William Saroyan said, "I ruined my
life by marrying the same woman
twice."

there will always be something
to ruin our lives,
William,
it all depends upon
what or which
finds us
first,
we are always
ripe and ready
to be
taken.

ruined lives are
normal
both for the wise
and
others.

it is only when
that life
ruined
becomes ours
we realize
then
that the suicides, the
drunkards, the mad, the
jailed, the dopers
and etc. etc.
are just as common
a part of existence
as the gladiola, the
rainbow
the
hurricane
and nothing
left
on the kitchen
shelf.

from my bed
I watch
3 birds
on a telephone
wire.

one flies
off.
then
another.

one is left,
then
it too
is gone.

my typewriter is
tombstone
still.

and I am
reduced to bird
watching.

just thought I'd
let you
know,
******.

ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .

if it doesn't come, coax it out with a
laxative. get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.

keep it coming like a miracle.

ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious . . . in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage . . .
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
*****. hell, all our hearts are drowning in *****,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.

and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D. Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free *****-
they . . . FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!

poets.

and there's another
type. I've met them at their country
places (don't ask me what I was doing there because
I don't know).

they were born with money and
they don't have to ***** their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling ***.

this gives them time to understand
Life.

they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.

you are drinking green beer which you
brought with you
because you have found out through the years
that rich ******* are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars. but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything. which once might have been
true but is no longer quite
true.

and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.

he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.

he thinks that poverty is a weakness of the
soul.

he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.

he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out. she has been crying for some
reason.

you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime."
but he doesn't say when or
where. and then you find out that you are not even
IN HIS HOUSE.

you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.

he even has x-wives in some of his
houses.

his main concern is to keep his x-wives away from
you. he doesn't want to give up a
**** thing. and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.

and!: they
WRITE POETRY TOO. or
PAINT. or
****.

but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.

meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.

the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
***** and
ignorant. *****? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.

he or they or somebody was supposed to meet me at
the
train station.

of course, they weren't
there. "We'll be there to meet the great
Poet!"

well, I looked around and didn't see any
great poet. besides it was 7 a.m. and
40 degrees. those things
happen. the trouble was there were no
bars open. nothing open. not even a
jail.

he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way. he won't tell me whether I am crazy or
not-I don't have the
money.

he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.

my cheap green beer is killing
me. he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.

he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.

"I'll buy you barrels of beer," he had
said.

I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky. the town was ten miles away,
downhill. I peeled my poor dollars from my poor
roll. and the boy needed a tip, of
course.

the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley. certainly Creeley wouldn't have
had beerstains on his
shirt.

anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.

scared too. sure, I imagined him peering
through the window-
he didn't want to give up a **** thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the *** first and
my poor brain
later.

"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives."

I see him published in some of the magazines
now. not very good stuff.

a poem about me
too: the ******.

the ****** whines too much. the ****** whines about his
country, other countries, all countries, the ******
works overtime in a factory like a fool, among other
fools with "pre-drained spirits."
the ****** drinks seas of green beer
full of acid. the ****** has an ulcerated
hemorrhoid. the ****** picks on ****
"fragile ****." the ****** hates his
wife, hates his daughter. his daughter will become
an alcoholic, a *******. the ****** has an
"obese burned out wife." the ****** has a
spastic gut. the ****** has a
"****** brain."

thank you, Doctor (and poet). any charge for
this? I know I still owe you for the
pill.

Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball. but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare. got an Indian friend who'd like to meet
you and yours. he swears he's got the biggest
pecker in the state of California.

and guess what?
he writes
POETRY
too!

the wind blows hard tonight
and it's a cold wind
and I think about
the boys on the row.
I hope some of them have a bottle of
red.
it's when you're on the row
that you notice that
everything
is owned
and that there are locks on
everything.
this is the way a democracy
works:
you get what you can,
try to keep that
and add to it
if possible.
this is the way a dictatorship
works too
only they either enslave or
destroy their
derelicts.
we just forgot ours.
in either case
it's a hard
cold
wind.

225 days under grass
and you know more than i.
they have long taken your blood,
you are a dry stick in a basket.
is this how it works?
in this room
the hours of love
still make shadows,

when you left
you took almost
everything.
I kneel in the nights
before tigers
that will not let me be.

what you were
will not happen again.
the tigers have found me
and I do not care.

these things that we support most well
have nothing to do with up,
and we do with them
out of boredom or fear or money
or cracked intelligence;
our circle and our candle of light
being small,
so small we cannot bear it,
we heave out with Idea
and lose the Center:
all wax without the wick,
and we see names that once meant
wisdom,
like signs into ghost towns,
and only the graves are real.

there is always that space there
just before they get to us
that space
that fine relaxer
the breather
while say
flopping on a bed
thinking of nothing
or say
pouring a glass of water from the
spigot
while entranced by
nothing

that
gentle pure
space

it's worth

centuries of
existence

say

just to scratch your neck
while looking out the window at
a bare branch

that space
there
before they get to us
ensures
that
when they do
they won't
get it all

ever.

having the low down blues and going
into a restraunt to eat.
you sit at a table.
the waitress smiles at you.
she's dumpy. her *** is too big.
she radiates kindess and symphaty.
live with her 3 months and a man would no real agony.
o.k., you'll tip her 15 percent.
you order a turkey sandwich and a
beer.
the man at the table across from you
has watery blue eyes and
a head like an elephant.
at a table further down are 3 men
with very tiny heads
and long necks
like ostiches.
they talk loudly of land development.
why, you think, did I ever come
in here when I have the low-down
blues?
then the the waitress comes back eith the sandwich
and she asks you if there will be anything
else?
snd you tell her, no no, this will be
fine.
then somebody behind you laughs.
it's a cork laugh filled with sand and
broken glass.

you begin eating the sandwhich.

it's something.
it's a minor, difficult,
sensible action
like composing a popular song
to make a 14-year old
weep.
you order another beer.
jesus,look at that guy
his hands hang down almost to his knees and he's
whistling.
well, time to get out.
pivk up the bill.
tip.
go to the register.
pay.
pick up a toothpick.
go out the door.
your car is still there.
and there are 3 men with heads
and necks
like ostriches all getting into one
car.
they each have a toothpick and now
they are talking about women.
they drive away first
they drive away fast.
they're best i guess.
it's an unberably hot day.
there's a first-stage smog alert.
all the birds and plants are dead
or dying.

you start the engine.

Long walks at night--
that's what good for the soul:
peeking into windows
watching tired housewives
trying to fight off
their beer-maddened husbands.

hooray say the roses, today is blamesday
and we are red as blood.

hooray say the roses, today is Wednesday
and we bloom wher soldiers fell
and lovers too,
and the snake at the word.

hooray say the roses, darkness comes
all at once, like lights gone out,
the sun leaves dark continents
and rows of stone.

hooray say the roses, cannons and spires,
birds, bees, bombers, today is Friday
the hand holding a medal out the window,
a moth going by, half a mile an hour,
hooray hooray
hooray say the roses
we have empires on our stems,
the sun moves the mouth:
hooray hooray hooray
and that is why you like us.