You wish to believe in the opening and closing of flowers
in falling stones filled with meaning
in preposterous positions and overwhelming frissons;
yet you are old and life has forced its finger into your stone face;
to excavate a blood place;
a tiny pool of black sweat;

an eye

the dark-thought clouds hang heavy
above
and on the heads of the trees
that stand like lanky children in assembly
the sun spreads its end–of-day grace;
and so you will remember, perhaps
oh end of day and sun and trees
and the pensive air that envelopes all this evening -
you will remember, perhaps -
to conspire forth such an evening
the last hours of my days
if you will remember, perhaps

i entangle myself in the sky,
grasp and tug on breezes,
expect grass to be as thoughtless
as my skin.



i am complete, here,
amongst the feelings of stones,
as april folds me,
intricate, in its madness.

you had birds in your mouth and sunlight dripping from your eyelashes.
i promised i wouldn't speak if you wouldn't change faces twice an hour.
we made conversation under a tree and sleep-walked through your kitchen.
i couldn't stare for your poetry disguised as fingers, always moved your hands.

i opened your window and slid to the street, took a walk with the recycling.
my hands looked tired the next morning, and you wouldn't take no.
when the lights fell asleep, we ran for the boats and slipped into the water.
the moon smiled and pulled us apart, i never matched your shoes again.

I sat in the old pool and let
the black algae sprout all over me.
I lay down and became soil for
the black algae. Gave it my
sweat so full of minerals. Ate it
to keep going. To keep going
and grow more and eat more.
I have been lying down so long
my ears are ringing. From the soda-water
smell of the pool bottom - my eyes spring
to color like an Indian rug
as I stand up.

I thought I was taller.

Every day I eat an apple
and watch the dogs fight each other
at the big rocks in the park and this
is Freedom.

And I think about you, or who you might be.
You are buried under the skin of the world
behind its face and muscle. You are sweet.
You are a lime seed.

You are a lime seed
and every day I eat an apple
whose seeds sleep in the
middle lurking with poison.

My plan is to **** on the flesh of the world.
I'm no supervillain. I just want the smack of sugar.
I will **** until you emerge. Or I
will run through the park, shout at every stranger
in a new voice.

I thought I was taller.
I thought I was taller.
I lose my balance.
I lie back down.

When I first sold myself there were
black cottons, brass buttons, iron crosses, steel machines
All the marks of war
All that searing heat
With all that pretty malice
Spilling Paris in the street
‘Twenty marks’ I called
‘Twenty marks’
That was 1943
And Piaf was doing well

Nurse, do you know what it is like:
To have a man inside of you
that you could never love?

There was, once upon a time, a pretty little ****
black cottons, brass buttons, iron crosses, steel machines
Lying on my floor
And Maman was starving, and my sister, too
Dignity wasn’t half the tax it seemed before
He gave me a baby, and a disease,
That was 1944:
Piaf was quite successful, then

Doctor, can you fathom:
Having sores all over you?
Yes, down there, and
all up and down your thighs, your body burns.
Can you feel that?

Then, the Germans left, and the Allies came, all
black cottons, brass buttons, iron crosses, steel machines
All of that decor
Fleeing, running out
On the French horizon
Retreat
The Allies were the same
‘Three dollars’ I called
‘Three dollars’
That was 1945:
Piaf was languishing
Paris had died

Jacques, my dear:
Those were our times
smoky cabarets, sculptured croons, fine wines
your rifle on your back could wind my morning with worry
and with my scourges, you took me all the same
but what I remember is:
black cottons, brass buttons, iron crosses, steel machines
then:

nothing

“Monsieur Boursin - she has passed.”

He sobs,
it sounds like
war.