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 Dec 2013 Beth Ivy
Riq Schwartz
The best of you
I find
are writing words
my mind
is taking them
away
and molding them
as clay
responsively
inspired
when all my thoughts
are tired
I lean on you
and start
to feel myself,
my heart.
Quickly cranked out before work; I'll likely revisit later, to pay proper homage.
Don’t beg me, don’t cry for me, don’t feel anything for me.
Love shouldn’t make me feel guilty.
Love is a bond not a trap.
A feeling not a lock.
When at a point as this I’d rather feel your hate.
I’m sick of worrying my pleading will be too late

Don’t doubt what we know was real.
Love grows slow
But with a rise
Always comes the demise
I’m hiding from my fear
I don’t wanna believe these threats are real

Don’t think I’m heartless
Just ‘cause I can’t feel
You can blame yourself
For creating the past
That robbed that ability from me
I just wanna be free.
I fear sometimes,
I need reminding.
That not every person
Is intrigued
by the insignificance that excites me.
The things on my mind
roll off my tongue.
No contemplation
of my words.
I fear sometimes
I'll never be quiet.
My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her ******* are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks,
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know,
That music hath a far more pleasing sound.
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
    And yet, by heaven, I think my love as rare
    As any she belied with false compare.
Fine living . . . a la carte?
     Come to the Waldorf-Astoria!

     LISTEN HUNGRY ONES!
Look! See what Vanity Fair says about the
     new Waldorf-Astoria:

     "All the luxuries of private home. . . ."
Now, won't that be charming when the last flop-house
     has turned you down this winter?
     Furthermore:
"It is far beyond anything hitherto attempted in the hotel
     world. . . ." It cost twenty-eight million dollars. The fa-
     mous Oscar Tschirky is in charge of banqueting.
     Alexandre Gastaud is chef. It will be a distinguished
     background for society.
So when you've no place else to go, homeless and hungry
     ones, choose the Waldorf as a background for your rags--
(Or do you still consider the subway after midnight good
     enough?)

        ROOMERS
Take a room at the new Waldorf, you down-and-outers--
     sleepers in charity's flop-houses where God pulls a
     long face, and you have to pray to get a bed.
They serve swell board at the Waldorf-Astoria. Look at the menu, will
you:

     GUMBO CREOLE
     CRABMEAT IN CASSOLETTE
     BOILED BRISKET OF BEEF
     SMALL ONIONS IN CREAM
     WATERCRESS SALAD
     PEACH MELBA

Have luncheon there this afternoon, all you jobless.
     Why not?
Dine with some of the men and women who got rich off of
     your labor, who clip coupons with clean white fingers
     because your hands dug coal, drilled stone, sewed gar-
     ments, poured steel to let other people draw dividends
     and live easy.
(Or haven't you had enough yet of the soup-lines and the bit-
     ter bread of charity?)
Walk through Peacock Alley tonight before dinner, and get
     warm, anyway. You've got nothing else to do.
I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
"Eat in the kitchen,"
Then.

Besides,
They'll see how beautiful I am
And be ashamed--

I, too, am America.
Night funeral
     In Harlem:

     Where did they get
     Them two fine cars?

Insurance man, he did not pay--
His insurance lapsed the other day--
Yet they got a satin box
for his head to lay.

     Night funeral
     In Harlem:

     Who was it sent
     That wreath of flowers?

Them flowers came
from that poor boy's friends--
They'll want flowers, too,
When they meet their ends.

     Night funeral
     in Harlem:

     Who preached that
     Black boy to his grave?

Old preacher man
Preached that boy away--
Charged Five Dollars
His girl friend had to pay.

     Night funeral
     In Harlem:

When it was all over
And the lid shut on his head
and the ***** had done played
and the last prayers been said
and six pallbearers
Carried him out for dead
And off down Lenox Avenue
That long black hearse done sped,
     The street light
     At his corner
     Shined just like a tear--
That boy that they was mournin'
Was so dear, so dear
To them folks that brought the flowers,
To that girl who paid the preacher man--
It was all their tears that made
     That poor boy's
     Funeral grand.

     Night funeral
     In Harlem.
712

Because I could not stop for Death—
He kindly stopped for me—
The Carriage held but just Ourselves—
And Immortality.

We slowly drove—He knew no haste
And I had put away
My labor and my leisure too,
For His Civility—

We passed the School, where Children strove
At Recess—in the Ring—
We passed the Fields of Gazing Grain—
We passed the Setting Sun—

Or rather—He passed Us—
The Dews drew quivering and chill—
For only Gossamer, my Gown—
My Tippet—only Tulle—

We paused before a House that seemed
A Swelling of the Ground—
The Roof was scarcely visible—
The Cornice—in the Ground—

Since then—’tis Centuries—and yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity—
 Dec 2013 Beth Ivy
E. E. Cummings
O sweet spontaneous
earth how often have
the
doting

            fingers of
prurient philosophers pinched
and
poked

thee
,has the naughty thumb
of science prodded
thy

      beauty       .how
often have religions taken
thee upon their scraggy knees
squeezing and

buffeting thee that thou mightest conceive
gods
        (but
true

to the incomparable
couch of death thy
rhythmic
lover

          thou answerest


them only with

                          spring)
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