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The flower in the glass peanut bottle formerly in the
      kitchen crooked to take a place in the light,
the closet door opened, because I used it before, it
      kindly stayed open waiting for me, its owner.

I began to feel my misery in pallet on floor, listening
      to music, my misery, that's why I want to sing.
The room closed down on me, I expected the presence
      of the Creator, I saw my gray painted walls and
      ceiling, they contained my room, they contained
      me
as the sky contained my garden,
I opened my door

       The rambler vine climbed up the cottage post,
the leaves in the night still where the day had placed
them, the animal heads of the flowers where they had
arisen
           to think at the sun

      Can I bring back the words? Will thought of
transcription haze my mental open eye?
      The kindly search for growth, the gracious de-
sire to exist of the flowers, my near ecstasy at existing
among them
      The privilege to witness my existence-you too
must seek the sun...

      My books piled up before me for my use
      waiting in space where I placed them, they
haven't disappeared, time's left its remnants and qual-
ities for me to use--my words piled up, my texts, my
manuscripts, my loves.
      I had a moment of clarity, saw the feeling in
the heart of things, walked out to the garden crying.
      Saw the red blossoms in the night light, sun's
gone, they had all grown, in a moment, and were wait-
ing stopped in time for the day sun to come and give
them...
      Flowers which as in a dream at sunset I watered
faithfully not knowing how much I loved them.
      I am so lonely in my glory--except they too out
there--I looked up--those red bush blossoms beckon-
ing and peering in the window waiting in the blind love,
their leaves too have hope and are upturned top flat
to the sky to receive--all creation open to receive--the
flat earth itself.

      The music descends, as does the tall bending
stalk of the heavy blssom, because it has to, to stay
alive, to continue to the last drop of joy.
      The world knows the love that's in its breast as
in the flower, the suffering lonely world.
      The Father is merciful.

      The light socket is crudely attached to the ceil-
ing, after the house was built, to receive a plug which
sticks in it alright, and serves my phonograph now...

      The closet door is open for me, where I left it,
since I left it open, it has graciously stayed open.
      The kitchen has no door, the hole there will
admit me should I wish to enter the kitchen.
      I remember when I first got laid, H.P. gra-
ciously took my cherry, I sat on the docks of Prov-
incetown, age 23, joyful, elevated in hope with the
Father, the door to the womb wasopen to admit me
if I wished to enter.

      There are unused electricity plugs all over my
house if I ever needed them.
      The kitchen window is open, to admit air...
      The telephone--sad to relate--sits on the
floor--I haven't had the money to get it connected--

      I want people to bow when they see me and say
he is gifted with poetry, he has seen the presence of
the Creator
      And the Creator gave me a shot of his presence
to gratify my wish, so as not to cheat me of my yearning
for him.

                                   Berkeley, September 8, 1955
  May 2015 Bobbie Richards
Sylvia Plath
I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful --
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
  May 2015 Bobbie Richards
Sylvia Plath
These poems do not live: it's a sad diagnosis.
They grew their toes and fingers well enough,
Their little foreheads bulged with concentration.
If they missed out on walking about like people
It wasn't for any lack of mother-love.

O I cannot explain what happened to them!
They are proper in shape and number and every part.
They sit so nicely in the pickling fluid!
They smile and smile and smile at me.
And still the lungs won't fill and the heart won't start.

They are not pigs, they are not even fish,
Though they have a piggy and a fishy air --
It would be better if they were alive, and that's what they were.
But they are dead, and their mother near dead with distraction,
And they stupidly stare and do not speak of her.

— The End —