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From Wilfred Owen to his Mother, France 1918


Fastened frosted muds battle with my being but will these tears mean anything if my resolution has come too late?
Will England’s Green shores ever sigh for me; for those slain here?
The smell of the dew is still sweet on my senseless tongue.
Nothing in this septic land could shave the zest from my skin.

When the gasp of my final breath resounds in silence,
I only hope that I sleep and slip away from the impossibility of understanding what has occurred here.
To fade into my torment and leave the things I love.
Can this be my only contentment when
The canvas I envisioned was so white, the page so blank, so vast?
I only ever pleaded for a chance to fill even the tiniest part.  
I want for now only to be gone from here, Dear Mother…..
God, these tears burn my cheeks in this cold,
As if I have been moved into the sun, and I feel I am helpless.

If only my life were the sonnet form of this uncertainty,
My existence I could abolish with the half-rhyme of my Knowledge.
For it is law that a sonnet of fifteen lines is no longer a sonnet.
Its very existence has been prolonged beyond definition.
A life form sonnet of thirteen lines has been cut too short,
Gunned down by fate before the indulgence of its own conclusion. France is now a pathetic source of melodramatic monologue.
Trapped without the hidden ear of soliloquy,
Within this surreal Garden of Courtly Love, I am alone.
I can no longer feel the brush of your angel wings as they breeze Through No Mans Land,
Or anywhere on this lonely world-wide shore.
For they have been grabbed to the ground with an unassuming thud by the gravitational pull of bile and death.

And so it comes to this.
To never again hold a thing of beauty in my hand;
To press it gently against my anxious heart.
Is this what I’ve become?
Or to fight on and never speak a word of what has occurred here,
For Dante fell too short in revelation and I am no one to amend.
I have no place here or there and,
In limbo, I will probably die here Mother.
Here with nothing but the burning of my fragile heart to remind me. Earth’s sleep has broken.
Irrevocable, irreplaceable, irresponsible.
But nothing happens.

Barry Miller September 2007: Los Angeles, CA.
Mud
Mud
For Katharine R. Cole

If gormless is as gormless does unite
That past of him and present me, I’ll turn
His other cheek against his waning sight;
I’ll **** his Hamlet soul to cringe and burn.

But dripping cannot thick or think in depth.
Blobs like blackened bulbous beads of eyes
Persist on shrinking into transits swept,
And down through dullard pools of choking fire.
Yet treacle binds my bole wood vocal chords
In rapture from such silence to withdraw
From sand that quickens, thickens, and distorts.
Can earth and water’s union mask my flaws?
The answer dares to dream but I refrain.
My name is Mud. Dear God, that is my name.

The foot: an endlessly dull point
Breathing technique, perfected by Roman Bill,
And a tall, sinewy, fine china ***** heel,
Cheap to most and worthless when submerged, submerges.
The tough Elephant hide surface
Of a swamp-like state and state.

Q. How does one become embroiled in such a located province of mind?
A. Alcohol’s venomous beauty and cheap living costs.
     The South.
    
An Elephant on a scooter stares blindly
At its own reflection circling the limb,
Shrugging dew drop eyes at what man had forgotten.
Not once, but twice.
    
The foot becomes a divulging calf of information
Sputtering in this bubbling torment of beige,
And pulsating around like an African tunnel
Waiting to be filled – fulfilled – ******.

    
The knee complies,
                      Sinking,
                                 Slowly,
                                          Not painlessly,
                                                             Not quick.

     The mercy of a lethal injection’s lie becomes
Absurd when one’s limb is the needle;
One’s brain the plunger of acceptance.
His gasp, a roar of silent fruit ripening in a
Mode too fast, cutting life and laundering
Expectancy whilst hanged from a
Whined whimper of Penance.
Purgatory’s whistle blows for time.  

II

A small red car clenched tightly
In the hands of a tightly tiny black boy,
His eyes huge and deep, but white; untouched by
Time’s clock or the weight of granite black that
He leans upon. Plastic tires screech horizontally along the
Structure of a Library’s historic insight.
Below, the ground is dry.
Beneath him, the ground is solid.
    
        Meanwhile, molten muck pulsates around
Our swirling antipathy of soul crushing
Nullness, with a lack of guilt unimaginable.
It bubbles, it bubbles: it toils in boiling rubbles
Of the past’s present and All I Could Have Been.
And I have never, could never
Sink lower in reality;
Blow harder against punishment’s wind;
Cry for this other as a **** filled wound weeps down her face.
    
The swirl of liquefied dirt and sand bags me,
Drags me, as if some *** lover of Hades is not done
With what is left of me. Disease to spread: just a little, just
A little more, like the detrimental bottle that
Knew me.
    

      As the hip is engulfed, an angle of almost perfect
Ninety creates  itself against the horizontal extremity
And puny ballsacksquash entails. Useless yet overused;
Timeless yet impressionable, pensionable. Gone.
Nothing knows me but this thickness’ quickness.
          That wants too much
From nothing               but existence
And the scab that fastens with time.

III

Turn the bottle back and find strength to
Outpour the clock and grant eternity.
Non compliant strength paid a fiver
For a soul worth two at the most.
A penny for the worthless: For the sickened lame.
Empty time feeds rays of golden from the sun fuelled
Encrusted *******, mudfast on heat.
This somehow seems like action.
Firm firmness but cracked with ease and
Non-returnable once inflated;
Non-negotiable on the bloodorgans of salt.
Weakness and powerlessness: *****.
*** for tat, for ***, ***, ***. For tat.
    
     The Elephant rises.
You brought this upon yourself, this rain of mud;
This treacle that will dry when you are dirt.
You would not let it ******* lie.
All of your ******* life: this strife, that wife.
     Your second leg (the grasper) tries,
     At length, to shield your heart:
     The only thing that cries.
     That does not want to die.
     Cartoonish bubbles of brown pop to the tune
     Of Loonies; of your shoebox brain that screams in vain.
What is your name? What is your want?
There is no blame you ******* maniac.
Everyone knows. Sink awake. Sink.
     Rest: do not sleep. Freezetimeframe.
     There is one more timeless point to make.


The sun and moon meet brief: the seconds count,
But die shy of one minute. Clear the road.
‘Tis dusk, I fear they named it. Raise the mount
And sacrifice another drowned sot load.
The moment thence: Anonymous descent.
The digger meets the dead in buried time.
The wish is washed in mud, the liver spent.
The blood-stained hands of Glasgow dodge the crime.
Make speed my sick sad Miller, grind the grain
Of Galloway, Gibb, Neave, Dunlop and Cole.
Your ghost will haunt your tag if not your brain.
Your heart should part this city river’s soul.
The sunjoke frozen, captured, stumped, and framed.
My name is Mud. Dear God, that is my name.
My organs need aligning      
To my mind's meandering tract.
Irrespective if she loved me,
I should have loved her back.  

August 1st 1994

What do you want from me? I am not just,
As you desire; I am not whole or part
Of your antiquity. I know I must
Deplete my ore of you; I must depart,
If only to withstand the judgment call
That I should sober mine my soul. I dig
But find my land possesses naught but pall
Shrouds, wrecked by empty casks and crowded brigs.
‘Tis only with the passing time and flight:
When I long to belong, when I am blind
With *****, stupefied and brain-dead bright,
That Scotland, you invade my winding mind.
The question haunts as dreich as my desire.
My constant drunken dream will ne’er expire.

Where do we go from here? What is to come
Of me within you, in you, here and now?
The solitary plight in one man’s sum
Of rhyme and reason creases on my brow.
I, sweat in winter outcast by the self,
Must sit. I crouch and crawl from bed to bowl.
This box is stutter stained by glass, the serf
My conscience specified, to catch the soul’s
Transfusion red to street. It drips and slides,
It split my very sides when sadness swept
So close. Dear Scotland, will I ever hide
The condemnation, nailing my inept
Existence? Will I ever find the time?
Dear Scotland please prepare my earthbound lime.

It did, and I did, one after the first.
And now the long time that I walk upon
Has thrown itself, is gone. The wayside burst.
Yet blind, I still conceived my setting sun.
Lone looped black celluloid, I circled, fed
Upon the axle of my own demise,
So many times in dry feet, airborne led
(To a) dishevelled Scotland, spread for absent eyes.
Undressed: acceptant in the throes of musk,
The tear comes shuddering. The chasm wails;
The dales of concrete weep from dawn till dusk.
Yet my visage of sickened eyelets fails.
If Scotland is to eye, my wounded knee:
Then tomb my head in Boston, let it be.
Because,
You loved me with a broken quill clutched tight
Into your hand. My blind eyes reacted to
The sound of greyness in your voice. A flight
And fancy ploy: the essence of a truth.
As memories of eggshelled sojourns waltzed
To Spain and back my tip-skin touched the soul
Of spirit taste, on foot, which cracked beneath
Another sole. My role had shifted poles.
Yet then, in linened white and Boston bright
Disdain, I worshiped, nay, I bled the thought
Of rain on cobbled Ahston Lane. To fight
The want was useless. Now, to the fight, I float.
A ghost in life, I crawled the clouds for miles,
To shake my Scotland’s hand and reconcile.






Barry Miller-Cole 2011

— The End —