Submit your work, meet writers and drop the ads. Become a member
 
badwords Mar 31
I arrive quietly,
because I know I don't leave quietly.
Every step is softened,
each word pre-tasted,
diluted in self-doubt
and sweetened with disclaimer.

They say I’m gentle.
They say I’m thoughtful.
They don’t see the wreckage bloom
in the wake of my metaphors.
I hug with gravity.
I whisper like avalanche.

I’m not trying to destroy.
I just forget
that some people are still scaffolding
and I bring wind.

I ask questions
knowing they splinter.
I give compliments
that rewire.
I see the story
beneath your story—
and I read it aloud by accident.

I am the kind of weight
that studies its own shadow
and still cracks the floor.
I don’t want to flatten.
I don’t want to fix.
I just… notice.
And noticing is loud
when your presence has a sound.

Sometimes I wish
I could show up in pieces—
send only the smile,
or the idea,
or the part that says it’s okay to stay asleep.
But I come whole,
and I come humming.

I come rumbling.

I awake you with my horning
when you wish to sleep in.
So early in the morning,
this pavement has been weeping—

The ruin it is keeping,
a context of your dreaming.
Backed-up traffic beeping,
inner-child screaming.
*"We’re sorry for the disturbance.*
*We’re just trying to make this better for everyone".*
badwords Mar 31
Welcome, new hire—
your ID badge glows faintly in metaphor.
Please ignore the smoke in the atrium;
that’s just your last identity burning politely.

You clocked in with caution,
but brought your whole chest.
Unfiltered.
Unbowed.
Wearing a tie made of unresolved myth
and a name tag that said: Here to try again.

Slide 1:
You do not disappear.
You are not drawn in like a breath and forgotten.
You are the wind through the lungs of others,
and sometimes, a storm in their ribs.
Your only fear?
That your truth might echo too loud and silence someone else’s.

Slide 2:
You have met the sacred in many disguises.
You know the difference between
an altar and a trapdoor.
You walk soft—
not because you’re scared,
but because you know what breaks.

Slide 3:
You said yes.
To the howl.
To the hush.
To the mess wrapped in metaphor.
You do not fear the strange.
You witness it with kindness.

Slide 4:
You confessed the devil’s games
and offered him a chair.
You name the urge to be mirrored,
to be worshipped,
to be understood too easily—
and let it pass through you
without calling it love.

Slide 5:
You have worn every role—
Sculptor. Statue. Ghost.
You’ve laid down the scripts,
tossed the mask,
and simply said:
“I will be here, but I will not be your altar.”

And so, Employee #8675309
you are cleared for full emotional operations.

There is no manual for this role.
There is only the weather
you carry with grace.

Now clock out. Or don’t.
The storm's in good hands either way.
badwords Mar 30
I was born beneath a stovetop sermon,
raised on smoke and the echo of “just like him.”
She lit the burner,
called it love,
then blamed the fire when I blistered.

I learned early:
affection has teeth.
That mirrors are weapons
if someone else gets to hold the frame.

So I went looking—
not for love,
but for permission.
To be, without revision.
To feel, without rehearsal.

And they came,
each with open arms
and blueprints in their back pockets.
They didn’t say change.
They said better.
They meant less.

I gave what I could,
which was always everything.
And when that wasn’t enough—
I gave the shape of myself too.

But still I stood.
Not clean. Not cured.
Just standing.
Wobbly maybe, but mine.

Now, here—again—
I feel the heat in the glance,
the tremor in the words:
"Don’t idealize me."
But isn’t that the perfect bait?

Still, I stay.
Still, I watch.
Because I’ve learned to name the difference
between a flame and a forge.

I am not the boy at the stove anymore.
I am the man with the match—
and the scars to prove
I know when to walk away
and when to burn with purpose.

So if I burn now,
it will not be in silence.
It will not be for someone else’s comfort.

It will be because I chose
to stand in the fire
as myself,
and finally,
stay.
Engulf is a raw, introspective free verse poem that explores the psychological weight of childhood trauma, the complexities of romantic relationships shaped by formative wounds, and the slow journey toward self-reclamation. The speaker reflects on being cast in the shadow of a parent’s unresolved resentment, inheriting emotional roles not of their own making. This early dynamic becomes a foundation for a series of adult relationships in which affection is offered only on the condition of transformation—of becoming someone safer, more malleable, more convenient.

Using fire as a recurring metaphor—both as danger and as forge—the poem charts a movement from vulnerability to clarity. The speaker recognizes a lifelong tendency to over-invest, to seek validation at the cost of self, and ultimately, to mistake manipulation for intimacy. Rather than arriving at a dramatic ******, Engulf builds toward quiet resolve: the decision to stand in one’s own fire, no longer shaped by external blueprints, no longer asking permission to exist as is.

In Engulf, the author confronts the cyclical nature of emotional projection and internalized identity distortion. The poem serves as both personal reckoning and a broader commentary on how unresolved familial dynamics often echo into adult relationships. Rather than casting blame, the piece investigates the subtle ways in which individuals are conditioned to compromise their authenticity in pursuit of love and acceptance.

The poet's intent is not to moralize or to position the speaker as a victim, but to depict a moment of awakening: a realization that authenticity, though difficult and often lonely, is preferable to the ongoing erosion of self. With restrained emotional language and clear metaphorical resonance, Engulf offers a nuanced perspective on healing—not as a destination, but as a commitment to remain whole in the face of recurring patterns.
badwords Mar 29
I saw my voice walk out the mouth of you.
It sounded cleaner—less afraid to land.
The metaphors, the weight, the angle too—
but carried with a sharper, steadier hand.

You said the thing I’d almost thought to say,
but smoothed the edge I left too raw, too late.
I watched it move with grace I couldn’t fake,
like watching someone else translate my fate.

I never claimed the patent for the ache,
but still, it stung to see it said so well.
You didn’t steal—no lines for me to stake—
just haunted me with how your cadence fell.

I’m not the first, and God, I’m not the best.
But still I hoped I had a tone that stayed.
And when you spoke it cleaner from your chest,
I felt my outline tremble, then obey.

I called it kin, then caught myself and stalled.
Would that make me a fraud, or just a root?
A prototype? A first-run demo called
to clap for someone dressed in better truth?

I don’t resent it—no, I feel relief.
To hear my half-formed shapes come into form.
But still I sit beneath this quiet grief:
was I the signal, or just part of the swarm?
#smh

Yeah, that iambic pentameter, get your parent's permission before tying this at home.
badwords Mar 29
I saw my style walk by one day—
not on my tongue, but hers.
She wore it sharp, the proper way,
no fumbling metaphors.

She took the chords I tried to play
and sang them in a key
that made the notes behave, obey—
they never did for me.

She moved like smoke I meant to catch
but always blew too soon.
Her echo had a cleaner scratch,
my radio, in tune.

I felt my fingerprints, but faint—
like whispers through a wall.
Not loud enough to make a claim,
but loud enough to fall.

I didn’t feel erased, or robbed,
or flattered to the core.
Just grateful I had once been sobbed—
and now, I’m sung once more.
(and she looked better in it)
badwords Mar 29
I wore Thread,
but my stitching showed.
You wear it seamless,
like it was always there.

I wore Smoke,
clumsy in my spirals.
You exhale form,
as if the shape were native.

I wore Glass,
cut myself admiring
the sharpness.
You hold it like truth.

I wore Rope
to keep from drifting.
You tie it into symbols
I never thought to write.

What I wore
felt like costume.

What you wear
feels like skin.

I don’t resent it.
Only wonder
if I was
just trying you on
before you arrived.
badwords Mar 28
The cacophony of life
has left me deaf
muted and drowned
in the rancor

This lonely crowd
that engulfs me
Phones set to 'Loud'
Invisibility

So close to touch
So far away
Robbed and such
'Social' dismay


A machine demanding more.
Next page