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There is a path.
Its rickety bridges dangle you over the jaws of despair;
I welcome the jagged teeth with pursed lips.
A planet does not choose its sun.
This diminutive island orbits obediently, tracing an oblong avenue
Around a heavenly beacon which burns at close range,
But protects from the uncharted perils of a frozen infinity
Beyond the horizons of our understanding.

Books.
Here they are seemingly as plentiful as stars in the great expanse.
For every one I read, there are a thousand more
That could pour out of my fingertips without warning.
Here on these shelves (and in my hands) are words –
Legions of ideas, cries for help, and declarations of the self –
Collecting dust to pass the time.
Bound by a spine, each page is a painting,
Or a singular brush stroke;
It depends where on the museum’s crisscrossing paths
We place it.
I am allowed to manipulate
These likenesses with my own unkempt paws.
I sift through each layer with great care.
Poised above my isolated figure is a cloud of silence.
Luridly dark, it threatens to immerse every shelf in its corrupting solitude.
My fascination decays into sorrow.
Curators grow weary.
Thick lenses become damp with labored breath.
A tomb of these words encases the regenerative key
Our depleted cityscape so desperately needs.
But the museum has not received enough submissions; funding is being cut.
Fingers spanning a soiled palm have grown tired of the dirt.
Limp breezes are now strong
Enough to disconnect them
Permanently
From the words that burn at close range.
They allow themselves to drift, because it’s easier.
It is cleaner, more “cost-efficient”.
Straying from the museums, we drift from realization (from reality, even)
Into delusions of creation and achievement.
Lo! How accomplished we are!
We, the Cash-Rich People of the Thought-Poor States,
In order to form a more synergized union,
Do downsize the words that disseminate from our digits,
Dutifully drowning them out with more rambunctious
Gurgles from our gullets.


Curators warned and a generation of disobedient phalanges paid no mind.
My feeble hands mold a clay cadaver, grooving oily prints into its hull.
This incoherent signature will fall perpetually unnoticed between the cracks.
No one is looking.
6 May 2014.

the fourth poem from the "Disclaimer" series.

© 2014 by Lorenzo Soldera. All rights reserved.
Survival is imbedded in instinct.
What I know to be right
Tears me apart at every crossroads.


Today, like all days, I am sick.
Outside my childhood home,
Spring brings with it an air of change.
Tulips burst from the earth,
Freed from their bulbs and stretching
Every petal and leaf skyward.
They lean towards the sun.
Reminded of the Chesapeake with each brackish breeze,
Birds warble a welcome to warmer weather.
Harvest is upon us, and most will eat their fill.
Sayers and doers move about the world
Saying. Doing.
Perhaps one day I will go outside.
One day I may be able to say and do –
It doesn’t hurt to dream –
Maybe I’ll even rule the world outside my childhood home.

Inside, everything is the same.
My voice is a passive one.
It screams from the bottom of an ever-expanding hole
No one listens because a birdsong is prettier.
No one taught me how to live on the surface
So I adapted.
No one taught me.
I dug myself a hole away from liability
Inside my childhood home.
I lied, cheated, and sacrificed my freedom
just to remain comfortable.
My dark, cold hole knows no tulips.
The spring breeze doesn’t bother
to wake me in the mornings.
Perhaps one day I will know what to say –
It doesn’t hurt to dream –


What I know to be right tears me apart at every crossroads.
This is my survival story.
8 April 2014.

the second poem from the "Disclaimer" series.

© 2014 by Lorenzo Soldera. All rights reserved.

— The End —