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how soft the clouds
that touch my feet
as I search for Ignis

Ignis
in the rotting leaves

how cold the soil
against the walls of my lungs
as I dig for Ignis

Ignis
and the Sun

how tight the girdle
around my waist
of roots and earthworm ribbons
as I dig for Ignis

Ignis
displaced

how heavy the dirt
that clings and crushes
skeletal ribs, fingers
clawing clumps and crusts
as I dig for Ignis

Ignis
in the rust

how fine the bone meal
that dissolves in droplets
of sweat in aquifer
as I seep to Ignis

Ignis
and breathing
thirty years
since Mark gunned you down
thirty years, passed
like a long sleepless night
that ends with taunting morning light
no brilliant sunrise grandly pronouncing
a glorious new dawn of man
although that would have been your plan
with your entreaties to give peace a chance
and imagine, imagine, imagine

now I kneel in this rain gray park
like a reject from some holy ark
a pilgrim in doleful disappointed pose
after seeing what your earthly brothers chose
was not to imagine a world of peace and love
but to wear reality like a cast iron glove
making mockery of your martyred chants
proceeding like a billion scurrying ants
deaf to your childlike pleas

across the soaked soil where your ashes lay
yesterday and today…and tomorrow
I feel the soggy sorrow
that you would have felt
if you could still see
all the rage of humanity
written last year on the 30th anniversary of the ****** of John Lennon--we are now approaching the 31st anniversary--for those to young to recall, "give peace a chance", "imagine", and "yesterday, today and tomorrow" are all allusions to the work of Lennon and/or the Beatles
fields of yellow flowers
pasted on Morpheus’ silky screen
could not hide the blood and screaming
in that steamy sea of green

I wake to this in dawn’s gray hours
and can’t return to sleep
with morning’s feeble promise
we no longer follow like sheep

what force inside feeds the powers
that will not let us forget
we once were young and killers
and still owe an eternal debt
to those who died at our hands
and… to whomever let us live
but still dream of flowered lands
where those we slaughtered, can’t forgive
first thing I have written in months, from a dream about Vietnam
A little red bird
Drags a beaded yellow thread of blood
Across a sullen sky
And comes to sleep, a crumpled shape
Upon the murky water draped across the stone canal.
I feel the icy touch of guilt
Like spilt red wine inside the glass case of my mind
Because I feel it is banal
To watch the stain of ****** seep like nicotine across the flag;
Because I am serene
Upon my nails is drawn the verdant green of moss
And blood that goaded from beneath a cross;
And now it sinks below the water of the stone canal
And suddenly there is no guilt
Though one worm-ridden bird floats down to rest amongst the silt.
The odor of blood drops in drapes,
figures half-lit form false shapes;
the bed on which I lie and the windows
welcome what the delicate line knows:
the open imagination's well-kept trade
that many shrug off
with a stilted stare or cough,
throwing discredit on what honest hands have made.

All that dreamlike inspiration
becomes a beautiful conflagration:
the smell of emblematic men and women slain,
and flickering lights from where thought's shadows came,
issue out of the creative heart's desire
that's uncontrollable,
requiring an artistic toll,
like the worn fingers of the bard that plays the lyre.

But that's what poetry's about,
a deep and draining silent shout;
the hand is left cramped and consumed,
the heart's violet blossoms begin to bloom:
sedative perfumes slide over your wearied frame –
half-memories abate,
the odorous dead dissipate –
you're deserted, yet the halcyon heart flares aflame.

Symbols come and symbols go:
the disfigured trees obscured by snow,
or simply standing against the wind
or windless heat; a cherished friend,
loved ones who’ve passed and the Lost Lyricist;
the Muse that eludes
the damp room in which it broods;
an image of stream near a stony tower’s twist.

Find here, dear reader and friend,
a testimony sung over again.
I write this text to release me from
broken thoughts and anger’s sum:
all that childhood and adolescence approved.
The unvoiced thoughts
of a boy caught by cast lots
inked to find something beyond evanescent truths.
She vanished in the shadows
of a mid-March Sunday’s moon.
When I first heard the news
an orange leapt from its bough.
There were bees in the flowerbed.
Grass shattered under my feet;
the smell of soot and ash
clung lightly to the breeze;
her smile fell
from a Hong Kong orchid
off Market Street.

The news first came
dead-ended and one-way.
Eight years’ reflection on that day
have hoped it was a turn in life:
the harrowing left onto Texas
from Mulberry Drive –
the high-branch’s snap
in the old, ragged pine –
when I was lost
in an Irish poet’s mind.

Hearing her voice, years since passed,
among this phone’s old messages,
I hear myself the day I heard the news –
Christianity’s eternity
became eternally confused.

Her long, black-curtain-hair,
the books piled at her feet,
the way philosophy
rolled off of her physique…

All I hear now when I think of that day
is the frail rattle of

a noose’s sway: pebbles beneath the midnight train.

April 2012
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