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 Jan 2011 Elizabeth Mayo
Ilva
You said that I could find you
In the space that lies between
The reality that binds you
And the traces of your dream.

You asked me, "Can you dance
To a poem by Baudelaire?"
"La danse," said I. "C'est la poésie
Avec des bras et des jambes."

Your hands made a ballroom of my body
Your fingers tap-danced on my skin
Oh, and how I moved under your melody
Like a waltzing gypsy violin.
Let the Moon spotlight
On this masquerade,
Some psalm they say
I think I’ll pray.
As my toes weave beneath
Crushed leaves and starlight imagery,
I think I’ll pray.

We hummed along to every song
We ever knew.
Licking the lyrics out on
Scattered starlit scratchpads
With the tips of our tongues.
Ink-dipped ego trips about love
Etched out top-chart carbon copies.
Our cursive grew sloppy,
But that hardly seemed to matter.
From tattered verses about fictional characters
To Hymns about God
To an aucapella exploring the difference.
Every song seemed to be sung specifically for us
And, Oh, how we both knew it
As our eyes jumped the stars and
Traced the constellations
Searching for inspiration in
The echoes of deteriorated light
From thousands of years before.

You spoke in absolutes.
To which I’d reply vaguely
And we dug up the roots of a tree
That we never let bloom;
Clawing hard and deep at the
Untasted foundation below our feet,
Despite the build-up of dirt
Under our fingernails.
But between the grass-stained knees and
The hail of stars that poured on our backs
We couldn’t find time to breathe,
So accordingly we ****** the sky
And lit up another last kiss
Which we’d miss again in
A matter of minutes
And make a habit of the instance
Exploring a distance supported by
Limp wrists that gave way to
Two-ton daydreams, which always seemed
Just out of reach
But that doesn’t mean I didn’t try like Hell,
With locked-joint elbows and fingers widespread.

And while I read the symphony that the
Wind silently recorded on the back of my hand
I remembered how,
Once,
I whispered a song in your ear
And my breath gave you chills
When I got to your favorite part.

Will the Sun ignite
On this matinee?
It’s safe, they say,
Don’t be afraid.
But their water’s gray,
And it tastes like silent yesterdays.
‘Don’t be afraid.’*

You closed those eyes and smiled that smile
That I write poems about.
But I shouldn’t be allowed to draw out such
Brilliant arched lips
So I ****** it back in mid sentence
Before it could drip
Through the cracks in my teeth.
I’ve chipped so much away beneath this surface
Which our toes cling so tightly to
That my bones have grown black and blue
But I’ll continue
Because this tune makes it worth it
Each time my pick-axe sparks stars when it
Collides with stone.

And amidst the skin and bone framework
Of a canopy sky, it seems to me that
You spoke about the history;
About the end of things, so many times that
For a point,
All you’d breathe is eulogies.
So momentarily
All our songs forgot
That the finest things in life
Truly are free.
That the buzzing of bees
Can be music too.
A tune so true
That even trees will dance,
Their leaves will cast sunrays
In rhythmic waves
Putting ripples in timelines
And making tomorrow’s yesterday
Something worth remembering.
C. Voss (2008)
1736

Proud of my broken heart, since thou didst break it,
Proud of the pain I did not feel till thee,

Proud of my night, since thou with moons dost slake it,
Not to partake thy passion, my humility.

Thou can’st not boast, like Jesus, drunken without companion
Was the strong cup of anguish brewed for the Nazarene

Thou can’st not pierce tradition with the peerless puncture,
See! I usurped thy crucifix to honor mine!
I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert… Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”
A lily-girl, not made for this world’s pain,
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o’ershadowed by the wings of awe,
Like Dante, when he stood with Beatrice
Beneath the flaming Lion’s breast, and saw
The seventh Crystal, and the Stair of Gold.

— The End —