All the pretty birds
perched on leafy branches
chirp to the waking morning,
“I am here. Where are you?
I am here. Where are you?
I am here. Where are you?
I am here. Where are you?”

And the puppy dogs
all starve for something
While the cats of fortune
laze about the alleyways.
But the pretty birds
all the morning long,
“I am here. Where are you?”

The tardy businessmen
and their non-fat lattes
squirm in BMWs,
Honking at traffic
with the most colorful swears,
“I am here! I am here!
I am here! I am mad! I am here!”

High-octane housewives
power walk the parks,
Gabbing. And the old folks
tossing breadcrumbs to the ducks,
Mumble to long gone loved ones,
“Where are you? Where are you?
Where am I? Where are you?”

But those ****** birds-
Those pretty, ******, little birds-
They have it figured out.
They know the secrets
to Happiness:
‘I am here.
Where are you?’

not a papist or ****** or shapist
but enjoying a curve
not an escapist
lacking the nerve
not a florist, tourist or activist
unless its summer time
and certainly not an alchemist
no water into wine
a lovely smiley altruist or artistically quite loud
but sadly failed when drawing
kindness from the crowd
mist
gist
fist
hoping to desist in being a monarchist
and always very eager on not being dogmatist
but still I really strongly emphatically insist
that faddist, fauvist fashion
is only a passing passion
for the narcissists among us
realist
publicist
terrorist

humbly suggesting that zeitgeist
is an ist
but failing to enjoy the line
being a fatalist
not a facist, xylophonist or anything with isms
just a bad contortionist
with creeping rheumatism  
determining the future through a timely
cruel twist
whilst realising ultimately
I’m just
a sad typist

at first when you take off
the world just looks small

a dollhouse, a miniature world
an amusing punchline to an old joke
a fantasy tinged with g-force and sprite in clear cups

but as the sky darkens and the plane lifts higher

the world seems to drown in blackness
an inky clarity of night not confused by clouds
and suddenly it is as if you are at the top on an ocean
looking at a far away ocean floor
crawling with foreign creatures with all of their bones lit up
over coral reefs of light and movement
parking lots like stationary jelly fish and highways like currents
of neon veins pumping lights and cars

all of the world's exoskeleton is illuminated
and it is beautiful and movable  
it is nature's patterns played out in electricity

but the farther out you go
the more the sharpness and geometry of the roads and cities
attack the eye

and the coral reefs turn to computer motherboards
all of man's ingenuity and beauty no longer draping the world
but ordering it

into squares and jagged lines
into distant pixel pinpricks
into maps

until you're not traveling through the world
but over it

It is a boy,
It is a man,
It is the creature that nobody can stand

It is a lover
It is depraved
It is a genius
It is betrayed

It is a word of the highest caliber
It is the poet’s fantasy, the recurring themes in a madman’s daydreams
It conveys the volumes of minds untold
It is the refuse constantly retold

It is a sonnet to loves casualties
It brings the creator to its knees
It is your devil, the blackness inside
It is the light that hope makes shine

It is ingenuity of a child un-molded
It is the liberties of the enslaved
It is the bleakness of earths living dead
It is the fantasy trapped in my head

It is the monster of our utopia’s creation
It is the bloated corpse of the heroes of old
It is the morals of the degenerates’ societies
It is the love of the undying

It is you, it is me
It is everything no one can see

Walking a little bit sideways
While on the wrong side of the road
several weeks flow into days
and every prince is just a toad
though the nothings are a something
'cause the world is viewed through eyes
of a vocalist that cannot sing
and fancy men without a tie
cause suicide is just another way to die

Mistah Kurtz—he dead.

      A penny for the Old Guy

      I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

      II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

      III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

      IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We ***** together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

      V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
                                For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
                                Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
                                For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.