I keep telling myself that if I lay here long enough something's gonna swallow me and it's not because my heads been somewhere else lately it's because I sleep on the floor. Even when I don't. I sleep on the floor. The mattress has holes because mattresses get holes sometimes when you don't have blankets to cover them and you're too cold to put the cigarette out on anything other than yourself or what you have to sleep on now. Last year I'd spend every day in bed with a little bag full of drugs and a map to the bathtub just in case I forget what I took two seconds ago because I think it happened yesterday and I take more. And then I'm shaking, not because I'm cold this time. I'm seizing and nobody is home because everybody leaves me for preachers or church or a campfire or someone prettier. This part is foggy. I remember again a bathtub, an empty hotel bathtub and my mother and I say mama did you leave the door open on purpose and she says I went to church. She went to church. She went to church. Bathtub. I sleep there. Even though we are in a hotel I sleep in the bathtub because I like the way my anxiety sounds when it echoes. I like to hear it. Play it back. Memory. Back to the only house I've ever lived in alone.  I'm seizing. I stop. I hear you. I somehow forget that it's 4 in the morning. It's my birthday now, nobody knows but it's my birthday now, teen years behind me but still a teen year drug addiction and you tell me to look out the window so I do. And the sky's on fire. I don't fall asleep again for three days but the sky's on fire. And so am I. And so are you. And I don't want to go back to the place I go to when I see the faces but I put myself here. I push and push and push and then I act surprised when something falls off the edge. I'm alone now. Even when I'm not. I'm alone.

I hurt my hands on purpose, punish myself for the things I can't control like this hole in my brain you're too busy to crawl through
I tell myself that im healing, that three days sober is a start to something better, that maybe I'll wake up for the rest of this lifetime without bruises or "how did I get here" maybe something will stay long enough to understand that I do the things I do because he's doing the things he does an hour away from where the sun stopped rising 12 years ago where the waterfall stood still and I'm left here with all this stillness inside of me, like I feel too much so I have to punish myself with numb and you have to punish yourself with maybe I could have stopped her from breaking her own wrists
maybe nobody gives a **** about maybe
nobody cracks a smile with hope strung through their teeth like Christmas lights or tinsel or something
I tell myself that my dad doesn't have to drink to sparkle anymore and neither do I
neither do I but I do and I end up with are you sincere tattooed on my hand with no idea as to when it happened or when I would ever think that it would be a good idea to look down at all of this breaking and bruise and be reminded of you but I did and I do
so no,
maybe nothing sparkles anymore

fast forward three years
you're living on the coast binding books and your hips together
and i'm still in the small town that turned me into a sinkhole
you got out though, huh? you got out just fine, you have always been stronger than me
you have always been able to get well and get up without anyone bringing you bouquets of hands

you sit down to explain to her that love has made you reckless, that too many people
have been easygoing with your heart; let it cross the streets alone.
drunkenly leaving it in cabs in other countries
so for a while there you weren't sure who to give it to

my dear, I know now that you were never a hotel I could check in and check out of
you were in the best way possible, the mental hospital,
the time I woke up with nobody but the voices in my head (they were all yours)
(I couldn't leave until I got better)

you tell her you fell in love with a girl who never burned your letters,
who showed love in all the wrong ways, never picked up the phone, "honey", you'd say,
"she was nothing like you" ... "kept her hair light to contradict the dark inside of her,
didn't trust anyone to blindfold her and walk her down the street"
you try to tell her my name, but you can't
you can't remember what they call me, call me, call me,
I never picked up the phone

fast forward three years
you're living on the coast making love and mixed drinks a little too strong
and i'm buried near the sinkhole in town, next to the dog my dad kicked a little too hard
out the door of the house he lived in with my mother
i've got your name tattooed on my neck

I hadn't cried in years.  
I was always taught that strength
was not having the courage to let yourself feel but
******* it up, holding it in.
I am sick of "You're going soft on us, honey"
Today I came to understand that
you are completely okay with writing the same poem
over and over again.
This is a metaphor for the way you ****** her in my bed.
This is a metaphor for the night you copy and pasted love letters.
This is a metaphor for what really happened-
I never fall in the same place twice.
Except when I do.
I think the critical difference between the two of us,
critical because there are many differences
but- I think our hamartia, our fatal flaw,
our end scene is this:
if people didn't like my poetry, if nobody listened,
if I walked out on stage and nobody snapped their
fingers, I would still write for just your eyes.
I would still cramp my crooked, birth defect,
quadruple jointed fingers writing to you about the nights
you loved me back,
for a minute there you loved me back.
And you loved 20,000 other people back.
And you loved small towns back and big cities back and the entire west coast
back when you drove through, making temporary homes out of people
who should have been permanent
and I loved you.
And I hadn't cried in years.
Not because I wasn't sad, but because I was taught that showing emotion
was weakness.
So if my father made me memorize the How To's of strength,
if I were going by the book, today I'd be so fragile
you could say hello and I'd shatter so suddenly you'd
forget you were the one that let go.

i have racked my mind
trying to figure this whole thing out
the staying, the going
the threads we claim hold us here
& the people who've stopped to play a tune on them
i sometimes relate it
to waking up in waist deep snow
in our former selves
the us we wish we could give one another
the children we've sat on the shelves
trapped, like the looks
we leave behind in snow globes
i sometimes imagine ships
dragging the bottom to the sea of "me"
for sleep & pieces of my old self
to sell to the new one
like history doesn't repeat itself
it gets me wondering
if you too want an apology from the rain
or if you dream of burning family photo albums
and wearing the ashes like perfume
if you're anything like me
how i hope god chokes
on memories of me blowing out candles as a child
i know i shouldn't reference my reader  
but don't you know, the only difference
between alone & lonely is you?
that if my hands could talk
the only thing they'd be able to say
is "dear god we've missed you"
and how can you tell me it isn't love
when even the rain refuses to fall
in places where i've kissed you
i remember the day
you found my smile at a yard sale
it reminds me of how you'll leave
i wonder if when you go
you'll tell yourself
the person in the rear view mirror
is closer than they appear