedy, happiness, and despair
We aim to awaken passion in others.
Others who fear emotion.
We aim to shake them
And awaken the life that they have.
I will not confine my soul
inside a cubical
And I will not shut my window
and deprive the world of my dreams
And I will not straighten my curls and **** the energy that they harbor
And I will not cage my thoughts underneath my clothes
It is for them, and for us
I write in my underwear
the rhythm comes and goes... but eh it's something.
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.

Daddy, I have had to **** you.
You died before I had time ----
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal

And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off the beautiful Nauset.
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My ****** friend

Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene

An engine, an engine,
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gypsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You ----

Not God but a *******
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the *****.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through.

If I've killed one man, I've killed two ----
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There's a stake in your fat black heart
And the villagersnever liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you *******, I'm through.
1002

Aurora is the effort
Of the Celestial Face
Unconsciousness of Perfectness
To simulate, to Us.

— The End —