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When I was sixteen
I would trade
my allowance
for some feelings
every Friday night.
I'd pull on the strings
and pull on my hair
until I was discordant
and bald and
still in the dark.

I tried hard to see
what they wanted me to see
in country, when it came to metal
I just couldn't feel the steel and
hip hop failed to have
the same effect on me.
When I was a sick teen,
see, that's when I found indie.




What did you think you'd find in the avant-garde?
beautiful, new, perplexing, plexi-glass box
where rock stars go to suffocate
and die
(keep kitsch alive).
Really,
what did you think you'd find in the junk-yard?

Glad I missed the rhythm of those loops.
 Mar 2013 Brittany Selle
robin
just addicted to lovelessness,
i guess,
addicted to the feeling of something that could be
a distant cousin of loss,
but can’t be loss when it wasn’t there to begin with.
a cousin of loss and brother of bereavement,
a lexiconical gap
in the english maw,
a space where the definition slipped out
but the word never grew in.
a gap where a word should be,
a word meaning missing something you never had,
losing something that was never yours,
grieving for something that never looked your way
or graced you with its pain.

insomnia of the soul,
unable or unwilling to droop into the catatonic stupor
of love,
until my eyes ache with open,
and my heart aches with empty
and just beautiful aches and pains,
like stiff joints filled with sterling silver
or arthritic necklace clasps.
my tongue is tin because the argentine
is in my hands,
silver in the space between the carpals,
oozing precious metals
onto the page.
writing in second-best so that it’ll stay.
writing second-rate love letters
and pretending they’re real,
like the words i moan mean something other than
hello
i’m lonely
who are you?

like i’m not the girl who cried love
because the village had already learned
that wolves are lies,
and vice versa.
because faking it has always been my favorite pastime.
i’ll write love poems forever,
keep feeding my addiction for as long as it stays,
let my loveless track marks bloom cantankerous sores
on my ribs.
while i’m young
i’ll write poems of arthritis and weakness
and death,
because oh now i am immortal
invulnerable and omnipotent,
but when my bones are brittle and my flesh is loose
and my spine makes me bow to the earth,
my poems will be of life and strength
and god
because darkness is only beautiful when it isn’t
an imminent looming
future.
when i know i may die tomorrow,
i will write of bluejays
and of a love that never found me,
though it knocked on all the doors and called all the numbers,
waited on my porch while i hid in the closet,
nursing my ache
trying to fill a lexiconical gap
with bukowski
and insomnia.
supersaturated with emptiness
because all the words in the dictionary
can’t make up for the one that’s missing.
it changed the locks when it came,
shutting me out of my skull,
taking residence in my chest
and growing larger with each slow breath.
every huff of oxygen fed my
resident,
every injection of
late nights spent just writing,
every pill popped -
the lies that went down better
if i said them with a gulp of gin.
so my lovelessness cracked my ribs as it grew,
replaced my marrow with sterling silver
and i watched it happen like
a glacier devouring a desert
because i knew i would never survive loving something.
deserts were never made to run bounteous
with water.
just addicted to lovelessness,
i guess.
addicted to silver joints
and words that don’t exist.

— The End —