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 Mar 2013 Shay
Julia
"Moving on doesn't have to be
Bitter and sorrowful."
That's news to me.
Mourning you,
Mourning us,
Was simply second nature.
But I became
So immersed
In mourning that the moon
Lost his iridescence.
Writing lost its charm.
My foolish grin
Forsook my face,
And all passion was gone.

Enough is enough.

It's plain to see:
You've found a new,
Beautiful girl...
I'll celebrate with you.
But I must ask one last
"One more thing"
Will you celebrate with me?
For today,
I've found my new muse...
And he's been there all along.
 Mar 2013 Shay
Raven Black
I woke up from a bad dream trembling under the strength of deformed uncertainty. On this quiet, sweet night I dreamed that my mask is melting. Nakedness beneath terribly surprised me, I felt bare while disgustingly beautiful pink skin stuck out from beneath magnificently repulsive layer of white chalk which ran down my face in the beans. In single moment thousands fluorescent drops of days passed before my blue eyes and thousands of miles of  pictures mixed as psychedelic assemblage. I was hoping that I would for ever float on silk of big circus tent, the place between sleep and wake and that I will never be touched by reality pedestrians or nightmare riders. Returned from a long journey dedicated to the cult of friendship riding on a brass beast sentenced to a breakdown. Return is a successful escape from the curious conductors who wear chains and key, maneuvering between spacecrafts driven by hesitative captains, sliding in between hot geysers of alcoholic delirium on the crystal surface of Arctic ice. Sweet and bitter is the view over always the same icy peaks that cast always different shadows, while the foamy rugged hillsides are blurred with the haze of responsibility, sunny with the light of honesty, depending on the morning. I rub my eyes while my mask, of which I am very grateful, still persistently covers the lines of my face and I wonder whether kilometers traveled last night were part of a dream or reality?
 Mar 2013 Shay
vircapio gale
Either this town is without character, or my own lack thereof blinds
me to what style hums it into history. The brook's rapids are drowned
by the highway roar, central song that never passes through, spilling
over walls and roofs. A railroad collects rust between weeds, silent
authenticity. Impassive clouds remind me of other ways to witness.
And this is real, too; sadness accrues over store counters, fatigue
glowing in the pavement connecting all, cracked and rubble
facing skies a simulacrum grey. Inebriation, par for course,
a hidden semblance of a self-chosen haze within a haze.
Gravity, acoustic footfalls question my arrival here.

phosphene breath--
dark, dark mining town solstice
unearths inner rainbows
 Mar 2013 Shay
Tom McCone
scene: Fast-food outlet half plastic paper cup rolling aberrant twixt the fingers of a mild breeze, leaving traces of hollow sounds against the leg of a bus shelter.
~
Feeling diseased, predominantly symptomatic of the hard shutdown and cardboard cutout nervous impulses of this nigh-fluttering arrhythmia, the haunting thought of how I really just can't do this anymore, permanently leaving dwellings of what could've been in sheltered murk; remembering the sound of exhaling as I had fallen to delicately brush your cheek, the little things you never noticed... you never did notice, did you?

[
not that I gave you any reason to.]

And, now, it's all loss and letting go or giving up: so, nothing has changed, save for long-deliberated decisions finally made, regarding quitting and cutting down on thinking about such matters and moral dilemmas whilst time dries out; I have more lives to lead, do I not? Even if, once, the belief was that you were all the life I needed, in whatever meanwhile we tangled up in our collective noose-knots. Even if I thought I'd loved you.

Left with the curtain pulled, grey rolling hilltops, all I have to admit is that there's no reason, any more, to get messed up over these bits like gravel and tar into tender soles; it all drops out with disaffected expressions, a little pain [
much, much less than would eventuate, if circumstances were left the way they are*], and those lingering half-degree burns your lips left around my breath.

It's not your fault.
I never meant to fall for you in the first place, anyway.
I'm trying to make things right.

So, don't worry any more, for to neglect the corridors of my heart set aside for you is all I can do, now.
reworked bus-stop chest-leakings.
 Mar 2013 Shay
Tom McCone
like all life, in turn,
the wind falls for the sea.

he whispers secrets to her surface,
the words of every voice
that had screamed or spoken into his midst.

the sea retorts:
"I can not love," she says
"there are too many a ship's wake
I still bear on the skin of my pride,
those vessels that had torn holes into me,
sunk, to my depths,
and, now, all they do is decay."

the wind heaves a sigh, and a town, picturesque,
seven thousand three hundred and fifty-four miles away,
rustles under the front.

the land, that child, bristles, fumes and
the wind brushes the sweat from its forehead,
sings lullabies,
'til the earth does not heave any more.

under the choir of stars, the wind weeps
the sea takes his misery in,
and, feeding her countless children,
she sings back
to the wind:

"you breathe the life into me,
without you, all my organs would cease,
but dry your eyes, love,
all your ripples on my skin
serve to tear me apart,
and, by this moonlight,
I shall not know
where either of us begin"

the wind calmed, smiled,
fell and drew near to his lover,
sighed once more, content and delicate,
and, on a shoreline
four thousand five hundred and thirty-seven miles away,
a child, watching the sun fade,
felt the slightest hint
of a salted breeze caressing her hair.
 Mar 2013 Shay
Tom McCone
ambergris
 Mar 2013 Shay
Tom McCone
people watch themselves, eye to eye, in the mirror
so ******* afraid, if they turn away,
that they will put the knife down their own spine:
‘it is your fault my heart is dying’
they would say,
‘it is all your fault I am so alone’

so, everyone neglects their profile,
their victorian shade decays,
so, all humans now are, in silhouette,
as hideous as their engorged sense of vanity.
such is the nature of our society, narcissique.

but you, damp heart,
where the rain falls and makes
sweet sap, under that arterial lacework,
your side, lit by heaving sun,
took all that beauty and bound it
under and over your skin,
cheek palette like slow fire,
eyelashes like aching needles,

you keep stealing,
in all those moments between,
stealing me.
 Mar 2013 Shay
oh me oh my
he said,
i know how you
get sometimes,
and i'm always
here to save you,
you just have to let me.

and i only
smiled sadly,
and replied a
terribly cliche'
old saying.

you can't
save a damsel if
she's in love with
her own distress.
were.
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