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Brian Oarr Jul 2012
The hiker cannot dwell there long,
concealed on a high gull-lined cliff,
overlooking the grey of the Sound.
Framed in a solemn March day,
two curiously juxtaposed species hold her gaze.
Silent as a fawn she watches
a black wolf beneath her arboreal outpost,
hunched in the fashion of Asian street vendors,
observing the other creatures.

Great humpbacks frolic in icy waters ---
spouting volcano plumes of spray
that catch the freshened wind ---
riding white-capped waves,
till entropy dissolves their mist to atomized brine.
Whale-song, too distant for the hiker's gentle ears,
comes rolling in tsunami-like
to the aurally attuned wolf,
which ***** its head and nods
in musical agreement with the odes.

Then little lupine brother
rears back his head and howls,
so sorrowful a moan, as she has ever heard ---
answering his water-brethren,
hunters of krill upon the seas.
Giggling at the incongruity of this lone celebrant
singing pack-songs to leviathans,
she hurries on her way,
lone wolf herself returning to the pack.
Brian Oarr Jul 2012
Sisyphus compelled to roll his boulder,
the poet who attempts to reconcile
what he knows with what he feels,
sensing even in compulsion
his stony effort no match for gravity.
Knowledge transmuted into feeling,
feelings obverted to some new knowledge,
a seismic process that rolls in waves,
peaks of insight, troughs of mental block,
all to foist a new perception upon the world,
squeeze perspective from the driest fruits.

What devilish irony to be admired,
for verse most often misunderstood,
philosopher and virtuoso to a tone-deaf audience.
Camus concluded Sisyphus
was happy with his lot in life,
but a poet continues to paint strange landscapes,
never content with color schemes,
ever niggling for that undiscovered pastel.
"The only teachers who instruct mankind,
From just a shadow on a charnel-wall."
--- Elizabeth Barrett Browning -- Aurora Leigh, bk 1 (1857)
Brian Oarr Jul 2012
her fantasy fulfilled
she guides him by pack-horse
up the craggy mountain trail
restrained by his inexperience
their destination above
her beloved secret valley
river far below, a faded blue memory

spying snow-coned peaks beyond
she fights the urge, for his sake,
to gee her horse the last few feet
almost there, past the jagged rocks
gap's a beckoning finger now
welcoming her home
so many years of separation

the valley bursts upon them
a composite of wondrous sights
compelling her to bring him
quickly through to hallowed ground
how many times she had returned
alone
she turns to him, a stranger here
only he deserves her secret place

watching his face
seeing elation and her radiance
mirrored simultaneously in his eyes
an expanse of horizon
mountain, aspen, florid fields, and water
nature's precious jewels adorn the vista
dressed with utmost care
to steal the unsuspecting heart

she leads him into the meadow
overlooking the turquoise cirque
cool waters in which she bathed
naked and contented
when last she'd journeyed here
meadow flowers cloak
the blanket she spreads for him

her fantasy fulfilled
his body framed against the sky
-limitless as their love- and
boundless beauty in this valley
One of my earliest poems, so please excuse the jejeune nature of the write.
Brian Oarr Jul 2012
The artist chose concrete to sculpt The Kiss.
Playfully made the woman taller than the man,
his gaze uplifted, filled with total captivation ---
lemur eyes, mustached smile, desire unmistakable.
Her arm about the nape of neck, hand caressing cheek,
certainly she cherishes him, intentionally stokes his passion.
Concrete the perfect medium for immortality.

This image implanted firmly, as I take my morning walk,
when it hits me, somewhere between Key Bank,
7-11 across the street, and John Deere lawn equipment,
why it is, women place such importance upon relationships,
why they love us, despite flaws numerous as wharf rats.
They have an unremitting need for romance.
That's what the sculptor knew and finally I do too.
See the statue here --->>>  http://olympiawa.gov/community/parks/public-art/the-kiss
Brian Oarr Jul 2012
Put on the old LPs tonight, Alex,
from a time long before you were born.
Top of the queue was Petula Clark
belting out Don't Give Up,
defiant as an alley cat in a street fight.

Remembered how in her heyday,
she'd been forced to conceal
the fact that she was married ---
all performers being mysteriously
virginal in those days.

Thoughts segue several years
to my time in the service and
a female lieutenant who was my OIC.
Served a 20 year career,
but never knew a finer officer.

She realized leadership was saying
the things that made you want to follow.
Just after making captain,
due to pregnancy, she was forced
to terminate her service career.

Today, women routinely travel in space,
perform extreme surgeries,
design skyscrappers;
one just might become president.

And somewhere in the tenements of NYC
a young poet spins metaphor
straight from the streets and the cosmos,
constructing a world in lines
we'd all wish to enter.
Written for a talented 18/yo internet poet
Brian Oarr Jul 2012
The abscission of  inner voice comes,
storm from a vein of clouds,
cut that bleeds a profusion of thoughts.
She trails a finger through confusion,
seeks coagulation, anything that solidifies.

Free but lonely --- an epitaph signed
by empty arms from lip to heart,
extended to a faithless world.
Something more than silence ---
tears form a haptic prayer.
Brian Oarr Jul 2012
In the beginning were the chords
Seven days of rataplan;
The kind of week that John Lee ******
Dreamed in blue and 4/4 time,

Newport on a 60's binge.
Palinodes on saxophone lips
Refusing to look back on Memphis,
Chilling out to Tupelo time.

Spin him a lyric Lady Music,
Camber a tone to smoky heights.
Walk the blues round Jim Beam shores
And drown them in N'awlins nights.

Riff the waves to inner ear
Like satin on the low strings:
From frets on legacies
Feel the descant fade away.
I first heard John Lee ****** live at the Newport Jazz Festival in the late 1960's. I've been a huge fan ever since.
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