Submit your work, meet writers and drop the ads. Become a member
 
I saw you and that girl
behind the maths block
Reynard said
we were playing ball

and there you were
caught out
the corner of my eye
and as he spoke

you watched Parrot
writing something
on the blackboard
his curly haired head

moving side to side
as he wrote
and you could see
in your mind’s eye

Christina leaning
against the fence
behind the maths block
her eyes lit up

with a young girl’s passion
and you leaning in
towards her
wanting to kiss her

wanting to feel
her lips on yours
but she kept on talking
her lips opening

and closing
like a fish out of water
and her hands placed
over her groin like guards

and she said she wanted
a photo of you  
to pin
to her bedroom wall

and you said you’d
seek one out for her
and she said
she had one

of herself for you
and then she spoke
of her parents
and her mother’s

depression
and about her older brother
which was lost
in the whisper

of her words
and on and on
she went
and all you wanted

was to feel her lips
on yours
in the few moments
you had alone with her

and even though
you leaned in closer
she talked on
and on

her breath warm
and almost liquidy
against your face
her eyes

like small mirrors
dark and sinkable
and just as
she became silent

and you felt it time
for the kiss to come
the bell rang
and she up

and moved
and touched your hand
and left and you caught
a quick glimpse

of her thigh
as she moved away
and Reynard said
did you get your hand up

or get a snog?
just then Parrot
the teacher
turned around

and threw
a piece of chalk
at you
stop the noise

he bellowed
stop the talk.
Get out of my head
Thoughts of you are pounding the walls of my inner thoughts
Blaring "Thunder" so loud, I can barely think
My heart can no longer pay your rent
But, I want you to stay
Reluctantly paying your dues
Just so you don't move too far away
If you don't mind, I'll pour us some tea
And talk about the future
that was our song
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
Mine is a generation of taboo.
We are tribal tattoos and cheap motel room honeymoons.
We are slander,
and slang,
and brittle teeth.
We are born-agains and suicides.
We are podium preachers and cracked-pavement prayers.
We are melted plastic and oxidized metal-
sometimes we gleam with the Liberty Green of corroded copper,
sometimes we crumble with rust and stain calloused hands.
We are the last stand of Art.
We are the manifestations of forbidden bloodlines
and insanity.
We are just as much our mothers
as we are our fathers,
and we are everything that they are not.

We are stigmata.
We are red paint on white canvas.
We are fast food coffee.

We were born to the sweet smell of formaldehyde
in rooms dressed in florescent white
that share plumbing with the morgues
beneath the linoleum floors.
We are the mix of ***** and innocence that lingers
in the kiss of a dimly lit basement.
We show and we tell but always only for the right price,
the wrong reasons,
or the promise of an exchange equaling to the feeling that
this is a mistake.
We are rosary beads counted between gnarled knuckles
and dragged across smooth palms that long
to sweep tear salt from flushed cheeks.

We are Heaven's lonely singles.

We are skin stretched out too thin over skeletons.
We are the complexities that machines can't calculate
much less imitate.
We are the futile cries that once tried to keep towers from falling
when the sky came crashing down.
We are the pardoned and the withered.
We are the hardened faces of those that have
worked too long
and been loved too little.
We have been told that the safest place for your soul
is in the hole of your chest,
but only if it's reinforced by
four inches of concrete and steel,
and strapped tight with a Kevlar vest,
because they said people,
at best,
are manslaughter.

But we have never been great listeners either;
when we were growing up
we pressed our hands to hot stoves
even though our mothers said not to,
because we couldn't just be told what it was to burn
we had to feel it for ourselves.
So every now and then we will crack open
our rib cages in the hopes that someone will come,
light a fire,
and decide to stay.

We hopelessly spray paint things like wings
On deserted brick buildings
So that, at the very lest, we can feed the
Hollow-eyed passerby the belief
That these streets still have guardians,
Even when we, ourselves,
Abandoned such ideologies in
backroad dumpsters
along with our deities’ infidelities.
  
We are the period at the end of the sentence.
(Or maybe we are the ellipses...)
We have redefined the American family
and proven that even Christianity knows how to hate.
We were raised by sixty-percent divorce rates,
yet we still believe that we are soul mates.
We are the jokers of the deck:
either smiling fools or wild cards.
We are cocked heads with smoke billowing from throats
coated with blisters and cough syrup.
We are back alley scavengers crawling on all fours.
We are the era of the Auto-Tuned voice,
proof that with a pretty enough face anyone can sing.
We are foggy mirrors with smiles drawn on them
by print-less fingertips.
We slip up the thighs of our lovers
and swirl down the drains of sinks with chipped paint.

We are the hearts in your hands-
Crush us into powder and brush us across your face like Indian war paint,
Give us up to the sky so that we can be revived by lightning,
Dance to the rhythm that we beat,
Squeeze us and watch as we seep through the cracks of your fist,
Conceal us in your pocket and only ever speak to us in a whisper,
Or,
with all your natural voice,
sing to us
songs about thunderstorms
to wet the dusty desert dirt around our rooted toes
in the hopes that we will blossom in the most vivid colors.

Just do something with us.

Don't sacrifice us to the tops of lost bookshelves
to collect dust
or rust in the rain with everything you once loved
but grew too old for.
C. Voss (2009)
 Dec 2012 Bayley Sprowl
brooke
Maybe if I were a
hummingbird. Wine-throated
in Guatemala, would that be
far enough away, or is it such
a romantic notion to want to
to be fast enough to escape but
beautiful enough to be noticed
(c) Brooke Otto
The garbage man came
as I drank my coffee, flavors mixing
with my cigarette and
The Great Gatsby.
I watched him pick up the dumpster,
overturn it in his truck
and I thought of asking
what he could do about
my garbage, my treasures;
a torn bumper on
the corner of 11th and Montana Avenue,
a broken lucky cigarette,
proving my superstitions to be false, maybe,
and a half-full soul
trying to find its way
back into my heart,
that I gave to her
many years ago
but it wasn't my heart I wanted back,
just her, because
she at the time, was elsewhere
and that I couldn't handle.
I stayed silent as
he drove away
with things unwanted
wishing he could too
pick up the things
I so greatly miss
and return them to me.
One morning you will wake,
find the mirror and discover
that your body is a gourd.

It's as I told you yesterday--

We live in the hollow of life,
within the skin,
in a husk of a home.

You dream of nests, caves,
clefts in the cliff, us kissing
on the floor of a kiva.

So tonight, when you lie beside me,
hidden in the dim, you will drift,

find us in the fold, pressed
against the breast of the valley, the lips
of the stream.

So you must trust me tomorrow
when I tell you--

I love you, but the flood will come.

The moon will mean more.
You'll see.

Tides are everything.

And my voice will sound round
when I say it:

This is the dark place
where you hid as a girl

Curled,

in the belly of the sink.

                                                     -km
I look up, and your there.

A red beast, mud-made,
a devil for sure.

You're shaking.
I pretend not to notice.

Instead, I dwell
on the story.

It seeps from my hands,
pours from thorn ******.

Water and Wine.
Water and Wine.

Scrolls of it.

I'm not sure what's next,
Something about a stone?

Anyways, I'm sorry.

I shouldn't have made you
do it.

                                                            ­                  -km
This is the Southern Range.

Roads up here,
they want you thrown.

They coil, uncoil,

black snakes
hugging the rock.

There are signs of course,
always are,

crude symbols, bee colored,
lining the road.

Their message is plain:

Up here, so near
heaven,

danger falls.

Cars get crushed.

And in the morning
there's steam, it's everywhere,

rising like crazy.
Next page