My dear one is mine as mirrors are lonely,
As the poor and sad are real to the good king,
And the high green hill sits always by the sea.

Up jumped the Black Man behind the elder tree,
Turned a somersault and ran away waving;
My Dear One is mine as mirrors are lonely.

The Witch gave a squawk; her venomous body
Melted into light as water leaves a spring,
And the high green hill sits always by the sea.

At his crossroads, too, the Ancient prayed for me,
Down his wasted cheeks tears of joy were running:
My dear one is mine as mirrors are lonely.

He kissed me awake, and no one was sorry;
The sun shone on sails, eyes, pebbles, anything,
And the high green hill sits always by the sea.

So to remember our changing garden, we
Are linked as children in a circle dancing:
My dear one is mine as mirrors are lonely,
And the high, green hill sits always by the sea.

Under her dark veil she wrung her hands.
"Why are you so pale today?"
"Because I made him drink of stinging grief
Until he got drunk on it.
How can I forget? He staggered out,
His mouth twisted in agony.
I ran down not touching the bannister

And caught up with him at the gate.
I cried: 'A joke!
That's all it was. If you leave, I'll die.'
He smiled calmly and grimly
And told me: 'Don't stand here in the wind.' "

Lost in the forest, I broke off a dark twig
and lifted its whisper to my thirsty lips:
maybe it was the voice of the rain crying,
a cracked bell, or a torn heart.

Something from far off it seemed
deep and secret to me, hidden by the earth,
a shout muffled by huge autumns,
by the moist half-open darkness of the leaves.

Wakening from the dreaming forest there, the hazel-sprig
sang under my tongue, its drifting fragrance
climbed up through my conscious mind

as if suddenly the roots I had left behind
cried out to me, the land I had lost with my childhood---
and I stopped, wounded by the wandering scent

I can write the saddest poem of all tonight.

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.

To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.

What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.

That's all. Far away, someone sings. Far away.
My soul is lost without her.

As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.

The same night that whitens the same trees.
We, we who were, we are the same no longer.

I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.

Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.

I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.

Because on nights like this I held her in my arms,
my soul is lost without her.

Although this may be the last pain she causes me,
and this may be the last poem I write for her.

When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your *******,
the doubled purple
of your *******,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.

My love, if you die and I don't--,
let's not give grief an even greater field.
No expanse is greater than where we live.

Dust in the wheat, sand in the deserts,
time, wandering water, the vague wind
swept us like sailing seeds.
We might not have found one another in time.

This meadow where we find ourselves,
O little infinity! we give it back.
But Love, this love has not ended:

just as it never had a birth, it has
no death: it is like a long river,
only changing lands, and changing lips.

May these vows and this marriage be blessed.
May it be sweet milk,
this marriage, like wine and halvah.
May this marriage offer fruit and shade
like the date palm.
May this marriage be full of laughter,
our every day a day in paradise.
May this marriage be a sign of compassion,
a seal of happiness here and hereafter.
May this marriage have a fair face and a good name,
an omen as welcomes the moon in a clear blue sky.
I am out of words to describe
how spirit mingles in this marriage.

They hail me as one living,
But don’t they know
That I have died of late years,
Untombed although?

I am but a shape that stands here,
A pulseless mould,
A pale past picture, screening
Ashes gone cold.

Not at a minute’s warning,
Not in a loud hour,
For me ceased Time’s enchantments
In hall and bower.

There was no tragic transit,
No catch of breath,
When silent seasons inched me
On to this death …

—A Troubadour-youth I rambled
With Life for lyre,
The beats of being raging
In me like fire.

But when I practised eyeing
The goal of men,
It iced me, and I perished
A little then.

When passed my friend, my kinsfolk,
Through the Last Door,
And left me standing bleakly,
I died yet more;

And when my Love’s heart kindled
In hate of me,
Wherefore I knew not, died I
One more degree.

And if when I died fully
I cannot say,
And changed into the corpse-thing
I am to-day,

Yet is it that, though whiling
The time somehow
In walking, talking, smiling,
I live not now.

And thou art dead, as young and fair
As aught of mortal birth;
And form so soft and charm so rare
Too soon returned to Earth!
Though Earth received them in her bed,
And o’er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.

I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I loved, and long must love,
Like common earth can rot;
To me there needs no stone to tell
’Tis Nothing that I loved so well.

Yet did I love thee to the last
As fervently as thou,
Who didst not change through all the past,
And canst not alter now.
The love where Death has set his seal
Nor age can chill, nor rival steal,
Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong or change or fault in me.

The better days of life were ours;
The worst can be but mine:
The sun that cheers, the storm that lours,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
Nor need I to repine
That all those charms have passed away
I might have watched through long decay.

The flower in ripened bloom unmatched
Must fall the earliest prey;
Though by no hand untimely snatched,
The leaves must drop away:
And yet it were a greater grief
To watct it withering, leaf by leaf,
Than see it plucked today;
Since earthly eye but ill can bear
To trace the change to foul from fair.

I know not if I could have borne
To see thy beauties fade;
The night that followed such a morn
Had worn a deeper shade:
Thy day without a cloud hath past,
And thou wert lovely to the last—
Extinguished, not decayed,
As stars that shoot along the sky
Shine brightest as they fall from high.

As once I wept, if I could weep,
My tears might well be shed
To think I was not near to keep
One vigil o’er thy bed:
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head,
And show that love, however vain,
Nor thou nor I can feel again.

Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain
Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity
Returns again to me,
And more thy buried love endears
Than aught, except its living years.

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.