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Red rose, petals of velvet,
thick and smooth.

Your beauty, unsurpassed in nature,
made even more splendid
by the brevity of your existence.

Hand crafted over the centuries,
but in the twinkle of an eye
your green stem is hewn
from under you.

Your head falls to the earth,
petals close in the fading sun,
not to open again.

If only I could keep you.

But you were never mine to hold forever,
only to cherish in your bloom.
The sun has come.
Somewhere far on the eastern border
of my existence she has begun her
wild haired dance across the sky signaling the dawn of
a new day.
Slowly, I rise.
Feeling every ache and pain and fiber of my humanity,
I great a gray wash environment.
This stillness, haunting, like the watercolor left unfinished in the
closet.
Joints creak like gears.
Rusted from neglect, they scream their displeasure breaking
the silence and solidifying my existence.
My neck strains against
this shackle of a belly pulling from my shoulders
forcing me to notice my feet, almost for the first time in years.
Time has not been kind to them.
Twisted and gnarled like the roots of the tree my
father planted in my youth.
Dark skin, dried and scarred from years of taking them
in and out of socks, sit dumb and silent as mules waiting
for my command.
Toes, blistered from a lifetime of being stubbed on desk
corners and floor boards, reach blindly for the
fine fibers of the blue carpet at the edge of the
bed.
Knees shaking, like the screen door on my grandmother's porch,
from the weight of my distended middle force me to
grab for the nightstand.
Driftwood hands stumble across the well worn surface
remembering every nail and knot and grain.
More than most will ever forget.

This steam feels good against my skin.
I leave my hands to their chore,
letting them travel the same course without thought.
lather
scalp
face
that funny spot behind my ears mama would rub to soothe
my pain
neck
arms, first left then right,
stomach
top of my aging genitals to the deepest portion of
my inner thighs
down my legs
top of my back letting the soap run down my spine
and between my buttocks.

From the corner of my right eye
a face catches my attention.
Not the face of a stranger, no I remember this face.
Like old friends meeting again
for the first time, smiles stretch gently across
our faces.
We reach for each other, tracing
the laugh lines etched deep in our foreheads remembering
the origin of each.
This is not a stranger's face.
No, this is the face that woke me at the dawn of
each new day and stood watch in my sleep.
These
eyes are not my own.
In another lifetime they
smiled at my very existence.
Set in stone, they shone like stars on my first
day of school.
I remember everyone saying I was the spitting image of my father.
Youthful pride denied their words, but here he stands.
Smiling back at me.
Hello father.
My it's been such a long time since we met.
How have you been?
Have you ever seen a fish fly? I don't mean a spectacular leap accompanied by twirls and accentuated by the water dripping from its scales like a couture gown. Nor do I mean the astounding burst of speed a "flying" fish exhibits as it leaps out of the water, expanding their large pectoral fins, and gliding to safety. What I mean by my question is the following: have you ever seen a fish exert the energy required to achieve take off and to truly soar among the clouds and dance at the feet of the heavens. Have you ever seen a school of fish flutter in such synchronicity of purpose and action, they sound as one creature? Have they exited our plain of view in such a flurry of color and sound as to be considered art? The answer is no. They never have nor will the ever behave in such a manner. Why you ask? It is not their nature.
To know the universe one must first know themselves, but are we obligated to follow our nature? As much as I would love to disagree, the past year has presented me with an abundance of evidence that my legalistic disposition cannot ignore. Prior to college, I regarded my resentment of tedious and technical activities as a phase of adolescence that would soon pass upon entrance to college. However, the opposite has proven itself to be true. I have become even more resentful, enraged even, at the technicality and tedium of my classes. While I have ideas of implementation and grandeur; they, the classes, deconstruct ideas until they are merely a collection of uninteresting facts and figures void of life and purpose. In just the past month, I have had my motives and resolve for engineering questioned by myself, my advisor, two professors, and many friends. The question is always the same "how do you feel about engineering?" and my response is equally predictable "I think I'll stick it out, besides there is more job stability with engineering than with art." I am dying! Like a fish out of water, I am gasping for air and nutrients but nothing is coming. My skin is drying and I am left expending what little energy I have left desperately trying to get back to the sea, to get back to art. For all the beauty of my mind, it is wasted on my efforts for this, engineering, is not my nature. I became so inthralled, so utterly captivated by the stark blues of calculations and whites of lofty ideas and esoterica, that I ignored the kaleidoscope of colors beneath me as unorganized and useless fragments of information. I never appreciated the bright pops of corals, greens, oranges, reds, yellow, along with every other color known and unknown to man until I had managed to jump clear past, what I then saw as, the boundaries of art and got stranded on the dullness of solid ground with a sound as dense as the colors. Those bright colors were not merely background noise, those colors formed my world, indeed they formed me.
The time is very late now and I am running out of energy, but I know I have to get back to myself and my nature. I'm not quite sure where I'm headed, but this little fish is going to keep swimming until sea meets sky. Who knows, maybe I'll even grow my own set of wings and fly.
I got
sixteen red bars criss
cross this arm 'cause
sixteen times I've
played this song on the forearm of my left violin.
Felt the blade bite my skin
as red half notes dot marble white sheets.
I felt my heart sing its melody
as I poured myself onto the page.
I remember the first time I played.
My hands shook with anticipation. I
was so excited,
my hand slipped on the first note.
The blade, grazed my skin,
cut just deep enough to keep me coming back for more.
I got a few scars from when mama
told me she didn't love me. Those scars
are hidden deep inside, etched into the very
fiber of my being.
I got a few more scars when the
kids at school told me I was too
dark to be something. I remember running
blind into bathroom stalls, hating these hands for what they were about to do.
Hating these hands because they were mine.
I played my solo for an audience of none, one if you count God looking
down from heaven begging me to stop.
I remember looking through fogged over eyes as the
world shuffled by. They saw my hand under the bathroom stall
and they just
kept
walking.
No one stopped to rescue me.
I got a few more scars from the first man I gave my heart.
He held on just a little too tight,
left marks where his fingers were.
He took my wrist and held it too tight.
He started to play but it wasn't right. He didn't
understand the
fine nuances of my
tendons and ligaments.
He pushed the blade too deep,
snapped chords and left me unable to play.
I think he left the deepest marks. They
still haven't completely healed, and some days
I can still feel blood trickle
down my arm.
I got sixteen red bars criss
cross this arm 'cause
sixteen times I've played this song on the forearm on my left violin.
I think seventeen would have been the end.
Turn out the lights.
I want to dance in the darkness of my sin.
I want to let down my hair
feel its length run wild down my spine.
I want to feel my arms reaching out into the nothingness,
want to feel the touch of the shadows
as it burns my flesh.
Turn out the lights.
I want to dance in the darkness of my sin.
I want to hear the silence of my solitude, hear it screaming
at me from the pinpoint horizon
I can't actually see because I
turned out the lights so I could dance in the darkness of my sin.
I want to feel the void
at the very center of my being
shaped like the soul I sold to a devil disguised as angel
disguised as man disguised as devil.
I can't tell anymore. Even in this
darkness, it hurts to keep my eyes
open. Even in this darkness I can
see the outline of my nakedness shining
like a beacon out to sea.
But this is not the beacon calling
to lost ships like mothers call to children.
This is the beacon that blinds my eyes
and reminds me of my imperfections.
So again,
turn out the lights.
I want to dance in the darkness of my sin.
Please, just turn out the light
that burns within me. Cut out its source
and let me fade back into the darkness.
Turn out the lights.
I want to dance in the darkness of my sin.
A bird is a
Peculiar thing to me.
They hop, and flit, and twist about
and pick at every pebble
and crumb upon the ground.
But an even more
Peculiar thing
is in the way they move.
Effortlessly across the sky.
Calligraphy in motion.
They have the power to n'er come down
Yet they dwell upon the ground.

But an even more
Peculiar thing is love.
I do not know from whence she comes
or where'er she shall go.
A dainty hand leaves a lasting mark
bruise
imprint
a scar.
Never shall I understand
this
Peculiar thing of love.
Bleach white
Bone dry
the desert of my heart.
the rains have gone
and come no more
a dry spell's come to stay.
the sun bears down his hateful rays
chipping up my heart and
scorching everything in sight
love don't prosper here no more.

a river's come
black as tar,
more viscous and all consuming,
has etched a ribbon through my heart.
by its banks the soil is dark
and the fruits of love are blooming.
close enough for me to touch
yet too far to partake,
this river through my heart
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